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Interviews are becoming an increasingly dominant research method in
art, craft, design, fashion and textile history. This
groundbreaking text demonstrates how artists, writers and
historians deploy interviews as creative practice, as 'history',
and as a means to insights into the micro-practices of arts
production and identity that contribute to questions of 'voice',
authenticity, and authorship. Through a wide range of case studies
from international scholars and practitioners across a variety of
fields, the volume maps how oral history interviews contribute to a
relational practice that is creative, rigorous and ethically
grounded. " Oral History in the Visual Arts" is essential reading
for students, researchers and practitioners across the visual arts.
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