One Easter Sunday, Madame Ballandra puts her hands together and exclaims: 'A miracle!' Baby Pascal is strikingly beautiful, brown in complexion, with grey-green eyes like the sea. But where does he come from? Is he really the child of God? So goes the rumour, and many signs throughout his life will cause this theory to gain ground. From journey to journey and from one community to another, Pascal sets off in search of his origins, trying to understand the meaning of his mission. Will he be able to change the fate of humanity? And what will the New World Gospel reveal? For all its beauty, vivacity, humour, and power, Maryse Conde's latest novel is above all a work of combat. Lucid and full of conviction, Conde attests that solidarity and love remain our most extraordinary and lifesaving forces.

"French novelist Conde (Waiting for the Waters to Rise) delivers an ingenious bildungsroman of a messianic figure in contemporary Martinique. Readers will be transfixed." -Publishers Weekly, starred review A miracle baby is born on Easter Sunday, rumored to be the child of God. Award-winning Caribbean author Maryse Conde follows his journey in search of his origins and mission. One Easter Sunday, Madame Ballandra puts her hands together and exclaims: "A miracle!" Baby Pascal is strikingly beautiful, brown in complexion, with gray-green eyes like the sea. But where does he come from? Is he really the child of God? So goes the rumor, and many signs throughout his life will cause this theory to gain ground. From journey to journey and from one community to another, Pascal sets off in search of his origins, trying to understand the meaning of his mission. Will he be able to change the fate of humanity? And what will the New World Gospel reveal? For all its beauty, vivacity, humor, and power, Maryse Conde's latest novel is above all a work of combat. Lucid and full of conviction, Conde attests that solidarity and love remain our most extraordinary and lifesaving forces.

For many, cooking is simply the mechanical act of reproducing standard recipes. To Maryse Conde, however, cooking implies creativity and personal invention, on par with the complexity of writing a story. A cook, she explains, uses spices and flavors the same way an author chooses the music and meaning of words. In Of Morsels and Marvels, Conde takes us on a literary journey around places she has travelled to in India, Indonesia, and South Africa. She highlights the tastes and culinary traditions that are fascinating examples of a living museum. Such places, Conde explains, provide important insights into lesser-known aspects of contemporary life. One anecdote illustrates what becomes of the standard Antillean dishes of fish stew and goat curry by two Antilleans who own a restaurant in Sydney, Australia. Cuisine changes not only according to the individual cook but also adapts to foreign skies under which it is created. The author also recounts personal memories of her lifelong relationship with cooking, such as when Adelia, her family's servant, wrongly blames little Maryse for mixing raisins with fish and using her imagination in the kitchen. Blending travel with gastronomy, this enchanting volume from the winner of the 2018 Alternative Nobel Prize will delight all who marvel at the wonders of the kitchen or seek to taste the world.

By the winner of the 2018 Alternative Nobel prize in literature Born in Guadeloupe, Ivan and Ivana are twins with a bond so strong they become afraid of their feelings for one another. When their mother sends them off to live with their father in Mali they begin to grow apart, until, as young adults in Paris, Ivana's youthful altruism compels her to join the police academy, while Ivan, stunted by early experiences of rejection and exploitation, walks the path of radicalization. The twins, unable to live either with or without each other, become perpetrator and victim in a wave of violent attacks. In The Wondrous and Tragic Life of Ivan and Ivana, Maryse Conde, winner of the 2018 Alternative Nobel prize in literature, touches upon major contemporary issues such as racism, terrorism, political corruption, economic inequality, globalization, and migration. With her most modern novel to date, this master storyteller offers an impressive picture of a colorful yet turbulent 21st century.

Babakar is a doctor living alone, with only the memories of his childhood in Mali. In his dreams, he receives visits from his blue-eyed mother and his ex-lover Azelia, both now gone, as are the hopes and aspirations he's carried with him since his arrival in Guadeloupe. Until, one day, the child Anais comes into his life, forcing him to abandon his solitude. Anais's Haitian mother died in childbirth, leaving her daughter destitute - now Babakar is all she has, and he wants to offer this little girl a future. Together they fly to Haiti, a beautiful, mysterious island plagued by violence, government corruption, and rebellion. Once there, Babakar and his two friends, the Haitian Movar and the Palestinian Fouad, three different identities looking for a more compassionate world, begin a desperate search for Anais's family.

