In an era when the metaphor of the archive is invoked to cover almost any kind of memory, collection or accumulation, it is important to re-examine what is entailed-politically and methodologically-in the practice of feminist archival research. This question is central not only to the renewed interest many disciplines are showing in empirical research in archives but also given the current explosion of online social and cultural data which has fundamentally transformed what we understand an archive to be. Contributors in this collection are keen to mark out what may be novel and what is enduring in the ways in which feminist thought and feminist practice frame archives. Importantly, they engage with archives in their historical and political complexity rather than treating them as simple repositories of source material. In this respect, contributors are keenly interested in what it means to archive particular materials, and not simply in what those materials may hold for feminist researchers. The collection features established and emerging feminist scholars and brings together interventions from across such disciplines as history, literature, modernist studies, cinema studies and law. This book was originally published as a special issue of the journal Australian Feminist Studies.

Germaine Greer is one of the most enduring and influential figures of the second wave of the women's movement. The Female Eunuch (1970) is one of second-wave feminism's most widely recognised publications and its author has come to embody and indeed expand our understanding of second-wave feminism in a way that few others have. Yet, while Greer's public visibility never seems to wane, her writings and her politics have failed to attract the kind of sustained critical engagement they warrant. This volume represents the first collection of essays to examine Greer, her politics, her writing, and her status as a feminist celebrity. The essays in this collection cover The Female Eunuch (1970), Greer's public rivalry with Arianna Stassinopoulos, her time in America, her ideas and politics, and her styling as feminist fashion icon. Many essays include new insights drawn from previously unseen material in the recently launched Germaine Greer Archive at the University of Melbourne, Australia. This book was originally published as a Special Issue of Australian Feminist Studies.

Focuses on a series of interactions and exchanges - whether philosophical, political, aesthetic, or commercial - between Australia and the cultures of the Asia-Pacific region.

In an era when the metaphor of the archive is invoked to cover almost any kind of memory, collection or accumulation, it is important to re-examine what is entailed-politically and methodologically-in the practice of feminist archival research. This question is central not only to the renewed interest many disciplines are showing in empirical research in archives but also given the current explosion of online social and cultural data which has fundamentally transformed what we understand an archive to be. Contributors in this collection are keen to mark out what may be novel and what is enduring in the ways in which feminist thought and feminist practice frame archives. Importantly, they engage with archives in their historical and political complexity rather than treating them as simple repositories of source material. In this respect, contributors are keenly interested in what it means to archive particular materials, and not simply in what those materials may hold for feminist researchers. The collection features established and emerging feminist scholars and brings together interventions from across such disciplines as history, literature, modernist studies, cinema studies and law. This book was originally published as a special issue of the journal Australian Feminist Studies.

Germaine Greer is one of the most enduring and influential figures of the second wave of the women's movement. The Female Eunuch (1970) is one of second-wave feminism's most widely recognised publications and its author has come to embody and indeed expand our understanding of second-wave feminism in a way that few others have. Yet, while Greer's public visibility never seems to wane, her writings and her politics have failed to attract the kind of sustained critical engagement they warrant. This volume represents the first collection of essays to examine Greer, her politics, her writing, and her status as a feminist celebrity. The essays in this collection cover The Female Eunuch (1970), Greer's public rivalry with Arianna Stassinopoulos, her time in America, her ideas and politics, and her styling as feminist fashion icon. Many essays include new insights drawn from previously unseen material in the recently launched Germaine Greer Archive at the University of Melbourne, Australia. This book was originally published as a Special Issue of Australian Feminist Studies.

This book is concerned with the gender order of post-Fordism, and especially the labour demanded from many women by post-Fordist capitalism. It maps and traces these demands as well their entanglement in complex processes of value creation. In so doing the contributors elaborate how processes of financialization; calls for work-readiness; new modes of economic calculation; processes of economization, and emergent regulatory strategies are reconfiguring labour and life in post-Fordism and summoning new forms of 'women's work'. Contributors also map how these same processes are repositioning feminism, especially feminism as a mode of critique. Feminism here stands not in an external relation to the objects and matters it seeks to critique but as implicated in those very objects. In mapping this terrain Gender and Labour in New Times opens out new feminist research agendas for the study of the post-Fordist labour and the modes of regulation that post-Fordism as a regime of capital accumulation entails. This book was originally published as a special issue of Australian Feminist Studies.

