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The contributors to this collection come from disparate fields such as theology, literature studies, political science, and communication studies and are guided by a commitment to consider what we can learn from Camus as opposed to where he was wrong or misguided in his life and writing. If there is a place to consider the shortcomings of a human being, especially one as unique as Albert Camus, it will not be found within this volume. The essays in this text are built around the theme that Albert Camus functions as an implicit philosopher of communication with deep ethical commitments. The title, Creating Albert Camus, is intended to have a double meaning. First are those voices who inspired Camus and helped create his ideas; second are those scholars working with Camus's thoughts during and after his life who help create his enduring legacy. Bringing together scholars who embrace an appreciation of the philosophy of communication provide an opportunity to further situate the work of Camus within the communication discipline. This new project explores the communicative implications of Camus's work.
What does it mean to describe something or someone as absurd? Why did absurd philosophy and literature become so popular amidst the violent conflicts and terrors of the mid- to late-twentieth century? Is it possible to understand absurdity not as a feature of events, but as a psychological posture or stance? If so, what are the objectives, dynamics, and repercussions of the absurd stance? And in what ways has the absurd stance continued to shape postmodern thought and contemporary culture? In Rethinking the Politics of Absurdity, Matthew H. Bowker offers a surprising account of absurdity as a widespread endeavor to make parts of our experience meaningless. In the last century, he argues, fears about subjects' destructive desires have combined with fears about rationality in a way that has made the absurd stance seem attractive. Drawing upon diverse sources from philosophy, literature, politics, psychoanalysis, theology, and contemporary culture, Bowker identifies the absurd effort to make aspects of our histories, our selves, and our public projects meaningless with postmodern revolts against reason and subjectivity. Weaving together analyses of the work of Albert Camus, Georges Bataille, Judith Butler, Emmanuel Levinas, and others with interview data and popular narratives of apocalypse and survival, Bowker shows that the absurd stance and the postmodern revolt invite a kind of bargain, in which meaning is sacrificed in exchange for the survival of innocence. Bowker asks us to consider that the very premise of this bargain is false: that ethical subjects and healthy communities cannot be created in absurdity. Instead, we must make meaningful even the most shocking losses, terrors, and destructive powers with which we live. Bowker's book will be of interest to scholars and practitioners in the fields of political science, philosophy, literature, psychoanalysis, sociology, and cultural studies.
This book demonstrates that Albert Camus' concept of absurdity is best understood when decoupled from what might be called its ontological aspirations. Rather than pretend that absurdity usefully describes 'the human condition,' 'the silence of god,' 'the deprivation of transcendence,' or 'metaphysical revolt,' I argue that, for absurdity to be a fruitful idea, it must be approached as a psychological disposition and its basic tenets must be translated into phenomenal and psychological language. The book defines the particular psychological disposition of absurdity by analogizing it with the constructs of ambivalence, integration, conscious resistance, and creativity. Its central contention is that absurdity may be interpreted as a kind of ambivalence and, thus, as an aspect of psychological experience that demands a creative and mature response. Absurdists' cries of spiritual anguish need not persuade us that the conditions of loss, terror, alienation, and deprivation they describe are objectively 'real'. If, instead, descriptions of absurdity may be understood as psychological accounts of the powerfully ambivalent impulses toward merger and toward separateness, toward group-immersion and toward subjectivity, then absurd revolt involves recognizing, resisting, and integrating such impulses in order to facilitate mature ethical action. It may be possible, I argue, by examining the dynamics of absurdity, ambivalence, resistance, and creativity, to develop a new grounding for an absurd political morality. This book asks what unique properties and advantages this renewed political morality offers and applies this grounding to some of the political and moral crises of Camus' time and of our own.
What does it mean to describe something or someone as absurd? Why did absurd philosophy and literature become so popular amidst the violent conflicts and terrors of the mid- to late-twentieth century? Is it possible to understand absurdity not as a feature of events, but as a psychological posture or stance? If so, what are the objectives, dynamics, and repercussions of the absurd stance? And in what ways has the absurd stance continued to shape postmodern thought and contemporary culture? In Rethinking the Politics of Absurdity, Matthew H. Bowker offers a surprising account of absurdity as a widespread endeavor to make parts of our experience meaningless. In the last century, he argues, fears about subjects' destructive desires have combined with fears about rationality in a way that has made the absurd stance seem attractive. Drawing upon diverse sources from philosophy, literature, politics, psychoanalysis, theology, and contemporary culture, Bowker identifies the absurd effort to make aspects of our histories, our selves, and our public projects meaningless with postmodern revolts against reason and subjectivity. Weaving together analyses of the work of Albert Camus, Georges Bataille, Judith Butler, Emmanuel Levinas, and others with interview data and popular narratives of apocalypse and survival, Bowker shows that the absurd stance and the postmodern revolt invite a kind of bargain, in which meaning is sacrificed in exchange for the survival of innocence. Bowker asks us to consider that the very premise of this bargain is false: that ethical subjects and healthy communities cannot be created in absurdity. Instead, we must make meaningful even the most shocking losses, terrors, and destructive powers with which we live. Bowker's book will be of interest to scholars and practitioners in the fields of political science, philosophy, literature, psychoanalysis, sociology, and cultural studies.
