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The most up-to-date critical guide mapping the history, impact, key
critical issues, and seminal texts of the genre, Jewish Comics and
Graphic Narratives interrogates what makes a work a "Jewish graphic
narrative", and explores the form's diverse facets to orient
readers to the richness and complexity of Jewish graphic
storytelling. Accessible but comprehensive and in an
easy-to-navigate format, the book covers such topics as: - The
history of the genre in the US and Israel - and its relationship to
superheroes, Underground Comix, and Jewish literature - Social and
cultural discussions surrounding the legitimization of graphic
representation as sites of trauma, understandings of gender,
mixed-media in Jewish graphic novels, and the study of these works
in the classroom - Critical explorations of graphic narratives
about the Holocaust, Israel, the diasporic experience, Judaism, and
autobiography and memoir - The works of Will Eisner, Ilana Zeffren,
James Sturm, Joann Sfar, JT Waldman, Michel Kichka, Sarah Glidden,
Rutu Modan, and Art Spiegelman and such narratives as X Men, Anne
Frank's Diary, and Maus Jewish Comics and Graphic Novels includes
an appendix of relevant works sorted by genre, a glossary of
crucial critical terms, and close readings of key texts to help
students and readers develop their understanding of the genre and
pursue independent study.
This book explores how Israeli graphic novelists present depictions
of masculinity and femininity that differ from conventional
portrayals of gender in Israeli society, rejecting the ways that
hypermasculinity and docile femininity have come to be associated
with men and women. The book is the first to explore Israeli
graphic novels through the lens of gender. It argues that breaking
down existing gender delineations with regards to masculinity and
femininity is a core feature of the Israeli graphic novel and
comics tradition and that through their works, the authors and
artists use their platforms to present a freer and looser
conceptualization of gender for Israeli society. Undertaking close
readings of Israeli graphic novels that have been published in
English and/or Hebrew in the last 20 years, the book's texts
include Rutu Modan's Exit Wounds and The Property, Ari Folman and
David Polonsky's Waltz with Bashir, Galit and Gilad Seliktar's Farm
54, and Asaf Hanuka's "The Realist". This book is of interest to
students and scholars in comics studies, Israel Studies, Jewish
Studies, and Gender Studies.
This book explores how Israeli graphic novelists present depictions
of masculinity and femininity that differ from conventional
portrayals of gender in Israeli society, rejecting the ways that
hypermasculinity and docile femininity have come to be associated
with men and women. The book is the first to explore Israeli
graphic novels through the lens of gender. It argues that breaking
down existing gender delineations with regards to masculinity and
femininity is a core feature of the Israeli graphic novel and
comics tradition and that through their works, the authors and
artists use their platforms to present a freer and looser
conceptualization of gender for Israeli society. Undertaking close
readings of Israeli graphic novels that have been published in
English and/or Hebrew in the last 20 years, the book's texts
include Rutu Modan's Exit Wounds and The Property, Ari Folman and
David Polonsky's Waltz with Bashir, Galit and Gilad Seliktar's Farm
54, and Asaf Hanuka's "The Realist". This book is of interest to
students and scholars in comics studies, Israel Studies, Jewish
Studies, and Gender Studies.
The most up-to-date critical guide mapping the history, impact, key
critical issues, and seminal texts of the genre, Jewish Comics and
Graphic Narratives interrogates what makes a work a "Jewish graphic
narrative", and explores the form's diverse facets to orient
readers to the richness and complexity of Jewish graphic
storytelling. Accessible but comprehensive and in an
easy-to-navigate format, the book covers such topics as: - The
history of the genre in the US and Israel - and its relationship to
superheroes, Underground Comix, and Jewish literature - Social and
cultural discussions surrounding the legitimization of graphic
representation as sites of trauma, understandings of gender,
mixed-media in Jewish graphic novels, and the study of these works
in the classroom - Critical explorations of graphic narratives
about the Holocaust, Israel, the diasporic experience, Judaism, and
autobiography and memoir - The works of Will Eisner, Ilana Zeffren,
James Sturm, Joann Sfar, JT Waldman, Michel Kichka, Sarah Glidden,
Rutu Modan, and Art Spiegelman and such narratives as X Men, Anne
Frank's Diary, and Maus Jewish Comics and Graphic Novels includes
an appendix of relevant works sorted by genre, a glossary of
crucial critical terms, and close readings of key texts to help
students and readers develop their understanding of the genre and
pursue independent study.
Reenvisioning Israel through Political Cartoons: Visual Discourses
During the 2018-2021 Electoral Crisis examines the ways in which
the work of Israeli political cartoonists broadens conversations
about contemporary challenges in the country. Matthew Reingold
shows how 21 cartoonists across 10 different Israeli newspapers
produced cartoons in response to the country's social and political
crises between December 2018-June 2021, a period where the country
was mired in four national elections. Each chapter is structured
around an issue that emerged during this period, with examples
drawn from multiple cartoonists. This allows for fertile
cross-cartoonist discussion and analysis, offering an opportunity
to understand the different ways that an issue affects national
discourse and what commentaries have been offered about it. By
focusing on this difficult period in contemporary Israeli society,
the volume highlights the ways that artists have responded to these
national challenges and how they have fashioned creative
reimaginings of their country.
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