For thousands of years, architects have used models to invent, experiment and communicate. A world in miniature, such models are even more varied in their purposes and materials than their full-scale counterparts. This beautifully designed book explores the uniquely fascinating nature of the architectural model through 26 illustrated essays, one for each letter of the alphabet - from A for 'Ancient' (on the world's oldest models) to Z for 'Zoom' (on the photography of models). Unbound by the practicalities of life-size construction, models allow architects the flexibility and freedom to think in three dimensions. Whether made for purely speculative exercises or to solve a specific problem, they are aids to the imagination. Equally, they can be used as detailed and accurate representations of particular places (either built or as yet unrealized) in order to convey information to patrons or the public. Models can be made in a wide variety of media, from paper, cork and wood to such ephemeral materials as sugar and jelly. Most recently, the advent of digital technologies has transformed possibilities for prototyping, which in turn has greatly influenced architectural design. Models also have a vibrant life beyond the design process. Souvenir models collected on the Grand Tour, 1:1 scale plaster models of architectural fragments displayed in museums, and architectural toys that have delighted children and adults alike are just some of their manifestations outside the architect's office. Written by architects, model-makers, curators, conservators and scholars, the texts in this absorbing Alphabet explore such varied but fundamental issues as modelling materials and techniques, scale, and the role of the model in the design process. They also go beyond conventional accounts to look at models under the X-ray machine, their use in film, and edible models. The result is a wide-ranging, insightful and original account of the multiple lives of the architectural model. AUTHORS: Dr Teresa Fankhanel is a Curator at the Architekturmuseum der Technischen Universitat, Munich. Olivia Horsfall Turner is Senior Curator of Designs at the Victoria and Albert Museum (V&A), London, and the V&A's Lead Curator for the V&A+RIBA Architecture Partnership. Dr Simona Valeriani is Senior Tutor on the V&A/Royal College of Art History of Design MA. Dr Matthew Wells is a Lecturer at the Institute for the History and Theory of Architecture (GTA), ETH Zurich. 40 illustrations

This innovative new book presents the vast historical sweep of engineering innovation and technological change to describe and illustrate engineering design and what conditions, events, cultural climates and personalities have brought it to its present state.

Matthew Wells covers topics based on an examination of paradigm shifts, the contribution of individuals, important structures and influential disasters to show approaches to the modern concept of structure. By demonstrating the historical context of engineering, Wells has created a guide to design like no other, inspirational for both students and practitioners working in the fields of architecture and engineering.

When architects visit a building, and want to record or identify what they see, they take out a bundle of folded sheets in search of a blank piece of paper. These sheets may be ground plans, diagrams, sketches and ordnance maps. In one way or another, all are survey drawings, operating as both documentation and analysis, enabling an architect to examine certain conditions of the built environment, whether geometric, relational, material or technical. This book explores the history of the survey and its multiple forms in order to understand how the methods of recording what already exists can also be used to imagine what might be. Lavishly illustrated, with works from the collection of Drawing Matter and beyond, it addresses the multiple forms of the survey through focused studies – on John Soane (1753–1837), Charles Robert Cockerell (1788–1863), and Detmar Blow (1867–1939); French architects Louis-Hippolyte Lebas (1782–1867), Henri Labrouste (1801–1875), and Eugène Viollet-le-Duc (1814–1879); and Swiss-based Peter Märkli (born 1953) – and an extensive section of plates with commentaries by contemporary architects. In doing so, it maintains that while all surveys begin with the site, the outcomes are as idiosyncratic as their authors – and their methods have much to offer as tools in design practice. The book is the first in the Architecture Iconographies series, published in collaboration with Drawing Matter, an organisation based in Wincanton, Somerset, that explores the role of drawing in architectural thought and practice. They consider the image-making of architecture through its typologies and unique approaches to drawing. Exploring their resonance in the history of the profession, as well as their relationship to the architects themselves, the series aims to open up further possibilities for their use in both practice and teaching.

This innovative new book presents the vast historical sweep of engineering innovation and technological change to describe and illustrate engineering design and what conditions, events, cultural climates and personalities have brought it to its present state.

Matthew Wells covers topics based on an examination of paradigm shifts, the contribution of individuals, important structures and influential disasters to show approaches to the modern concept of structure. By demonstrating the historical context of engineering, Wells has created a guide to design like no other, inspirational for both students and practitioners working in the fields of architecture and engineering.