Two doctors and a folklorist meet in northern Brittany in 1898, determined to prove that leprosy still exists. But their ardour for collecting evidence draws them into a dark, watchful landscape where superstition is rife. Many of the stories in All the Souls hover round themes of 'collecting' and recovering the past. From poignant and dangerous obsessions with the iconic (a Romano-British figurine; a carved wooden Christ-child; a bronze angel) to direct, often puzzled conversations with ghosts, the characters in this book all strive to make contact with the impossible. A girl becomes obsessed with a figure she only sees through a Camera Obscura; an angry man strikes up a friendship with a sixth-century saint; a revenant mother by a mountain lake tries to explain herself to a grieving friend.

A special number devoted to Celtic material. This special number of the well-established series Arthurian Literature is devoted to Celtic material. Contributions, from leading experts in Celtic Studies, cover Welsh, Irish and Breton material, from medieval texts to oral traditions surviving into modern times. The volume reflects current trends and new approaches in this field whilst also making available in English material hitherto inaccessible to those with no reading knowledge of the Celticlanguages. CERIDWEN LLOYD-MORGAN has published widely in the field of Arthurian studies. She is currently Honorary Research Fellow in the School of Welsh, Cardiff University.

In July 1789 George Cadogan Morgan, born in Bridgend, Wales, and the nephew of the celebrated radical dissenter Richard Price (1723-91), found himself caught up in the opening events of the French Revolution and its consequences. In 1808, his family left Britain for America where his son, Richard Price Morgan, travelled extensively, made a descent of the Ohio and Mississippi Rivers by raft and helped build some of the early American railroads. The adventures of both men are related here via letters George sent home to his family from France and through the autobiography written by his son in America.

During Iolo Morganwg's lifetime Britain was obsessed with literary forgery. This book reveals the unexpected connections and hidden influences behind Britain's most successful (and hence, perhaps, least visible) Romantic forger. Quoting extensively from unpublished manuscripts, it explores Iolo's own strongly-held ideas about the Truth-historical, literary and religious - and shows how he responded to the work and the criticism of both James Macpherson and Thomas Chatterton. It also shows how, after death, his ideas affected the Breton writer Hersart de La Villemarque, whose ordination as a Iolo-style bard in 1838 helped to bring about a Celtic cultural revival in Brittany. The subject sits neatly at the intersection of two currently popular critical domains: British Romantic literary forgery, and Celticism.