This work focuses on a series of interactions and exchanges - whether philosophical, political, aesthetic or commercial - between Australia and the cultures of the Asia-Pacific region. Emphasis is placed on the discursive means by which Asia is represented and/or implicated in a variety of contemporary Australian cultural practices, and on a consideration of the complex network of economies which constitute those representations: market economies, economies of bodies, sexualities and desire; and economies of exchange, production and consumption. By focusing on such practices as film, the visual arts, advertising and journalism, these essays also examine the various processes by which Asia is recoded, re-presented and marketed in Australia. Cultural contexts include Hong Kong, Japan, the Philippines, Vietnam, Cambodia and the Pacific Rim.

New Feminist Research Ethics re-examines the place of the ethical in feminist research and identifies new ethical priorities for feminist researchers. As urgent social, political and environmental challenges demand new ethical sensibilities, contributors revisit the relationship between feminism and research to ask what it means to be an ethical feminist researcher now. They explore how hierarchies of privilege have shaped our understandings of research ethics and question how evolving understandings of feminist research ethics sit alongside formal institutional ethics processes. Contributors also situate feminist research ethics in the context of a broader ethics of care and repair. Importantly, New Feminist Research Ethics acknowledges the need for feminist ethical research frameworks that encompass multiple perspectives and draw from diverse traditions of knowing. The volume brings together established and emerging scholars, and perspectives from sociology, history, gender studies, archival studies, cultural studies, and architecture. It was originally published as a special issue of the journal Australian Feminist Studies.

This book is concerned with the gender order of post-Fordism, and especially the labour demanded from many women by post-Fordist capitalism. It maps and traces these demands as well their entanglement in complex processes of value creation. In so doing the contributors elaborate how processes of financialization; calls for work-readiness; new modes of economic calculation; processes of economization, and emergent regulatory strategies are reconfiguring labour and life in post-Fordism and summoning new forms of 'women's work'. Contributors also map how these same processes are repositioning feminism, especially feminism as a mode of critique. Feminism here stands not in an external relation to the objects and matters it seeks to critique but as implicated in those very objects. In mapping this terrain Gender and Labour in New Times opens out new feminist research agendas for the study of the post-Fordist labour and the modes of regulation that post-Fordism as a regime of capital accumulation entails. This book was originally published as a special issue of Australian Feminist Studies.

This collection analyzes shifting relationships between gender and labour in post-Fordist times. Contingency creates a sexual contract in which attachments to work, mothering, entrepreneurship and investor subjectivity are the new regulatory ideals for women over a range of working arrangements, and across classed and raced dimensions.

Inspired by a rapidly changing fashion landscape, Fashion: New Feminist Essays offers historical and contemporary studies that reveal the relationships between fashion with gender, sexuality, race, and age. Fashion is a rich terrain for feminist scholars in the twenty-first century. Explicit engagements with feminist and queer politics, critical interventions by industry outsiders across digital platforms, diversifying images of stylish bodies, and ongoing discussions of the ethics and sustainability of fashion production: all of these point to an urgent need to reappraise the relationship of fashion to feminism and other justice-seeking movements. The essays in this collection take up fashion as a feminist critical tool that uniquely holds together the lived and represented body with larger cultural structures. Contributors unearth surprising new lines of connection between gender, sexuality, race, age, and religion in their relationship to capitalism, both historically and in the present. Bringing together established and emerging scholars, and perspectives from gender studies, history, sociology, philosophy, and literary studies, Fashion: New Feminist Essays traces the far-reaching impact of this most feminized of forms, underscoring the significance of fashion studies for understanding the politics of culture. This book was originally published as a special issue of the Australian Feminist Studies journal.

The emergence of digital technologies in the realm of archives has enlivened our understandings of archival materialities and lent a new intensity to our engagements with the archived page by prompting us to consider the potential of paper and the page in ways that we have hitherto largely ignored. Paper, Materiality and the Archived Page responds to this provocation by setting out an approach or an orientation to 'thinking through paper'. Critically, it questions what work the archived page does if it is more than an invisible or transparent support to text. Three exemplary case studies are offered on the letters of Greta Garbo, the messy archival remains of Australian writer Eve Langley and the letters and manuscripts of English poet Valentine Ackland. Together they demonstrate how approaches grounded in concerns with materiality and matter can shift how we understand archival research and what we accept as archival 'evidence'. They also reveal the emergent capacities of the paper page.