British crime drama starring Timothy Spall, Iwan Rheon and Matthew Lewis. Falsely imprisoned as a result of local drug kingpin Roper (Neil Maskell)'s scheming, Harvey (Luke Treadaway) returns home a man desperate to get his revenge. As well as concocting a plan with the help of his three close friends Dempsey (Rheon), Charlie (Gerard Kearns) and Dodd (Lewis) to strip Roper of all his assets and undermine his reputation, Harvey is also tasked with winning back the trust and admiration of his girlfriend Nicola (Vanessa Kirby)...

The murder of the Princes in the Tower is the most famous cold case in British history. Traditionally considered victims of their ruthless uncle, there are other suspects too often and too easily discounted. There may be no definitive answer, but by delving into the context of their disappearance and the characters of the suspects Matthew Lewis examines the motives and opportunities, afresh as well as asking a crucial but often overlooked question: what if there was no murder? What if Edward V and his brother Richard, Duke of York, survived their uncle’s reign and even that of their brother-in-law Henry VII? There are glimpses of their possible survival and compelling evidence to give weight to those glimpses, which is considered alongside the possibility of their deaths to provide a rounded and complete assessment of the most fascinating mystery in history.

In the second half of the fifteenth century, for over thirty years, civil war tore England apart. However, its roots were deeper and its thorns were felt for longer than this time frame suggests. The Wars of the Roses were not a coherent period of continual warfare. There were distinct episodes of conflict, interspersed with long periods of peace. But the struggles never really ceased. Motives changed, fortunes waxed and waned, the nature of kingship was weighed and measured and the mettle of some of England's greatest families was put to the test. Matthew Lewis examines the people behind these events, exploring the personalities of the main players, their motives, successes and failures. He uncovers some of the lesser-known tales and personal stories often lost in the broad sweep of the Wars of the Roses, in a period of famously complex loyalties and shifting fortunes.

The murder of the Princes in the Tower is the most famous cold case in British history. Traditionally considered victims of their ruthless uncle, there are other suspects too often and too easily discounted. There may be no definitive answer, but by delving into the context of their disappearance and the characters of the suspects Matthew Lewis examines the motives and opportunities, afresh as well as asking a crucial but often overlooked question: what if there was no murder? What if Edward V and his brother Richard, Duke of York, survived their uncle's reign and even that of their brother-in-law Henry VII? There are glimpses of their possible survival and compelling evidence to give weight to those glimpses, which is considered alongside the possibility of their deaths to provide a rounded and complete assessment of the most fascinating mystery in history.

King Richard III remains one of the most controversial figures in British history. Matthew Lewis's new biography aims to become a definitive account by exploring what is known of his childhood and the impacts it had on his personality and view of the world. He would be cast into insecurity and exile only to become a royal prince before his tenth birthday. As Richard spends his teenage years under the watchful gaze of his older brother, Edward IV, he is eventually placed in the household of their cousin, the Earl of Warwick, remembered as the Kingmaker; but as the relationship between a king and his most influential magnate breaks down, Richard is compelled to make a choice when the House of York fractures. After another period in exile, Richard returns to become the most powerful nobleman in England. The work he involves himself in during the years that follow demonstrates a drive and commitment but also a dangerous naivete. When crisis hits in 1483, it is to Richard that his older brother turns on his death bed. The events of 1483 remain contentious and hotly debated, but by understanding the Richard who began that year, it will become clearer what drove some of his actions and decisions. Returning to primary sources and considering the evidence available, this new life undoes the myths and presents a real man living in tumultuous times.

King of a lost realm. Wearer of a pawned crown. Heir to an empire beyond reach. From the ashes of Magna Carta, a new England was to be forged. Henry III became King of England within days of his ninth birthday. His father, King John, had overseen a disastrous period in English history and the boy king inherited a country embroiled in a bitter, entrenched war with itself. With barons inviting a French prince to take the crown, the young Henry was forced to rely on others to maintain his position. As he grew into adulthood, Henry had to manage the transition to a personal rule, wrenching power from men who had held it almost unchecked for years. With a settled position at home, attention could turn to the recovery of lost territory abroad and the salvaging of Henry's family reputation. All would not go according to plan. Failures abroad led to trouble back in England as restless barons became disillusioned. They found a figurehead in Simon de Montfort, a man who would transform himself from Henry's favourite to a de facto king. Imprisoned and stripped of his power, Henry would again have to fight for his kingdom, now relying not on older mentors but on his immensely capable son. Henry was handed a monarchy in peril, a crown that was cracked and tarnished. He was given fifty-six years to mend the damage his father had done. It would spell over half a century of highs and lows in a country crying out for stability; the final measure of Henry's achievement displayed in the crown that he left to his son, Edward I.