This wild and entertaining novel expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later. Maryse Conde brings Tituba out of historical silence and creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls "a sort of female hero, an epic heroine, like the legendary 'Nanny of the maroons, '" who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that owns her.

CARAF Books: Caribbean and African Literature Translated from French

This book has been supported by a grant from the National Endowment for the Humanities, an independent federal agencY.

'An extraordinary storyteller' Bernardine Evaristo 'People say that on the first night Francis Sancher spent in Riviere au Sel the wind in its temper screamed down from the mountains...' Francis Sancher always said he would come to an unnatural end. So when this handsome newcomer to the Guadeloupean village of Riviere au Sel is found dead, face down in the mud, no one is particularly surprised. Loved by some - especially women - and reviled by others, Francis was an enigmatic figure. Where did he come from? What caused his strange nocturnal wanderings? What devils haunted him? As the villagers come to pay their respects, they each reveal another piece of the mystery behind his life and death - and their own buried secrets and stories come to light. 'The grand queen, the empress, of Caribbean literature' Fiammetta Rocco, Guardian

For nearly four decades, Maryse Conde, best known for her novels Segu and Windward Heights, has been at the forefront of French Caribbean literature. In this collection of essays and lectures, written over many years and in response to the challenges posed by a changing world, she reflects on the ideas and histories that have moved her. From the use of French as her literary language--despite its colonial history--to the agonies of the Middle Passage, at the horrors of African dictatorship, and the politically induced poverty of the Caribbean to migration under globalization, Conde casts her unflinching eye over the world which is her inheritance, her burden, and her future. Even while paying homage to her intellectual and literary influences--including Frantz Fanon, Leopold Sedar Senghor, and Aime Cesaire--Conde establishes in these pages the singularity of her vision and the reason for the enormous admiration that her writing has garnered from readers and critics alike.

Babakar is a doctor living alone, with only the memories of his childhood in Mali. In his dreams, he receives visits from his blue-eyed mother and his ex-lover Azelia, both now gone, as are the hopes and aspirations he's carried with him since his arrival in Guadeloupe. Until, one day, the child Anais comes into his life, forcing him to abandon his solitude. Anais's Haitian mother died in childbirth, leaving her daughter destitute--now Babakar is all she has, and he wants to offer this little girl a future. Together they fly to Haiti, a beautiful, mysterious island plagued by violence, government corruption, and rebellion. Once there, Babakar and his two friends, the Haitian Movar and the Palestinian Fouad, three different identities looking for a more compassionate world, begin a desperate search for Anais's family.

Ivan and Ivana are twins with a bond so strong they become afraid of their feelings. As young adults in Paris, Ivana joins the police while Ivan walks the path of radicalisation. Unable to live with or without each other, become perpetrator and victim in a wave of violent attacks. With her most impressive novel to date, this master storyteller offers an impressive picture of a colourful yet turbulent 21st century.

The critically acclaimed, award-winning author of the classic historical novel "Segu, " Maryse Conde has pieced together the life of her maternal grandmother to create a moving and profound novel.
Maryse Conde's personal journey of discovery and revelation becomes ours as we learn of Victoire, her white-skinned mestiza grandmother who worked as a cook for the Walbergs, a family of white Creoles, in the French Antilles.
Using her formidable skills as a storyteller, Conde describes her grandmother as having "Australian whiteness for the color of her skin...She jarred with my world of women in Italian straw bonnets and men necktied in three-piece linen suits, all of them a very black shade of black. She appeared to me doubly strange."
"Victoire" was spurred by Conde's desire to learn of her family history, resolving to begin her quest by researching the life of her grandmother. While uncovering the circumstances of Victoire's unique life story, Conde also comes to grips with a haunting question: How could her own mother, a black militant, have been raised in the Walberg's home, a household of whites?
Creating a work that takes readers into a time and place populated with unforgettable characters that inspire and amaze, Conde's blending of memoir and imagination, detective work and storytelling artistry, is a literary gem that readers won't soon forget.

