The Civil War tends to be remembered as a vast sequence of battles, with a turning point at Gettysburg and a culmination at Appomattox. But in the guerrilla theater, the conflict was a vast sequence of home invasions, local traumas, and social degeneration that did not necessarily end in 1865. This book chronicles the history of "guerrilla memory," the collision of the Civil War memory "industry" with the somber realities of irregular warfare in the borderlands of Missouri and Kansas. In the first accounting of its kind, Matthew Christopher Hulbert's book analyses the cultural politics behind how Americans have remembered, misremembered, and re-remembered guerrilla warfare in political rhetoric, historical scholarship, literature, and lm and at reunions and on the stage. By probing how memories of the guerrilla war were intentionally designed, created, silenced, updated, and even destroyed, Hulbert ultimately reveals a continent-wide story in which Confederate bushwhackers-pariahs of the eastern struggle over slavery-were transformed into the vanguards of American imperialism in the West.

Most Americans are familiar with major Civil War battles such as Manassas (Bull Run), Shiloh, and Gettysburg, which have been extensively analyzed by generations of historians. However, not all of the war's engagements were fought in a conventional manner by regular forces. Often referred to as "the wars within the war," guerrilla combat touched states from Virginia to New Mexico. Guerrillas fought for the Union, the Confederacy, their ethnic groups, their tribes, and their families. They were deadly forces that plundered, tortured, and terrorized those in their path, and their impact is not yet fully understood. In this richly diverse volume, Joseph M. Beilein Jr. and Matthew C. Hulbert assemble a team of both rising and eminent scholars to examine guerrilla warfare in the South during the Civil War. Together, they discuss irregular combat as practiced by various communities in multiple contexts, including how it was used by Native Americans, the factors that motivated raiders in the border states, and the women who participated as messengers, informants, collaborators, and combatants. They also explore how the Civil War guerrilla has been mythologized in history, literature, and folklore. The Civil War Guerrilla sheds new light on the ways in which thousands of men, women, and children experienced and remembered the Civil War as a conflict of irregular wills and tactics. Through thorough research and analysis, this timely book provides readers with a comprehensive examination of the guerrilla soldier and his role in the deadliest war in U.S. history.

The Civil War tends to be remembered as a vast sequence of battles, with a turning point at Gettysburg and a culmination at Appomattox. But in the guerrilla theater, the conflict was a vast sequence of home invasions, local traumas, and social degeneration that did not necessarily end in 1865. This book chronicles the history of "guerrilla memory," the collision of the Civil War memory "industry" with the somber realities of irregular warfare in the borderlands of Missouri and Kansas. In the first accounting of its kind, Matthew Christopher Hulbert's book analyses the cultural politics behind how Americans have remembered, misremembered, and re-remembered guerrilla warfare in political rhetoric, historical scholarship, literature, and lm and at reunions and on the stage. By probing how memories of the guerrilla war were intentionally designed, created, silenced, updated, and even destroyed, Hulbert ultimately reveals a continent-wide story in which Confederate bushwhackers-pariahs of the eastern struggle over slavery-were transformed into the vanguards of American imperialism in the West.