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This title presents an infamous lynching and its screen portrayals.
The Leo Frank case of 1913 was one of the most sensational trials
of the early twentieth century, capturing international attention.
Frank, a northern Jewish factory supervisor in Atlanta, was
convicted for the murder of Mary Phagan, a young laborer native to
the South, largely on the perjured testimony of an African American
janitor. The trial was both a murder mystery and a courtroom drama
marked by lurid sexual speculation and overt racism. The subsequent
lynching of Frank in 1915 by an angry mob only made the story more
irresistible to historians, playwrights, novelists, musicians, and
filmmakers for decades to come.Matthew H. Bernstein is the first
scholar to examine the feature films and television programs
produced in response to the trial and lynching of Leo Frank. He
considers the four major surviving American texts: Oscar Micheaux's
film ""Murder in Harlem"" (1936), Mervyn LeRoy's film ""They Won't
Forget"" (1937), the ""Profiles in Courage"" television episode
""John M. Slaton"" (1964), and the two-part NBC miniseries ""The
Murder of Mary Phagan"" (1988). Bernstein explains that complex
issues like racism, anti-Semitism, class resentment, and
sectionalism were at once irresistibly compelling and painfully
difficult to portray in the mass media. Exploring the cultural and
industrial contexts in which the works were produced, Bernstein
considers how they succeeded or failed in representing the case's
many facets. Film and television shows can provide worthy
interpretations of history, Bernstein argues, even when they depart
from the historical record.""Screening a Lynching"" is an
engrossing meditation on how film and television represented a
traumatic and tragic episode in American history - one that
continues to fascinate people to this day.
Using Edward Said's framework - and developments in colonialist and
post-colonialist studies - to investigate orientalism in the
cinemas of France, England and America, the contributors draw upon
feminist analysis, genre criticism, psychoanalytic interpretation
and political history. Starting with a demonstration of how
colonialist and patriarchal ideologies interrelate in orientalist
narrative films, following chapters explore camp and orientalism in
selected musicals: the "family romance of orientalism" in "Madame
Butterfly" and "Indochine", and Disney's "Aladdin" as a mirror of
America's shifting perceptions of the Muslim world. The
contributors include Dudley Andrew, Matthew Bernstein, Phebe Chao
and Mary Hamer.
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