Maryse Conde is one of the best-known and most beloved French Caribbean literary voices. The author of more than twenty novels, she was shortlisted for the Man Booker International Prize in 2015 and has long been recognized as a giant of black feminist literature. While Conde has previously published an autobiography of her childhood, What Is Africa to Me? tells for the first time the story of her early adult years in Africa years formative not only for her, but also for African colonies appealing for their own independence.What Is Africa to Me? traces the late 1950s to 1968, chronicling Conde's life in Sekou Toure's Guinea to her time in Kwame N'Krumah's Ghana, where she rubbed shoulders with Malcolm X, Che Guevara, Julius Nyerere, and Maya Angelou. Accusations of subversive activity resulted in Conde's deportation from Ghana. Settling down in Senegal, Conde ended her African years with close friends in Dakar including, filmmakers, activists, and Haitian exiles, before putting down more permanent roots in Paris. Conde's story is more than one of political upheaval, however; it is also the story of a mother raising four children as she battles steep obstacles, of a Guadeloupean seeking her identity in Africa, and of a young woman searching for her freedom and vocation as a writer. What Is Africa to Me? is a searing portrait of a literary genius it should not be missed.

'Maryse Conde is an extraordinary storyteller who brings the history of an African kingdom alive as vividly as if it existed today. . . This is a great novel: unputdownable and unforgettable' Bernardine Evaristo Winner of the Alternative Nobel Prize for Literature 2018 The bestselling epic novel of family, treachery, rivalry, religious fervour and the turbulent fate of a royal African dynasty It is 1797 and the African kingdom of Segu, born of blood and violence, is at the height of its power. Yet Dousika Traore, the king's most trusted advisor, feels nothing but dread. Change is coming. From the East, a new religion, Islam. From the West, the slave trade. These forces will tear his country, his village and the lives of his beloved sons apart, in Maryse Conde's glittering epic. 'Rich and colorful and glorious. It sprawls over continents and centuries to find its way into the reader's heart' - Maya Angelou 'A stunning reaffirmation of Africa and its peoples... It's a starburst' - John A. Williams

One dark night in Cape Town, Roselie's husband goes out for a pack of cigarettes and never comes back. Not only is she left with unanswered questions about his violent death but she is also left without any means of support. At the urging of her housekeeper and best friend, the new widow decides to take advantage of the strange gifts she has always possessed and embarks on a career as a clairvoyant. As Roselie builds a new life for herself and seeks the truth about her husband's murder, acclaimed Caribbean author Maryse Conde crafts a deft exploration of post-apartheid South Africa and a smart, gripping thriller.

"The Story of the Cannibal Woman" is both contemporary and international, following the lives of an interracial, intercultural couple in New York City, Tokyo, and Capetown. Maryse Conde is known for vibrantly lyrical language and fearless, inventive storytelling -- she uses both to stunning effect in this magnificently original novel.

The year is 1797, and the kingdom of Segu is flourishing, fed by the wealth of its noblemen and the power of its warriors. The people of Segu, the Bambara, are guided by their griots and priests; their lives are ruled by the elements. But even their soothsayers can only hint at the changes to come, for the battle of the soul of Africa has begun. From the east comes a new religion, Islam, and from the West, the slave trade.

Segu follows the life of Dousika Traore, the king's most trusted advisor, and his four sons, whose fates embody the forces tearing at the fabric of the nation. There is Tiekoro, who renounces his people's religion and embraces Islam; Siga, who defends tradition, but becomes a merchant; Naba, who is kidnapped by slave traders; and Malobali, who becomes a mercenary and halfhearted Christian.

Based on actual events, Segu transports the reader to a fascinating time in history, capturing the earthy spirituality, religious fervor, and violent nature of a people and a growing nation trying to cope with jihads, national rivalries, racism, amid the vagaries of commerce.

In this beautifully crafted, Rashomon-like novel, Maryse Conde has written a gripping story imbued with all the nuances and traditions of Caribbean culture. Francis Sancher--a handsome outsider, loved by some and reviled by others--is found dead, face down in the mud on a path outside Riviere au Sel, a small village in Guadeloupe.  None of the villagers are particularly surprised, since Sancher, a secretive and melancholy man, had often predicted an unnatural death for himself.  As the villagers come to pay their respects they each--either in a speech to the mourners, or in an internal monologue--reveal another piece of the mystery behind Sancher's life and death.  Like pieces of an elaborate puzzle, their memories interlock to create a rich and intriguing portrait of a man and a community. In the lush and vivid prose for which she has become famous, Conde has constructed a Guadeloupean wake for Francis Sancher.  Retaining the full color and vibrance of Conde's homeland, Crossing the Mangrove pays homage to Guadeloupe in both subject and structure.

