The demise of state Socialisms caused radical social, cultural and economic changes in Eastern Europe. Since then, young people have been confronted with fundamental disruptions and transformations to their daily environment, while an unsettling, globalized world substantially reshapes local belongings and conventional values. In times of multiple instabilities and uncertainties, this volume argues, young people prefer to try to adjust to given circumstances than to adopt the behaviour of potential rebellious, adolescent role models, dissident counter-cultures or artistic breakings of taboo. Eastern European Youth Cultures in a Global Context takes this situation as a starting point for an examination of generational change, cultural belongings, political activism and everyday practices of young people in different Eastern European countries from an interdisciplinary perspective. It argues that the conditions of global change not only call for a differentiated evaluation of youth cultures, but also for a revision of our understanding of 'youth' itself - in Eastern Europe and beyond.

Even seventy-five years after the end of World War II, the commemorative cultures surrounding the War and the Holocaust in Central, Eastern and South Eastern Europe are anything but fixed. The fierce debates on how to deal with the past among the newly constituted nation states in these regions have already received much attention by scholars in cultural and memory studies. The present volume posits that literature as a medium can help us understand the shifting attitudes towards World War II and the Holocaust in post-Communist Europe in recent years. These shifts point to new commemorative cultures shaping up 'after memory'. Contemporary literary representations of World War II and the Holocaust in Eastern Europe do not merely extend or replace older practices of remembrance and testimony, but reflect on these now defunct or superseded narratives. New narratives of remembrance are conditioned by a fundamentally new social and political context, one that emerged from the devaluation of socialist commemorative rituals and as a response to the loss of private and family memory narratives. The volume offers insights into the diverse literatures of Eastern Europe and their ways of depicting the area's contested heritage.

Popular media plays an important role in collective imaginations of history. The volume investigates this phenomenon by examining examples from Belarusian, Russian, and Ukrainian popular cultures. The contributors analyze the strategies of dramatization, emotionalization, and personalization of the past in mainstream films, TV series, novels, comics, computer games, and music videos. The case studies discuss how "entertaining" media formats process dramatic events and ruptures such as the Second World War, the Gulag, the Chernobyl disaster or the downfall of the Soviet Union. The volume provides new insights into Eastern European cultures in times of political conflicts and digital revolution.

Die Studie beschaftigt sich mit der "Erfindung des Kosmos" anhand der popularwissenschaftlichen Publizistik und sowjetischen Science Fiction der Tauwetterzeit. Sie zeigt, wie infolge des ersten Sputnikflugs in popularwissenschaftlichen Zeitschriften sich ein Diskurs entfaltete, der nicht nur Kosmonauten, Weltraumreisen oder die Frage nach intelligentem Leben im All umfasste, sondern auch Kybernetik, Telepathie und "ungeloeste Menschheitsratsel" auf der Erde (wie Atlantis oder den Schneemenschen). Die Wissenschaftliche Fantastik (Science Fiction) jener Jahre entwickelte zeitgleich an den Kosmos gebundene Imaginationen zu "Faszinationsgeschichten" weiter, die sie zu einer der popularsten Literaturgattungen der Sowjetunion machten.