First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

In collections such as Will You Please Be Quiet, Please? and What We Talk About When We Talk About Love, Raymond Carver wrote with unflinching exactness about men and women enduring lives on the knife-edge of poverty and other deprivations. Beneath his pared-down surfaces run disturbing, violent undercurrents. Suggestive rather than explicit, and seeming all the more powerful for what is left unsaid, Carver's stories were held up as exemplars of a new school in American fiction known as minimalism or "dirty realism," a movement whose wide influence continues to this day. Carver's stories were brilliant in their detachment and use of the oblique, ambiguous gesture, yet there were signs of a different sort of sensibility at work. In books such as Cathedral and the later tales included in the collected stories volume Where I'm Calling From, Carver revealed himself to be a more expansive writer than in the earlier published books, displaying Chekhovian sympathies toward his characters and relying less on elliptical effects. In gathering all of Carver's stories, including early sketches and posthumously discovered works, The Library of America's Collected Stories provides a comprehensive overview of Carver's career as we have come to know it: the promise of Will You Please Be Quiet, Please? and the breakthrough of What We Talk About, on through the departures taken in Cathedral and the pathos of the late stories. But it also prompts a fresh consideration of Carver by presenting Beginners, an edition of the manuscript of What We Talk About When We Talk About Love that Carver submitted to Gordon Lish, his editor and a crucial influence on his development. Lish's editing was so extensive that at one point Carver wrote him an anguished letter asking him not to publish the book; now, for the first time, readers can read both the manuscript and published versions of the collection that established Carver as a major American writer. Offering a fascinating window into the complex, fraught relation between writer and editor, Beginners expands our sense of Carver and is essential reading for anyone who cares about his achievement. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The Making of a Roman Imperial Estate presents excavations and analysis of material remains at Vagnari, in southeast Italy, which have facilitated a detailed and precise phasing of a rural settlement, both in the late Republican period in the 2nd and 1st centuries BC, when it was established on land leased from the Roman state after Rome's conquest of the region, and when it became the hub (vicus) of a vast agricultural estate owned by the emperor himself in the early 1st century AD. This research addresses a range of crucial questions concerning the nature of activity at the estate and the changes in population in this transitional period. It also maps the development of the vicus in the 2nd and 3rd centuries AD, shaping our understanding of the diversity and the mechanics of the imperial economy and the role of the vicus and its inhabitants in generating revenues for the emperor. By contextualising the estate in its landscape and exploring its economic and social impact on Apulia and beyond, archaeological research gives us extremely valuable insight into the making of a Roman imperial estate.

This volume investigates the archaeology of death and commemoration through thematically linked case studies drawn from the Classical world. These investigations stress the processes of burial and commemoration as inherently social and designed for an audience, and they explore the meaning and importance attached to preserving memory. While previous investigations of Greek and Roman death and burial have tended to concentrate on period- or regionally-specific sets of data, this volume instead focuses on a series of topical connections that highlight important facets of death and commemoration significant to the larger Classical world. Living through the dead investigates the subject of death and commemoration from a diverse set of archaeologically informed approaches, including visual reception, detailed analysis of excavated remains, landscape, and post-classical reflections and draws on artefactual, documentary and pictorial evidence. The nine papers present recent research by some of the leading voices on the subject, as well as some fresh perspectives. Case studies come from Thermopylae, the Bosporan kingdom, Athens, Republican Rome, Pompeii and Egypt. As a collected volume, they provide thematically linked investigations of key issues in ritual, memory and (self)presentation associated with death and burial in the Classical period. As such, this volume will be of particular interest to postgraduate students and academics with specialist interests in the archaeology of the Classical world and also more broadly, as a source of comparative material, to people working on issues related to the archaeology of death and commemoration.

The two German provinces of the Roman Empire, Germania Superior and Germania Inferior, which included modern Germany, Switzerland, the Netherlands, and parts of France and Belgium, formed a vital link between the Mediterranean and the North Sea. Maureen Carroll's synthesis of past and recent archaeological research introduces readers to the main features of the Roman Empire in these provinces. It deals with the pre-Roman societies and their landscapes, which were to be changed by the Romans after the conquests of Caesar and Augustus. The book also explores the concept of frontier and assesses the role of the German provinces as border zones of the Empire.