Troubling Traditions takes up a 21st century, field-specific conversation between scholars, educators, and artists from varying generational, geographical, and identity positions that speak to the wide array of debates around dramatic canons. Unlike Literature and other fields in the humanities, Theatre and Performance Studies has not yet fully grappled with the problems of its canon. Troubling Traditions stages that conversation in relation to the canon in the United States. It investigates the possibilities for multiplying canons, methodologies for challenging canon formation, and the role of adaptation and practice in rethinking the field's relation to established texts. The conversations put forward by this book on the canon interrogate the field's fundamental values, and ask how to expand the voices, forms, and bodies that constitute this discipline. This is a vital text for anyone considering the role, construction, and impact of canons in the US and beyond.

Troubling Traditions takes up a 21st century, field-specific conversation between scholars, educators, and artists from varying generational, geographical, and identity positions that speak to the wide array of debates around dramatic canons. Unlike Literature and other fields in the humanities, Theatre and Performance Studies has not yet fully grappled with the problems of its canon. Troubling Traditions stages that conversation in relation to the canon in the United States. It investigates the possibilities for multiplying canons, methodologies for challenging canon formation, and the role of adaptation and practice in rethinking the field's relation to established texts. The conversations put forward by this book on the canon interrogate the field's fundamental values, and ask how to expand the voices, forms, and bodies that constitute this discipline. This is a vital text for anyone considering the role, construction, and impact of canons in the US and beyond.

Five films from the hugely popular sci-fi franchise. In 'The Fly' (1958), a scientist (David Hedison) is obsessed with developing a molecular matter transmitter. When he attempts to test the invention himself, he is unwittingly joined by a companion - a fly that has sneaked into the transportation pod with him. The consequences of the experiment soon become clear, as the scientist begins to take on fly-like characteristics. 'Return of the Fly' (1959) sees the original scientist's son reconstructing the matter transporter which turned his father into an insect, with the young man's experiments leading him down the same insectoid path. In 'Curse of the Fly' (1965) the plot again revolves around the Delambre family, although this time it is the scientist's grandson, Henri Delambre (Brian Donlevy), who becomes obsessed with transporter experiments to the dismay of his two sons, who want to live normal lives and forget about their grandfather's invention. Henri's oldest son, Martin (George Baker), marries a young woman who just escaped from a mental hospital. After Martin's new wife discovers a closet filled with deranged humans left over from failed teleportation experiments, the police are called and Henri attempts to flee using the infamous transporter. 'The Fly' (1986) is the Oscar-winning remake of the 1958 horror classic. Scientist Seth Brundle (Jeff Goldblum), experimenting with transmitting matter uses himself as a guinea-pig, unaware that a fly has got into the machinery. As he embarks on a relationship with Veronica Quaife (Geena Davis), the journalist covering his project, his body slowly begins to take on fly-like characteristics. 'The Fly 2' (1989) is the sequel to the 1986 movie. Dr Seth Brundle is no more, but he has left behind a gruesome legacy: the teleportation device which transformed him into a human fly, and a son, Martin (Matthew Moore/Harley Cross). Infected with his father's insect metabolism, Martin's growth is hugely accelerated, and he is soon a fully grown man (Eric Stoltz). When he discovers the remains of his father's experiment, Martin decides to pick up where Seth left off.

Opera Buffa is Tomaz Salamun's last testament. It is a book rooted in torn landscapes of Central Europe and the Mediterranean. Crafted from place and power, these poems are fragments of collective memory. "There are hands, inside. Concordance rises / There are no foodstuffs. There's no branch." These are poems that examine what is tender and terrible in the world, ranging from the extrajudicial civil massacres of partisans during and after the Second World War, to the prejudicial violence carried out in twenty-first-century Europe against people forced to migrate from the Middle East, North Africa, and India. Opera Buffa witnesses anarchical plutocracy, climate catastrophe, and so much more. "Do you feel the footsteps?/ Do you feel the approach?" This is Opera Buffa.