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This book maps the landscape of contemporary European premium
television fiction, offering a detailed overview of both the
changes in the digital production and distribution and the
emergence of specific national and transnational case histories.
Combining a media-production approach with a textual and audience
analysis, the volume offers a complex, stratified, systemic view of
ongoing aesthetic, sociocultural and industrial developments in
contemporary European TV. With contributions from leading experts
in the field, the book first offers an overview of the industrial,
policy and cultural context for the renaissance of European
television drama over the past decade, based on original
comparative research. This research is then supported by case study
chapters from the key contexts within which quality European
television is being produced, offering a complex and complete
picture of the industry's strengths and limitations, its traditions
and trends, its constraints and future perspectives. A European
Television Fiction Renaissance is a must-read book for TV scholars
working across Europe and beyond in the areas of media studies,
international communications and television studies, media
industries studies, production studies, European studies, and media
policy studies as well as for those with an interest in television
drama, Netflix, globalisation, pay TV and on demand.
This book maps the landscape of contemporary European premium
television fiction, offering a detailed overview of both the
changes in the digital production and distribution and the
emergence of specific national and transnational case histories.
Combining a media-production approach with a textual and audience
analysis, the volume offers a complex, stratified, systemic view of
ongoing aesthetic, sociocultural and industrial developments in
contemporary European TV. With contributions from leading experts
in the field, the book first offers an overview of the industrial,
policy and cultural context for the renaissance of European
television drama over the past decade, based on original
comparative research. This research is then supported by case study
chapters from the key contexts within which quality European
television is being produced, offering a complex and complete
picture of the industry's strengths and limitations, its traditions
and trends, its constraints and future perspectives. A European
Television Fiction Renaissance is a must-read book for TV scholars
working across Europe and beyond in the areas of media studies,
international communications and television studies, media
industries studies, production studies, European studies, and media
policy studies as well as for those with an interest in television
drama, Netflix, globalisation, pay TV and on demand.
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