Abbott and Costello were the most popular comedians of the 1940s, with burlesque-inspired routines that enthralled audiences on both radio and television. Oddly, their films have not received the same level of attention from critics and writers as those of other comedy teams. This book is a scene-by-scene, film-by-film guide to their movies, making a compelling case for their inclusion at the very top of comic artists. Featuring new research and some surprising revelations, the book introduces newcomers to the delights of this uproarious team and provides confirmed fans with the ultimate companion to their work. Also included is a foreword by John Landis, the celebrated director and Abbott and Costello devotee.

Groucho Marx's career as a solo performer began long before the Marx Brothers and lasted almost until the end of his life, with a series of controversial sold-out concerts in his eighties. In between came several films, numerous television and radio appearances, theater performances, dramatic acting and writing and, of course, his smash hit radio and TV quiz show You Bet Your Life (1947-1961). This first ever comprehensive study of his work without his famous brothers reveals a Groucho Marx perhaps unfamiliar to the public. Driven to prove he was much more than just a comedian with a greasepaint (though later real) mustache, Groucho always thought of himself as essentially a solo performer and strove for individual success in his professional life-and to balance (if not always successfully) his career with his family life. Many rare photographs are included, along with new and previously unpublished interviews.

It was an 'open and shut' case. Hawley Harvey Crippen, an American quack doctor, had murdered his wife, the music hall performer Belle Elmore, and buried parts of her body in the coal cellar of their North London home. But by the time the remains were discovered he had fled the country with his mistress disguised as his son. After a thrilling chase across the ocean he was caught, returned to England, tried and hanged, remembered forever after as the quintessential domestic murderer. But if it was as straightforward as the prosecution alleged, why did he leave only some of the body in his house, when he had successfully disposed of the head, limbs and bones elsewhere? Why did he stick so doggedly to a plea of complete innocence, when he might have made a sympathetic case for manslaughter? Why did he make no effort to cover his tracks if he really had been planning a murder? These and other questions remained tantalising mysteries for almost a century, until new DNA tests conducted in America exploded everything we thought we knew for sure about the story. This book, the first to make full use of this astonishing new evidence, considers its implications for our understanding of the case, and suggests where the real truth might lie.

Egyptomania,"" the West's obsession with the strange and magnificent world of Ancient Egypt, has for centuries been reflected in architecture, literature and the performing arts. But the discovery of Tutankhamen's tomb in 1922, by a sensation-hungry world newly united by mass media, created a wave of fascination unlike anything before. They called it ""Tutmania"" and its influence was felt everywhere from fashion to home decor to popular music - and notably in the new medium of film. This study traces the origins of 20th century cinema's obsession with Ancient Egypt through previous eras and relates its recurring themes and ideas to the historical reality of the land of the Pharaohs.