With an Introduction by Kathryn White. Prepare to be shocked. This novel, written in 1796, is a Gothic festival of sex, magic and ghastly, ghostly violence rarely seen in literature. The Monk is remarkably modern in style and tells a breathless tale of temptation, imprisonment and betrayal. Matthew Lewis recounts the downfall of Ambrosio, the holier-than-thou monk seduced within the walls of a Madrid abbey until he heads for the utter corruption of the soul. Meanwhile, two sets of young lovers are thwarted and the reader thrills to pursuits through the woods by bandits and is chilled by the spectre of nuns imprisoned in vermin-ridden and skeleton-crowded vaults. Late Eighteenth Century audiences were polarised in opinion as to the novel's merits. Lord Byron and the Marquis de Sade were impressed by Lewis's daring, while Coleridge warned parents against The Monk's suitability for their sons or daughters, describing the novel as 'poison for youth. If you want a novel that still terrifies, over two hundred years after it was written, there is none finer than The Monk.

Henry II became King of England in 1154 after twenty years of civil war. He was the first Plantagenet king, the founder of England's most successful and longest-ruling dynasty. But Henry did not come to the throne alone. He had married Eleanor of Aquitaine, a feisty, formidable and powerful woman ten years his senior. Eleanor had spent fifteen years married to Louis VII of France before he divorced her, only to be angered when she married his young rival. Together, they were a medieval power couple who soon added the ultimate rank of king and queen consort to their list of titles. With them, the Angevin Empire was born. Over the decades, a wedge was driven between the king, fiercely protective of his empire, and Eleanor, who felt restrained in her husband's shadow. Henry imprisoned his wife, fought his elder sons and pinned his hopes on his youngest, whose betrayal was the last straw. This book charts the early lives of Henry and Eleanor before they became a European power couple and examines the impact of their union on contemporaries and European politics. It explores the birth of the Angevin Empire that spread from Northumberland to the Mediterranean, and the causes of the disintegration of that vast territory, as well as the troublesome relationships between Henry and his sons, who dragged their father to the battlefield to defend his lands from their ambitious intriguing.

Colonialism in Modern America is a series of essays exploring the economic and social problems of the region within the context of colonialism. It is a relatively simple task to document the social ills and the environmental ravage that beset the people and land of Appalachia. However, it is far more difficult and problematic to uncover the causes of these tragic conditions.

King Richard III remains one of the most controversial figures in British history. Matthew Lewis's new biography aims to become a definitive account by exploring what is known of his childhood and the impacts it had on his personality and view of the world. He would be cast into insecurity and exile only to become a royal prince before his tenth birthday. As Richard spends his teenage years under the watchful gaze of his older brother, Edward IV, he is eventually placed in the household of their cousin, the Earl of Warwick, remembered as the Kingmaker; but as the relationship between a king and his most influential magnate breaks down, Richard is compelled to make a choice when the House of York fractures. After another period in exile, Richard returns to become the most powerful nobleman in England. The work he involves himself in during the years that follow demonstrates a drive and commitment but also a dangerous naivete. When crisis hits in 1483, it is to Richard that his older brother turns on his death bed. The events of 1483 remain contentious and hotly debated, but by understanding the Richard who began that year, it will become clearer what drove some of his actions and decisions. Returning to primary sources and considering the evidence available, this new life undoes the myths and presents a real man living in tumultuous times.

Richard, 3rd Duke of York is frequently used to recall the colours of the rainbow with the mnemonic 'Richard Of York Gave Battle In Vain', wrongly believed to be the Grand Old Duke of York who had 10,000 men, or mistaken for his youngest son, Richard III. The son of a traitor, he inherited a dukedom aged four, became the wealthiest man in England at thirteen and later rebelled against his king, and if he is remembered, it is as a man who ignited the Wars of the Roses. Further eclipsed by two of his sons, who would become the mighty warrior Edward IV and the recently rediscovered Richard III, he is an ancestor of the Tudor monarchs and fifteenth great-grandfather to Queen Elizabeth II, yet the man himself is obscured from view. Matthew Lewis pushes aside the veils of myth and legend to challenge the image of Richard as a man whose insatiable ambition dragged a nation into civil war, revealing a complex family man with unparalleled power and responsibilities. The first person ever recorded to use the Plantagenet name, he pushed the political establishment to its limits, dared to fight back and was forced to do the unimaginable.

