Presents text, statistics and directory information on the geography, recent history and economy of the Western European countries and territories. Key features include: contributions from acknowledged experts a definitive factual and statistical survey of each country. General Survey introductory articles written by acknowledged experts cover issues of regional importance, such as: European Union for the Twenty-First Century; Europe's Defences; Migration Politics in a Globalizing Europe; Economic Survey of Western Europe and the European Union and Islam in Western Europe. Country Surveys Individual chapters on each country, which comprise of: an introductory survey, containing essays on the geography, history and economy of each country, which includes a full chronology and map an extensive economic and demographic survey of the latest available statistics on area and population, health and welfare, agriculture, forestry, fishing, mining, industry, finance, trade, transport, tourism, communications media and education a full directory section with names, addresses, contact numbers and e-mail and internet addresses covering the constitution, government, legislature, judiciary, political organizations, diplomatic representation, religious groups, the media, finance, trade and industry, tourism, defence and education a select bibliography, containing suggestions for further research.

Explores the drama of proximity and co-presence in Shakespeare's plays Key Features Brings together the rare pairing of philosophical ethics and performance studies in Shakespeare's plays Engages with the thought of philosophers including Ludwig Wittgenstein, Hannah Arendt, Paul Ricoeur, Stanley Cavell, and Emmanuel Levinas This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. On stage and in life, the face is always window and mirror, representation and presence. It examines the emotional and ethical surplus that appears between faces in the activity and performance of human encounter on stage. By transitioning from face as noun to verb - to face, outface, interface, efface, deface, sur-face - chapters reveal how Shakespeare's plays discover conflict, betrayal and deception as well as love, trust and forgiveness between faces and the bodies that bear them.

In this issue of Interventional Cardiology Clinics, guest editor Dr. Matthew James Daniels brings his considerable expertise to the topic of Left Atrial Appendage Occlusion. Top experts in the field cover key topics such as follow-up imaging after appendage occlusion, completed appendage closure trials and registries, future LAAC trials, and more. Contains 12 relevant, practice-oriented topics including left atrial thrombus-are all atria and appendages equal?; left atrial appendage occlusion-a choice or a last resort, and how to approach the patient; is pre-cathlab planning for left atrial appendage occlusion optional or essential?; intra-procedureal imaging for appendage occlusion-the case for intracardiac echo; and more. Provides in-depth clinical reviews on left atrial appendage occlusion, offering actionable insights for clinical practice. Presents the latest information on this timely, focused topic under the leadership of experienced editors in the field. Authors synthesize and distill the latest research and practice guidelines to create clinically significant, topic-based reviews.

An Indigenous resistance historiography, poetry that interrogates the colonial violence of the archive Whitemud Walking is about the land Matthew Weigel was born on and the institutions that occupy that land. It is about the interrelatedness of his own story with that of the colonial history of Canada, which considers the numbered treaties of the North-West to be historical and completed events. But they are eternal agreements that entail complex reciprocity and obligations. The state and archival institutions work together to sequester documents and knowledge in ways that resonate violently in people's lives, including the dispossession and extinguishment of Indigenous title to land. Using photos, documents, and recordings that are about or involve his ancestors, but are kept in archives, Weigel examines the consequences of this erasure and sequestration. Memories cling to documents and sometimes this palimpsest can be read, other times the margins must be centered to gain a fuller picture. Whitemud Walking is a genre-bending work of visual and lyric poetry, non-fiction prose, photography, and digital art and design. "Whitemud Walking is so smart and so ceaselessly innovative. It represents for me a fully assured instantiation of the Indigenous literary project: a confrontation of history's terrors head on and an articulation in the present of our beauty and indomitability. Weigel refuses the archive's efforts to flatten Indigenous subjectivity and, in so doing, opens up a kind of boundless space to remember and grieve but also to hope and imagine otherwise. A deeply felt accomplishment." -Billy-Ray Belcourt, author of A History of My Brief Body "Whitemud Walking is a testament to the power of grief and outrage that so much theft has been allowed to bulldoze Indigenous land rights. Matthew James Weigel's passion for research both honours and mourns what has been trampled and lied about. This is a devastating read but one to learn from. Mahsi cho, Matthew. Your grief is our call to action to learn our own histories and build upon our own Indigenous testimonies of what really happened and when and who was there to witness it. Mahsi cho." -Richard Van Camp, Tlicho Dene author of The Lesser Blessed and Moccasin Square Gardens "Whitemud Walking is a textual ecology, that through archival troubling, sampling, and reframing, allows the material, human, truly cellular historicity of treaty to enter as a living presence in our contemporary moment. Weigel writes, 'Here treaty means reciprocity and obligation. Here, treaty lasts forever'. This book is not the document you may hold in your hands but the shift in consciousness it foments within you. It is a gift." -Liz Howard, author of Infinite Citizen of the Shaking Tent "Echoing the caw and grackle of magpies, Matthew James Weigel's Whitemud Walking lives the sound of Treaty 6. Voices whisper sanctuary in creekbeds, papers rustle precedence in archives; there's a buzz in your ear, a catch in your throat - listen." -Derek Beaulieu, Banff Poet Laureate

