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This volume includes "Divide and Edit: A Brief History of Book
Divisions" by Carolyn Higbie; "Aristotle's Hamartia Reconsidered"
by Ho Kim; "Callimachus and his Allusive Virgins" by Andrew
Faulkner; "Theokritos' Idyll 16: The Kharites and Civic Poetry" by
Jose Gonzalez; "Boxing and Sacrifice in Epic: Apollonius, Vergil,
and Valerius" by Matthew Leigh; "The Rhodian Loss of Caunus and
Stratonicea in the 160s" by Sviatoslav Dmitriev; "Trina tempestas
(Carmina Einsidlensia 2.33)" by Radoslaw Pietka; "The Vanishing
Gardens of Priapus" by James Uden; "Trimalchio and Fortunata as
Zeus and Hera" by Maria Ypsilanti; "Ps.-Dionysius on Epideictic
Rhetoric: Seven Chapters, or One Complete Treatise?" by Martin
Korenjak; "The Grammarian C. Iulius Romanus and the Fabula Togata"
by Jarrett T. Welsh; "Quintus of Smyrna and the Second Sophistic"
by Silvio Bar; and "The Conversion of A. D. Nock in the Context of
His Life, Scholarship, and Religious View" by Simon Price.
The fathers of modern freemasonry sought a classical pedigree for
their rituals and forms of association. This volume offers the
first academic study of how freemasons writing in the first half of
the 18th century deployed their knowledge of antiquity to bolster
this claim and how the creative literature of the period reflected
their ideas. The scholarly investigation of freemasonry is a
relatively new phenomenon. The writings of active freemasons tend
either to generate new masonic myths or to focus on the minutiae of
insignia, rank, and ritual. Only in the last 50 years have
non-masons given serious thought to freemasonry as a social
practice and to its place within the intellectual and political
life of Enlightenment Europe and beyond. Study of masonic elements
in literary texts lags much further behind. This volume offers the
first English translations of three mid-18th century comedies on
female curiosity about this exclusively male order and shows how
they reflect contemporary attempts to forge a link with ancient
mystery cult. The theatrical aspect of masonic ritual and the
ancient mysteries is examined in depth. This volume opens up
important new ground in classical reception and 18th century
theatre history.
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The Ant and the Hill (Hardcover)
Regina Stone Matthews; Illustrated by Leigh Vashey
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R556
R466
Discovery Miles 4 660
Save R90 (16%)
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Ships in 10 - 15 working days
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Comedy and the Rise of Rome invites the reader to consider Roman
comedy in the light of history and Roman history in the light of
comedy. Plautus and Terence base their dramas on the New Comedy of
fourth- and third-century BC Greece. Yet many of the themes with
which they engage are peculiarly alive in the Rome of the
Hannibalic war, and the conquest of Macedon. This study takes
issues as diverse as the legal status of the prisoner of war, the
ethics of ambush, fatherhood and command, and the clash of maritime
and agrarian economies, and examines responses to them both on the
comic stage and in the world at large. This is a substantially new
departure in ways of thinking about Roman comedy and one that opens
it up to a far wider public than has previously been the case.
The Pharsalia is Lucan's epic on the civil wars between Caesar and Pompey. It is a poem of immense energy and intelligence in which spectacle and spectatorship are prominent. The author shows that by transforming certain Virgilian narrative devices Lucan launches an attack on the Augustan ideology of the Aeneid: where Virgil writes the foundation myth for the new regime and celebrates the connections between Augustus and Aeneas, Lucan produces a savagely republican anti-Aeneid which represents the civil wars as the death of Rome.
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