In Measuring the Immeasurable Mind: Where Contemporary Neuroscience Meets the Aristotelian Tradition, Matthew Owen argues that despite its nonphysical character, it is possible to empirically detect and measure consciousness. Toward the end of the previous century, the neuroscience of consciousness set its roots and sprouted within a materialist milieu that reduced the mind to matter. Several decades later, dualism is being dusted off and reconsidered. Although some may see this revival as a threat to consciousness science aimed at measuring the conscious mind, Owen argues that measuring consciousness, along with the medical benefits of such measurements, is not ruled out by consciousness being nonphysical. Owen proposes the Mind-Body Powers model of neural correlates of consciousness, which is informed by Aristotelian causation and a substance dualist view of human nature inspired by Thomas Aquinas, who often followed Aristotle. In addition to explaining why there are neural correlates of consciousness, the model provides a philosophical foundation for empirically discerning and quantifying consciousness. En route to presenting and applying the Mind-Body Powers model to neurobiology, Owen rebuts longstanding objections to dualism related to the mind-body problem. With scholarly precision and readable clarity, Owen applies an oft forgotten yet richly developed historical vantage point to contemporary cognitive neuroscience.

for SATB unaccompanied This setting of the well-known fifteenth-century text Lullay, my liking is both simple and effective. With enchanting solos and a gentle choral refrain, this tender carol will bring a moment of stillness and reflection to Christmas concerts and services.

for soloists, SATB, and organ Written for the Choir of Wells Cathedral, of which Matthew Owens is Organist and Master of the Choristers, this setting of the St Matthew Passion is ideally suited to liturgical performance during Holy Week. The principal role of the Evangelist is taken by a baritone soloist, who narrates the story of Christ's trial and Crucifixion in unaccompanied chant. The other, smaller, solo roles of Judas (tenor), Pilate (tenor), Jesus (bass), and Pilate's wife (alto) continue in the same vein, with four-part choral interspersions from the crowds, soldiers, and priests providing a contrast in texture. The hymn 'When I survey the wondrous cross', set to the Rockingham hymn tune, appears twice throughout the work, and the congregation are encouraged to join in on both occasions. The simple organ part supports the voices for the hymn, and may also optionally double the choir during the narrative.

In Measuring the Immeasurable Mind: Where Contemporary Neuroscience Meets the Aristotelian Tradition, Matthew Owen argues that despite its nonphysical character, it is possible to empirically detect and measure consciousness. Toward the end of the previous century, the neuroscience of consciousness set its roots and sprouted within a materialist milieu that reduced the mind to matter. Several decades later, dualism is being dusted off and reconsidered. Although some may see this revival as a threat to consciousness science aimed at measuring the conscious mind, Owen argues that measuring consciousness, along with the medical benefits of such measurements, is not ruled out by consciousness being nonphysical. Owen proposes the Mind-Body Powers model of neural correlates of consciousness, which is informed by Aristotelian causation and a substance dualist view of human nature inspired by Thomas Aquinas, who often followed Aristotle. In addition to explaining why there are neural correlates of consciousness, the model provides a philosophical foundation for empirically discerning and quantifying consciousness. En route to presenting and applying the Mind-Body Powers model to neurobiology, Owen rebuts longstanding objections to dualism related to the mind-body problem. With scholarly precision and readable clarity, Owen applies an oft forgotten yet richly developed historical vantage point to contemporary cognitive neuroscience.

Exposing readers to "what works" across a wide range of practice domains, Readings in Evidence-Based Social Work meets a growing need within schools of social work to incorporate the latest research on evidence-based practice into the curriculum. This one-of-a-kind reader synthesizes current knowledge, adds editorial commentary and questions, and presents state-of-the-art material to help students better understand which social work interventions work and why. Key Features: Uses systematic reviews to evaluate studies that test the effectiveness of evidence-based interventions Offers a three-part organization that focuses on the major practice domains of children and families, at-risk youth, and mental health and well-being Provides an overview of the techniques of meta-analysis and systematic review Includes original commentary and discussion questions before each major section and concludes each section with important practice points Discusses barriers to evidence-based social work practice, as well as directions for future work Readings in Evidence-Based Social Work is appropriate for a wide variety of courses within the Bachelor of Social Work (B.S.W.) and Master's in Social Work (M.S.W.) curriculum including Generalist Social Work Practice; Foundations of Social Work Practice; Social Work Practice with Children and Families; Models of Intervention; Direct Practice in Social Work, Social Work Research; Interpersonal Practice with Individuals, Families and Small Groups; Human Behavior in the Social Environment, and many others.

for SATB and organ A stunning atmosphere is instantly created in this short piece by an almost ethereal organ part, featuring flourishes on flute stops, later supported by a drone-like pedal line. The choral lines are slow-moving and homophonic, allowing the text to come to the fore. These words are traditionally used on Trinity Sunday, but their general message is suitable for use throughout the year, making Owens's setting a useful and practical addition to any church choir's repertory.

for SATB and organ or chamber ensemble This joyful new setting of the traditional English words combines dancing cross-rhythms, exuberant melodic writing, and a sparkling organ part. Guaranteed to put a smile on the faces of audiences and choirs alike! Orchestral material is available on hire/rental. This work first appeared in Carols for Choirs 5.

Exposing readers to "what works" across a wide range of practice domains, Readings in Evidence-Based Social Work meets a growing need within schools of social work to incorporate the latest research on evidence-based practice into the curriculum. This one-of-a-kind reader synthesizes current knowledge, adds editorial commentary and questions, and presents state-of-the-art material to help students better understand which social work interventions work and why. Key Features: Uses systematic reviews to evaluate studies that test the effectiveness of evidence-based interventions Offers a three-part organization that focuses on the major practice domains of children and families, at-risk youth, and mental health and well-being Provides an overview of the techniques of meta-analysis and systematic review Includes original commentary and discussion questions before each major section and concludes each section with important practice points Discusses barriers to evidence-based social work practice, as well as directions for future work Readings in Evidence-Based Social Work is appropriate for a wide variety of courses within the Bachelor of Social Work (B.S.W.) and Master's in Social Work (M.S.W.) curriculum including Generalist Social Work Practice; Foundations of Social Work Practice; Social Work Practice with Children and Families; Models of Intervention; Direct Practice in Social Work, Social Work Research; Interpersonal Practice with Individuals, Families and Small Groups; Human Behavior in the Social Environment, and many others.