Matthew J. Babcock's Private Fire: Robert Francis's Ecopoetry and Prose is an examination of the life and work of one of America's most intriguing but tragically obscure writers. Babcock uses his own personal relationship Robert Francis's work, which emphasizes conservation and connectedness to our natural surroundings, to illuminate both overtones and nuances that are undoubtedly useful to those interested in poetry and ecology. Babcock begins with a brief biographical section intended to set the tone for readers previously unfamiliar with Robert Francis and then continues into an analysis of the influence of Emily Dickinson and Robert Frost on Francis's work. Starting in Chapter Three, Private Fire shifts into the realm of literary analysis and discusses various angles of Francis's work, from representations of gender and sexual identity; prose contributions, both fiction and non-fiction; religion and politics; to themes of conservation, place-making, experimental poetic styles, and asceticism, finishing with a discussion of Francis's only long narrative poem, "Valhalla." This poem joins other prophetic works in musing upon environmental apocalypticism. Matthew J. Babcock finishes this detailed and thoughtful volume with concluding meditations that situate Robert Francis with his contemporaries, helping readers to locate him historically and contextually amongst other 20th century writers. By using biography and literary theory as the lens through which one interprets Francis's work, Private Fire: Robert Francis's Ecopoetry and Prose successfully navigates the literary and cultural environment surrounding a poet who himself was so connected with the world around him.

Datasets are growing not just in size but in complexity, creating a demand for rich models and quantification of uncertainty. Bayesian methods are an excellent fit for this demand, but scaling Bayesian inference is a challenge. In response to this challenge, there has been considerable recent work based on varying assumptions about model structure, underlying computational resources, and the importance of asymptotic correctness. As a result, there is a zoo of ideas with a wide range of assumptions and applicability. Patterns of Scalable Bayesian Inference seeks to identify unifying principles, patterns, and intuitions for scaling Bayesian inference. It examines how these techniques can be scaled up to larger problems and scaled out across parallel computational resources. It reviews existing work on utilizing modern computing resources with both MCMC and variational approximation techniques. From this taxonomy of ideas, it characterizes the general principles that have proven successful for designing scalable inference procedures and addresses some of the significant open questions and challenges.

Explores the drama of proximity and co-presence in Shakespeare's plays Key Features Brings together the rare pairing of philosophical ethics and performance studies in Shakespeare's plays Engages with the thought of philosophers including Ludwig Wittgenstein, Hannah Arendt, Paul Ricoeur, Stanley Cavell, and Emmanuel Levinas This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. On stage and in life, the face is always window and mirror, representation and presence. It examines the emotional and ethical surplus that appears between faces in the activity and performance of human encounter on stage. By transitioning from face as noun to verb - to face, outface, interface, efface, deface, sur-face - chapters reveal how Shakespeare's plays discover conflict, betrayal and deception as well as love, trust and forgiveness between faces and the bodies that bear them.