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Hary’s Wallace - (Vita Nobilissimi Defensoris Scotie Wilelmi Wallace Militis): Matthew P. McDiarmid, James A.C. Stevenson Hary’s Wallace - (Vita Nobilissimi Defensoris Scotie Wilelmi Wallace Militis)
Matthew P. McDiarmid, James A.C. Stevenson
R3,316 Discovery Miles 33 160 Ships in 12 - 17 working days

Hary's Wallace is a late fifteenth-century poem in twelve books, recounting the deeds of William Wallace, a leader of the Scots in the First War of Independence. It is an extraordinary and sophisticated piece of work which creates scenes of immense sensual and symbolic intensity to underpin a narrative of Wallace's heroism in the face of struggle, disloyalty and betrayal. Hary draws on other Scottish material, particularly John Barbour's Bruce and Walter Bower's Scotichronicon, to structure his hero's activities, and he uses Chaucerian forms, including the five-stress couplet, to enrich his account and appeal to his contemporary audience. While the poem is best known as the ultimate source for the 1995 film Braveheart, it offers a richer and more complex version of Wallace's career and his contribution to the First War of Independence. This edition, by Matthew P. McDiarmid, now reissued by the Scottish Text Society after several years out of print, is the standard scholarly edition of the poem, and provides a comprehensive and accessible introduction, notes and glossary.

Barbour’s Bruce - A! Fredome is a noble thing!: John Barbour Barbour’s Bruce - A! Fredome is a noble thing!
John Barbour; Edited by Matthew P. McDiarmid, James A.C. Stevenson
R3,315 Discovery Miles 33 150 Ships in 12 - 17 working days

Barbour's Bruce (c. 1375) is the oldest substantial piece of literature in Older Scots. It narrates in four-stress couplets the feats of Robert Bruce and his supporters, most notably James Douglas and Thomas Randolph. Their heroic activities, including battles against odds and clever out-manoeuvrings as well as open warfare, provide opportunities for discussion of good leadership, the celebration of freedom, and a construction of Scottishness alongside a narrative with enough verifiable historical detail to make it compelling and convincing. Barbour's narrative implicitly locates Bruce and Douglas against European traditions of the Nine Worthies, particularly Alexander, and shows a sophisticated sense of structure in the central placing of Bannockburn and Bruce's speech on freedom. This edition by McDiarmid and Stevenson, out of print for several years, is now reissued by the Scottish Text Society. In addition to the text, it provides a full introduction, notes and a glossary.

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