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Longlisted for The Polari First Book Prize 2020 Death Magazine is a
neutropian vision of our soundbite, snippet-obsessed, digital and
print magazine culture. It employs the Dadaist technique of cut-up
to produce poems that range from the blackly comic to the surreal,
from the nonsensical to the prescient. Many of the poems confine
themselves to the precise aesthetics of magazine columns, doing
away with line breaks entirely to find new meaning in their
Modernist forms. Added to the mix are a range of free verse poems
more traditional in form. This monster hybrid of styles, of fact
and fiction, aims to replicate the untrustworthy, hyperbolic stream
of media that absorbs our lives every day. This radical work
creates a futuristic landscape of human emotion as product - a
pink, shattered diamond refracting our chaotic times.
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