Possessing one of the most vital voices in international letters, Maryse Conde added to an already acclaimed career the New Academy Prize in Literature in 2018. The fourteenth novel by this celebrated author revolves around an enigmatic crime and the young man at its center. Dieudonne Sabrina, a gardener, aged twenty-two and black, is accused of murdering his employer--and lover--Loraine, a wealthy white woman descended from plantation owners. His only refuge is a sailboat, La Belle Creole, a relic of times gone by. Conde follows Dieudonne's desperate wanderings through the city of Port-Mahault the night of his acquittal, the narrative unfolding through a series of multivoiced flashbacks set against a forbidding backdrop of social disintegration and tumultuous labor strikes in turn-of-the-twenty-first-century Guadeloupe. Twenty-four hours later, Dieudonne's fate becomes suggestively intertwined with that of the French island itself, though the future of both remains uncertain in the end. Echoes of Faulkner and Lawrence, and even Shakespeare's Othello, resonate in this tale, yet the drama's uniquely modern dynamics set it apart from any model in its exploration of love and hate, politics and stereotype, and the attempt to find connections with others across barriers. Through her vividly and intimately drawn characters, Conde paints a rich portrait of a contemporary society grappling with the heritage of slavery, racism, and colonization.

Possessing one of the most vital voices in international letters, Maryse Conde added to an already acclaimed career the New Academy Prize in Literature in 2018. The fourteenth novel by this celebrated author revolves around an enigmatic crime and the young man at its center. Dieudonne Sabrina, a gardener, aged twenty-two and black, is accused of murdering his employer--and lover--Loraine, a wealthy white woman descended from plantation owners. His only refuge is a sailboat, La Belle Creole, a relic of times gone by. Conde follows Dieudonne's desperate wanderings through the city of Port-Mahault the night of his acquittal, the narrative unfolding through a series of multivoiced flashbacks set against a forbidding backdrop of social disintegration and tumultuous labor strikes in turn-of-the-twenty-first-century Guadeloupe. Twenty-four hours later, Dieudonne's fate becomes suggestively intertwined with that of the French island itself, though the future of both remains uncertain in the end. Echoes of Faulkner and Lawrence, and even Shakespeare's Othello, resonate in this tale, yet the drama's uniquely modern dynamics set it apart from any model in its exploration of love and hate, politics and stereotype, and the attempt to find connections with others across barriers. Through her vividly and intimately drawn characters, Conde paints a rich portrait of a contemporary society grappling with the heritage of slavery, racism, and colonization.

"Honest, exquisitely measured . . . inspiring in its reminder of the human spirit's capacity to endure."--"The New York Times Book Review"
" An] astute study of family and place."--"Washington Post Book World"
In this collection of autobiographical essays, Maryse Conde vividly evokes the relationships and events that gave her childhood meaning: discovering her parents' feelings of alienation; her first crush; a falling out with her best friend; the death of her beloved grandmother; her first encounter with racism.
These gemlike vignettes capture the spirit of Conde's fiction: haunting, powerful, poignant, and leavened with a streak of humor.
Maryse Conde's previous work includes the novels "Windward Heights "and "Desirada," both available from Soho Press.

For nearly four decades, Maryse Conde, best known for her novels "Segu" and "Windward Heights", has been at the forefront of French Caribbean literature. In this collection of essays and lectures, written over many years and in response to the challenges posed by a changing world, she reflects on the ideas and histories that have moved her. From the use of French as her literary language-despite its colonial history - to the agonies of the Middle Passage, the horrors of African dictatorship, the politically induced poverty of the Caribbean, and migration under globalization, Conde casts her unflinching eye over the world which is her inheritance, her burden, and her future. Even while paying homage to her intellectual and literary influences-including Frantz Fanon, Leopold Sedar Senghor, and Aime Cesaire-Conde establishes in these pages the singularity of her vision and the reason for the enormous admiration that her writing has garnered from readers and critics alike.