Three classic films starring comedy duo Stan Laurel and Oliver Hardy. In 'The Dancing Masters' (1943), Stan (Laurel) and Ollie (Hardy) are owners of a dance school, but are evicted for non-payment of rent. To raise money, Ollie tries an insurance scam which involves inflicting injuries on Stan, but the inept pair soon find themselves mixed up with local gangsters. Watch out for appearances by long-running Marx Brothers' foil Margaret Dumont and a youthful Robert Mitchum. In 'A-haunting We Will Go' (1942), Laurel and Hardy unknowingly offer to help a bunch of crooks smuggle a wanted man past the police in a coffin. Unfortunately, the casket gets mixed up with one used by a stage musician, leading to a comic chase. Finally, in 'The Bullfighters' (1945), Stan and Ollie are two detectives looking for a female criminal in Mexico. Stan gets mistaken for a famous matador and is forced to show his prowess in the bullring.

In the Virility Rituals of North American Teenage Boys tells stories set at the boundary between real men and boys in man drag. In the title story, a man tells the various myths associated with his manhood from the Breakfast Club inspired obsession with "Elephantitis of the nuts" to an unexpected bodily testing sequence executed under the florescent glare of middle school lights. The characters in the fourteen stories live in the shadow of a failed macho culture. These stories have appeared in Birkensnake, The Chicago Review, Filter Magazine, MonkeyBicycle, Roethke Readings, Spork, and TRNSF Magazine. The Review of Contemporary Fiction wrote of Briggs' stories, "As with the songs, the stories are all about life out of kilter, told with charm from the perspective of the odd as norm, not so much magical realism than delightfully pernicious absurdity."

In the shadow of the Boeing plant where the first commercial jet liner was assembled, a family lives in a house in a rural landscape filled with stumps, streams chocked with the dead salmon, and no one who can help. The sixties in Renton, Washington were a mix of jet age technology and subsistence farming. Roger Carnation at an electrical engineer, or double e, is a stepfather who regards his new family as an acquisition. He has daughters to train to do what he needs. He has a wife to clean house and prepare food. He has a son to train as a replacement man. The novel is told through the five points of view as the story advances toward its inevitable end.

In the end, I had seen the movies. I had read the books. I had dreamed of this moment, often. In the end, The Plague of Fur began, as such things do, with a faint smudge of peach fuzz. The fur, once invented, contained the capacity to grow and spread. Like all life, it wanted to make more of itself. In the end, reality was played out. The End is the Beginning is a collection of fourteen short stories. These stories have appeared in magazines such as The Wandering Hermit Review, Semantikon, Seattle Magazine, Slouch Magazine, Mississippi Mud, The Mississippi Review, The Jack Straw Anthology, The Clackamas Literary Review, First Intensity, The Raven Chronicles, Smokelong Quarterly, and The Steel City Review.