Matthew H. Bowker offers a novel analysis of "experience": the vast and influential concept that has shaped Western social theory and political practice for the past half-millennium. While it is difficult to find a branch of modern thought, science, industry, or art that has not relied in some way on the notion of "experience" in defining its assumptions or aims, no study has yet applied a politically-conscious and psychologically-sensitive critique to the construct of experience. Doing so reveals that most of the qualities that have been attributed to experience over the centuries - particularly its unthinkability, its correspondence with suffering, and its occlusion of the self - are part of unlikely fantasies or ideologies. By analyzing a series of related cases, including the experiential education movement, the ascendency of trauma theory, the philosophy of the social contract, and the psychological study of social isolation, the book builds a convincing case that ideologies of experience are invoked not to keep us close to lived realities and 'things-in-themselves,' but, rather, to distort and destroy true knowledge of ourselves and others. In spite of enduring admiration for those who may be called champions of experience, such as Michel de Montaigne, Ralph Waldo Emerson, and others treated throughout the work, the ideologies of experience ultimately discourage individuals and groups from creating, resisting, and changing our experience, urging us instead to embrace trauma, failure, deprivation, and self-abandonment.
Pierre Delion is Professor Emeritus in the faculty of medicine at Lille, a child psychiatrist, and a psychoanalyst. His work is as straightforward as it is affecting but is little read in the English-speaking world due to a lack of translation into English. Matthew Bowker, in his excellent translation, rectifies this unfortunate deficit to introduce English-language readers to the affecting and wide-ranging work of Pierre Delion through two of his best-known essays. What is Institutional Psychotherapy? examines the psychiatric establishment and institution, arguing that for institutional psychotherapy to be effective, we must "care for the institution" just as we must attend to the "transferential constellation" of the patient, the latter of which emerges only when the institution respects all the voices (including the patient's) involved in the patient's care. And, as Delion duly notes: "What holds for person-to-person psychiatry also holds true for democracy." The Republic of False Selves maintains that our social bonds have been damaged or destroyed to the extent that the practice and meaning of democracy itself are now in question. Democracy, for Delion, "refers not only to forms of government, but also to a society based on freedom and equality, or more generally still, to a set of values: political, social, or cultural ideals and principles." The democratic project, then, is threatened by contemporary political events, media images, neoliberal and techno-bureaucratic interventions, and even or especially the treatment of the mentally ill. The combination of these two works into a single text invites readers to consider the broader political connections between the clinical institution and society as a whole. Delion's careful thoughtfulness paired with his vast experience and understanding opens up new avenues of discovery to the reader.
In this volume, the work of British psychoanalyst D.W. Winnicott is set in conversation with some of today's most talented psychodynamically-sensitive political thinkers. The editors and contributors demonstrate that Winnicott's thought contains underappreciated political insights, discoverable in his reflections on the nature of the maturational process, and useful in working through difficult impasses confronting contemporary political theorists. Specifically, Winnicott's psychoanalytic theory and practice offer a framework by which the political subject, destabilized and disrupted in much postmodern and contemporary thinking, may be recentered. Each chapter in this volume, in its own way, grapples with this central theme: the potential for authentic subjectivity and inter-subjectivity to arise within a nexus of autonomy and dependence, aggression and civility, destructiveness and care. This volume is unique in its contribution to the growing field of object-relations-oriented political and social theory. It will be of interest to political scientists, psychologists, and scholars of related subjects in the humanities and social sciences.
Matthew H. Bowker offers a novel analysis of "experience": the vast and influential concept that has shaped Western social theory and political practice for the past half-millennium. While it is difficult to find a branch of modern thought, science, industry, or art that has not relied in some way on the notion of "experience" in defining its assumptions or aims, no study has yet applied a politically-conscious and psychologically-sensitive critique to the construct of experience. Doing so reveals that most of the qualities that have been attributed to experience over the centuries - particularly its unthinkability, its correspondence with suffering, and its occlusion of the self - are part of unlikely fantasies or ideologies. By analyzing a series of related cases, including the experiential education movement, the ascendency of trauma theory, the philosophy of the social contract, and the psychological study of social isolation, the book builds a convincing case that ideologies of experience are invoked not to keep us close to lived realities and 'things-in-themselves,' but, rather, to distort and destroy true knowledge of ourselves and others. In spite of enduring admiration for those who may be called champions of experience, such as Michel de Montaigne, Ralph Waldo Emerson, and others treated throughout the work, the ideologies of experience ultimately discourage individuals and groups from creating, resisting, and changing our experience, urging us instead to embrace trauma, failure, deprivation, and self-abandonment.
Over the past several decades, colleges and universities in the United States and United Kingdom have made significant commitments to increasing diversity, most notably regarding race and gender. The result has not, however, been an amelioration of conflict over matters of difference. Instead, there has been continuing, if not increasing, conflict and strife in universities, often reflecting conflict in the larger society. A Dangerous Place to Be examines identity-based conflict in colleges and universities, analyzing the actions of students, teachers, administrators, and educational organizations as efforts to manage dilemmas and disturbances arising in the process of identity formation.
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