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- Emphasis on hearing musical forms is pedagogically effective and
unique among form textbooks - Offers a complete course package,
with workbook pages included in the Textbook, while the
accompanying Anthology makes full scores of pieces covered in the
book easily available - Offers clear and accessible explanations
that are up to date with current scholarship
- Emphasis on hearing musical forms is pedagogically effective and
unique among form textbooks - Offers a complete course package,
with workbook pages included in the Textbook, while the
accompanying Anthology makes full scores of pieces covered in the
book easily available - Offers clear and accessible explanations
that are up to date with current scholarship For the ANTHOLOGY: -
Provides full scores to accompany the examples addressed in the
text, creating a convenient package for instructors - This edition
has been updated with 8 new pieces, bringing in additional
composers
Hearing Rhythm and Meter: Analyzing Metrical Consonance and
Dissonance in Common-Practice Period Music is the first book to
present a comprehensive course text on advanced analysis of rhythm
and meter. This book brings together the insights of recent
scholarship on rhythm and meter in a clear and engaging
presentation, enabling students to understand topics including
hypermeter and metrical dissonance. From the Baroque to the
Romantic era, Hearing Rhythm and Meter emphasizes listening,
enabling students to recognize meters and metrical dissonances by
type both with and without the score. The textbook includes
exercises for each chapter and is supported by a full-score
anthology. PURCHASING OPTIONS Textbook (Print Paperback):
978-0-8153-8448-9 Textbook (Print Hardback): 978-0-8153-8447-2
Textbook (eBook): 978-1-351-20431-6 Anthology (Print Paperback):
978-0-8153-9176-0 Anthology (Print Hardback): 978-0-367-34924-0
Anthology (eBook): 978-1-351-20083-7
This full-score anthology for Hearing Rhythm and Meter: Analyzing
Metrical Consonance and Dissonance in Common-Practice Period Music
supports the textbook of the same name, the first book to present a
comprehensive course text on advanced analysis of rhythm and meter.
From the Baroque to the Romantic era, Hearing Rhythm and Meter
emphasizes listening, enabling students to recognize meters and
metrical dissonances by type both with and without the score. Found
here are masterworks carefully chosen as the ideal context for the
presentation of foundational concepts. PURCHASING OPTIONS Textbook
(Print Paperback): 978-0-8153-8448-9 Textbook (Print Hardback):
978-0-8153-8447-2 Textbook (eBook): 978-1-351-20431-6 Anthology
(Print Paperback): 978-0-8153-9176-0 Anthology (Print Hardback):
978-0-367-34924-0 Anthology (eBook): 978-1-351-20083-7
Hearing Rhythm and Meter: Analyzing Metrical Consonance and
Dissonance in Common-Practice Period Music is the first book to
present a comprehensive course text on advanced analysis of rhythm
and meter. This book brings together the insights of recent
scholarship on rhythm and meter in a clear and engaging
presentation, enabling students to understand topics including
hypermeter and metrical dissonance. From the Baroque to the
Romantic era, Hearing Rhythm and Meter emphasizes listening,
enabling students to recognize meters and metrical dissonances by
type both with and without the score. The textbook includes
exercises for each chapter and is supported by a full-score
anthology. PURCHASING OPTIONS Textbook (Print Paperback):
978-0-8153-8448-9 Textbook (Print Hardback): 978-0-8153-8447-2
Textbook (eBook): 978-1-351-20431-6 Anthology (Print Paperback):
978-0-8153-9176-0 Anthology (Print Hardback): 978-0-367-34924-0
Anthology (eBook): 978-1-351-20083-7
This full-score anthology for Hearing Rhythm and Meter: Analyzing
Metrical Consonance and Dissonance in Common-Practice Period Music
supports the textbook of the same name, the first book to present a
comprehensive course text on advanced analysis of rhythm and meter.
From the Baroque to the Romantic era, Hearing Rhythm and Meter
emphasizes listening, enabling students to recognize meters and
metrical dissonances by type both with and without the score. Found
here are masterworks carefully chosen as the ideal context for the
presentation of foundational concepts. PURCHASING OPTIONS Textbook
(Print Paperback): 978-0-8153-8448-9 Textbook (Print Hardback):
978-0-8153-8447-2 Textbook (eBook): 978-1-351-20431-6 Anthology
(Print Paperback): 978-0-8153-9176-0 Anthology (Print Hardback):
978-0-367-34924-0 Anthology (eBook): 978-1-351-20083-7
Materials and Techniques of Post-Tonal Music, Fifth Edition
provides the most comprehensive introduction to post-tonal music
and its analysis available. Covering music from the end of the
nineteenth century through the beginning of the twenty-first, it
offers students a clear guide to understanding the diverse and
innovative compositional strategies that emerged in the post-tonal
era, from Impressionism to computer music. This updated fifth
edition features: chapters revised throughout to include new
examples from recent music and insights from the latest
scholarship; the introduction of several new concepts and topics,
including parsimonius voice-leading, scalar transformations, the
New Complexity, and set theory in less chromatic contexts; expanded
discussions of spectralism and electronic music; timelines in each
chapter, grounding the music discussed in its chronological
context; a companion website that provides students with links to
recordings of musical examples discussed in the text and provides
instructors with an instructor's manual that covers all of the
exercises in each chapter. Offering accessible explanations of
complex concepts, Materials and Techniques of Post-Tonal Music,
Fifth Edition is an essential text for all students of post-tonal
music theory.
- Emphasis on hearing musical forms is pedagogically effective and
unique among form textbooks - Offers a complete course package,
with workbook pages included in the Textbook, while the
accompanying Anthology makes full scores of pieces covered in the
book easily available - Offers clear and accessible explanations
that are up to date with current scholarship
Materials and Techniques of Post-Tonal Music, Fifth Edition
provides the most comprehensive introduction to post-tonal music
and its analysis available. Covering music from the end of the
nineteenth century through the beginning of the twenty-first, it
offers students a clear guide to understanding the diverse and
innovative compositional strategies that emerged in the post-tonal
era, from Impressionism to computer music. This updated fifth
edition features: chapters revised throughout to include new
examples from recent music and insights from the latest
scholarship; the introduction of several new concepts and topics,
including parsimonius voice-leading, scalar transformations, the
New Complexity, and set theory in less chromatic contexts; expanded
discussions of spectralism and electronic music; timelines in each
chapter, grounding the music discussed in its chronological
context; a companion website that provides students with links to
recordings of musical examples discussed in the text and provides
instructors with an instructor's manual that covers all of the
exercises in each chapter. Offering accessible explanations of
complex concepts, Materials and Techniques of Post-Tonal Music,
Fifth Edition is an essential text for all students of post-tonal
music theory.
- Emphasis on hearing musical forms is pedagogically effective and
unique among form textbooks - Offers a complete course package,
with workbook pages included in the Textbook, while the
accompanying Anthology makes full scores of pieces covered in the
book easily available - Offers clear and accessible explanations
that are up to date with current scholarship
- Emphasis on hearing musical forms is pedagogically effective and
unique among form textbooks - Offers a complete course package,
with workbook pages included in the Textbook, while the
accompanying Anthology makes full scores of pieces covered in the
book easily available - Offers clear and accessible explanations
that are up to date with current scholarship For the ANTHOLOGY: -
Provides full scores to accompany the examples addressed in the
text, creating a convenient package for instructors - This edition
has been updated with 8 new pieces, bringing in additional
composers
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