‘Few could sustain the glance of his eye, at once fiery and penetrating’

Savaged by critics for its supposed profanity and obscenity, and bought in large numbers by readers eager to see whether it lived up to its lurid reputation, The Monk became a succès de scandale when it was published in 1796 – not least because its author was a member of parliament and only twenty years old. It recounts the diabolical decline of Ambrosio, a Capuchin superior, who succumbs first to temptations offered by a young girl who has entered his monastery disguised as a boy, and continues his descent with increasingly depraved acts of sorcery, murder, incest and torture. Combining sensationalism with acute psychological insight, this masterpiece of Gothic fiction is a powerful exploration of how violent and erotic impulses can break through the barriers of social and moral restraint.

This edition is based on the first edition of 1796, which appeared before Lewis’s revisions to avoid charges of blasphemy. In his introduction, Christopher MacLachlan discusses the novel’s place within the Gothic genre, and its themes of sexual desire and the abuse of power.

King Richard III remains one of the most infamous and recognisable monarchs in English or British history, despite only sitting on the throne for two years and fifty-eight days. His hold on the popular imagination is largely due to the fictional portrayal of him by William Shakespeare which, combined with the workings of five centuries of rumour and gossip, has created two opposing versions of Richard. In fiction he is the evil, scheming murderer who revels in his plots, but many of the facts point towards a very different man. Dissecting a real Richard III from the fictional versions that have taken hold is made difficult by the inability to discern motives in many instances, leaving a wide gap for interpretation that can be favourable or damning in varying degrees. It is the facts that will act as the scalpel to begin the operation of finding a truth obscured by fiction. Richard III may have been a monster, a saint, or just a man trying to survive, but any view of him should be based in the realities of his life, not the myths built on rumour and theatre. How much of what we think we know about England's most controversial monarch will remain when the facts are sifted from the fictions?

The Anarchy was the first civil war in post-Conquest England, enduring throughout the reign of King Stephen between 1135 and 1154. It ultimately brought about the end of the Norman dynasty and the birth of the mighty Plantagenet kings. When Henry I died having lost his only legitimate son in a shipwreck, he had caused all of his barons to swear to recognize his daughter Matilda, widow of the Holy Roman Emperor, as his heir and remarried her to Geoffrey, Count of Anjou. When she was slow to move to England on her father's death, Henry's favourite nephew Stephen of Blois rushed to have himself crowned, much as Henry himself had done on the death of his brother William Rufus. Supported by his brother Henry, Bishop of Winchester, Stephen made a promising start, but Matilda would not give up her birthright and tried to hold the English barons to their oaths. The result was more than a decade of civil war that saw England split apart. Empress Matilda is often remembered as aloof and high-handed, Stephen as ineffective and indecisive. By following both sides of the dispute and seeking to understand their actions and motivations, Matthew Lewis aims to reach a more rounded understanding of this crucial period of English history and asks to what extent there really was anarchy.

Henry II became King of England in 1154 after twenty years of civil war. He was the first Plantagenet king, the founder of England's most successful and longest-ruling dynasty. But Henry did not come to the throne alone. He had married Eleanor of Aquitaine, a feisty, formidable and powerful woman ten years his senior. Eleanor had spent fifteen years married to Louis VII of France before he divorced her, only to be angered when she married his young rival. Together, they were a medieval power couple who soon added the ultimate rank of king and queen consort to their list of titles. With them, the Angevin Empire was born. Over the decades, a wedge was driven between the king, fiercely protective of his empire, and Eleanor, who felt restrained in her husband's shadow. Henry imprisoned his wife, fought his elder sons and pinned his hopes on his youngest, whose betrayal was the last straw. This book charts the early lives of Henry and Eleanor before they became a European power couple and examines the impact of their union on contemporaries and European politics. It explores the birth of the Angevin Empire that spread from Northumberland to the Mediterranean, and the causes of the disintegration of that vast territory, as well as the troublesome relationships between Henry and his sons, who dragged their father to the battlefield to defend his lands from their ambitious intriguing.

'He was deaf to the murmurs of conscience, and resolved to satisfy his desires at any price.' The Monk (1796) is a sensational story of temptation and depravity, a masterpiece of Gothic fiction and the first horror novel in English literature. The respected monk Ambrosio, the Abbot of a Capuchin monastery in Madrid, is overwhelmed with desire for a young girl; once having abandoned his monastic vows he begins a terrible descent into immorality and violence. His appalling fall from grace embraces blasphemy, black magic, torture, rape, and murder, and places his very soul in jeopardy. Lewis's extraordinary tale drew on folklore, legendary ghost stories, and contemporary dread inspired by the terrors of the French Revolution. Its excesses shocked the reading public and it was condemned as obscene. The novel continues to beguile and shock readers today with its gruesome catalogue of iniquities, while at the same time giving a profound insight into the deep anxieties experienced by British citizens during one of the most turbulent periods in the nation's history. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.