Edward Albee (1928-2016) was a central figure in modern American theatre, and his bold and often experimental theatrical style won him wide acclaim. This book explores the issues, public and private, that so influenced Albee's vision over five decades, from his first great success, The Zoo Story (1959), to his last play, Me, Myself, & I (2008). Matthew Roudane covers all of Albee's original works in this comprehensive, clearly structured, and up-to-date study of the playwright's life and career: in Part I, the volume explores Albee's background and the historical contexts of his work; Part II concentrates on twenty-four of his plays, including Who's Afraid of Virginia Woolf? (1962); and Part III investigates his critical reception. Surveying Albee's relationship with Broadway, and including interviews conducted with Albee himself, this book will be of great importance for theatregoers and students seeking an accessible yet incisive introduction to this extraordinary American playwright.

Edward Albee (1928-2016) was a central figure in modern American theatre, and his bold and often experimental theatrical style won him wide acclaim. This book explores the issues, public and private, that so influenced Albee's vision over five decades, from his first great success, The Zoo Story (1959), to his last play, Me, Myself, & I (2008). Matthew Roudane covers all of Albee's original works in this comprehensive, clearly structured, and up-to-date study of the playwright's life and career: in Part I, the volume explores Albee's background and the historical contexts of his work; Part II concentrates on twenty-four of his plays, including Who's Afraid of Virginia Woolf? (1962); and Part III investigates his critical reception. Surveying Albee's relationship with Broadway, and including interviews conducted with Albee himself, this book will be of great importance for theatregoers and students seeking an accessible yet incisive introduction to this extraordinary American playwright.

Few American playwrights have exerted as much influence on the contemporary stage as Sam Shepard. His plays are performed "on" and "off" Broadway as well as in all the major regional American theaters. They are also widely performed and studied in Europe, particularly in Britain, Germany and France, finding both a popular and a scholarly audience. This companion explores the various aspects of Shepard's career, providing fascinating first-hand accounts and substantial critical chapters on the plays, poetry, music, fiction, acting, directing and film work.

Fifty years after the original production of Death of a Salesman, Arthur Miller's play has as much emotional impact upon and relevance to the audience of twenty-first century America as it did when it was first performed. In this collection of papers, taken from the Fifth International Arthur Miller Conference in Brooklyn Heights, New York, authors focus on the play's position in America's dramatic literary canon. The subjects of the essays range from evaluation of the play in economic terms to critical analysis of specific productions, to a look at the body of Miller's works.

Few American playwrights have exerted as much influence on the contemporary stage as Sam Shepard. His plays are performed "on" and "off" Broadway as well as in all the major regional American theaters. They are also widely performed and studied in Europe, particularly in Britain, Germany and France, finding both a popular and a scholarly audience. This companion explores the various aspects of Shepard's career, providing fascinating first-hand accounts and substantial critical chapters on the plays, poetry, music, fiction, acting, directing and film work.