This book brings together a variety of perspectives to explore the role of literature in the aftermath of political conflict, studying the ways in which writers approach violent conflict and the equally important subject of peace. Essays put insights from Peace and Conflict Studies into dialog with the unique ways in which literature attempts to understand the past, and to reimagine both the present and the future, exploring concepts like truth and reconciliation, post-traumatic memory, historical reckoning, therapeutic storytelling, transitional justice, archival memory, and questions about victimhood and reparation. Drawing on a range of literary texts and addressing a variety of post-conflict societies, this volume charts and explores the ways in which literature attempts to depict and make sense of this new philosophical terrain. As such, it aims to offer a self-conscious examination of literature, and the discipline of literary studies, considering the ability of both to interrogate and explore the legacies of political and civil conflict around the world. The book focuses on the experience of post-Apartheid South Africa, post-Troubles Northern Ireland, and post-dictatorship Latin America. The recent history of these regions, and in particular their acute experience of ethno-religious and civil conflict, make them highly productive contexts in which to begin examining the role of literature in the aftermath of social trauma. Rather than a definitive account of the subject, the collection defines a new field for literary studies, and opens it up to scholars working in other regional and national contexts. To this end, the book includes essays on post-1989 Germany, post-9/11 United States, the Israeli-Palestinian conflict, Sierra Leone, and narratives of asylum seeker/refugee communities. This volume's comparative frame draws on well-established precedents for thinking about the cultural politics of these regions, making it a valuable resource for scholars of

This book brings together a variety of perspectives to explore the role of literature in the aftermath of political conflict, studying the ways in which writers approach violent conflict and the equally important subject of peace. Essays put insights from Peace and Conflict Studies into dialog with the unique ways in which literature attempts to understand the past, and to reimagine both the present and the future, exploring concepts like truth and reconciliation, post-traumatic memory, historical reckoning, therapeutic storytelling, transitional justice, archival memory, and questions about victimhood and reparation. Drawing on a range of literary texts and addressing a variety of post-conflict societies, this volume charts and explores the ways in which literature attempts to depict and make sense of this new philosophical terrain. As such, it aims to offer a self-conscious examination of literature, and the discipline of literary studies, considering the ability of both to interrogate and explore the legacies of political and civil conflict around the world. The book focuses on the experience of post-Apartheid South Africa, post-Troubles Northern Ireland, and post-dictatorship Latin America. The recent history of these regions, and in particular their acute experience of ethno-religious and civil conflict, make them highly productive contexts in which to begin examining the role of literature in the aftermath of social trauma. Rather than a definitive account of the subject, the collection defines a new field for literary studies, and opens it up to scholars working in other regional and national contexts. To this end, the book includes essays on post-1989 Germany, post-9/11 United States, the Israeli-Palestinian conflict, Sierra Leone, and narratives of asylum seeker/refugee communities. This volume's comparative frame draws on well-established precedents for thinking about the cultural politics of these regions, making it a valuable resource for scholars of Comparative Literature, Peace and Conflicts Studies, Human Rights, Transitional Justice, and the Politics of Literature.

Belfast, 2am, Tomb Street. A young man lies dead in an alley. Cracked ribs, broken jaw, fractured skull. With the Celtic Tiger purring and the Troubles in their death throes, Detective Sergeant John O'Neill is called to investigate. Meanwhile O'Neill's partner, DI Jack Ward, a veteran troubles detective, is receiving death threats from an unknown source... When Sorrows Come is a brutal expose of the criminal underworld in the new Northern Ireland, a place where the dead are not all created equal.

This is the first book to take political devolution as an organising context for the presentation and discussion of main currents in contemporary Scottish poetry. The book combines thematic chapters with in-depth analysis of key poets writing in English, in Gaelic and in Scots, to address the central issues raised in work that is responding to changes in the socio-economic and political environment over recent decades: the influence of tradition (both national and international); the question of language; the rise of women's writing; the relationship between poetry and politics; and the importance of place to the Scottish imagination. The chapters demonstrate a broad range of interests, while also offering detailed analysis of the many ways writers broach their subject matter; including close readings of poetry by Edwin Morgan, Kenneth White, Aonghas MacNeacail, Kathleen Jamie, John Burnside, Robin Robertson, Mick Imlah and Don Paterson, among others. Chapters by practicing poets and by academics deliver senses of the current range and quality of poetry in Scotland. Key Features *A thorough guide to contemporary Scottish poetry and poets, making the book an ideal course text *Reflects the ways in which the work of Scottish poets reflects a radical cultural independence following Devolution *Provides authoritative essays by the leading experts in the field *Includes a valuable synoptic bibliography

Belfast. January 2005. Acting Detective Sergeant John O'Neill stands over the body of a dead teenager. The corpse was discovered on the building site of a luxury development overlooking the River Lagan. Kneecapped then killed, the body bears the hallmarks of a punishment beating. But this is the new Northern Ireland - the Celtic Tiger purrs, the Troubles are over, the paramilitaries are gone. So who is the boy? Why was he killed? O'Neill quickly realises that no one cares who the kid is - his colleagues, the politicians, the press - making this case one of the toughest yet. And he needs to crack this one, his first job as Principle Investigator, or he risks ending up back in uniform. Disliked by the Chief Inspector and with his current rank yet to be ratified, O'Neill is in a precarious position. With acute insight, Matt McGuire's cracking debut exposes the hidden underbelly of the new Northern Ireland, a world of drug dealing, financial corruption and vigilante justice.