A deeply moving portrait of a torturous love affair that shows Istanbul in all its complex beauty. ** ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK ** Winner of the Nobel Prize for Literature 'An enthralling, immensely enjoyable piece of storytelling. . . a very tender evocation of Istanbul's moment of dolce vita.' - The Guardian 'Intimate and nuanced.. A classic, spacious love story.' - Pico Iyer, The New York Review of Books Kamal lives a life of cosmopolitan glamour, exploring the restaurants and boutiques of Istanbul with his friends and fiance. In the newly modern city, they pride themselves on their liberal attitudes and Western style. A chance encounter with Fusun, a working-class shop-girl, begins a long, obsessive love affair, one that draws him deep into Istanbul's complex history, and uncovers the forces of class and gender that still control its inhabitants' lives.

The perennial classic: this intimate journal chronicling the Narnia author's experience of grief after his wife's death has consoled readers for half a century; this edition features responses from authors like Hilary Mantel, Francis Spufford, Rowan Williams, Jenna Bailey ... 'An intimate, anguished account of a man grappling with the mysteries of faith and love ... Elegant and raw ... A powerful record of thought and emotion experienced in real time.' Guardian 'Raw and modern ... This unsentimental, even bracing, account of one man's dialogue with despair becomes both compelling and consoling ... A contemporary classic.' Observer 'A source of great consolation ... Lewis deploys his genius for vivid imagery ... It is a relief for the reader to find that he or she is not alone in the intense loneliness or feelings of anguish that bereavement brings.' Henry Marsh, The Times 'Testimony from a sensitive and eloquent witness [on] 'The Human Condition'. It offers an interrogation of experience and a glimmer of hardwon hope. It allows one bewildered mind to reach out to another. Death is no barrier to that.' Hilary Mantel 'Here, sorrow and despair, the tiredness and numbness and petulance and nightmarishness of grief, all have their full, uncontrolled, experienced force ... [Such] radical openness ... Brilliant.' Francis Spufford *** No one ever told me that grief felt so like fear. Narnia author C.S. Lewis had been married to his wife for four blissful years. When she died of cancer, he found himself alone, inconsolable in his grief. In this intimate journal, he chronicles the aftermath of the bereavement and mourning with blazing honesty. He grapples with a crisis of religious faith, navigating hope, rage, despair, and love - but eventually regains his bearings, finding his way back to life. A luminous modern classic, A Grief Observed has offered solace to countless readers for decades. This companion edition combines the original text with personal responses from Hilary Mantel, Rowan Williams, Francis Spufford, Maureen Freely, Kate Saunders, Jessica Martin and Jenna Bailey. *** What readers are saying: 'A truly great book - inspirational and untold help.' 'Every human being, living or dead, understands what Lewis means ... One of the most valuable books ever written.' 'Lewis, as always, sits down next to you and validates your grief like a true friend. He lets you rage, and cry, and even be furious with God, just as he did.' 'If you are grieving an enormous loss, you may find comfort here ... A great mind and wonderful writer who understands your grief well enough to put words to it.' 'His journal was also my journal as I worked through my own grief. Reading this book was actually comforting in that I knew that someone else understood my situation and offered insight and hope ... I highly recommend this book for anyone who has gone through the death of a loved one or who wants to comfort." 'This little book has had me in floods of tears [and] shows a real understanding of grief ... To read the words of this great man who shared and understood my pain and is a life affirming and faith affirming experience.'

The bestselling Turkish classic of love and loss in a changing world, with a new introduction by David Selim Sayers 'A heart-breaker . . . it has the kind of indefinably powerful impact of The Great Gatsby' Observer 'It is, perhaps, easier to dismiss a man whose face gives no indication of an inner life. And what a pity that is: a dash of curiosity is all it takes to stumble upon treasures we never expected.' A shy young man leaves his home in rural Turkey to learn a trade in 1920s Berlin. The city's crowded streets, thriving arts scene, passionate politics and seedy cabarets provide the backdrop for a chance meeting with a woman, which will haunt him for the rest of his life. Emotionally powerful, intensely atmospheric and touchingly profound, Madonna in a Fur Coat is an unforgettable novel about new beginnings and the unfathomable nature of the human soul. 'A miniature masterpiece' The National 'A gorgeously melancholic romance' Irish Times

The narrator of Cold Nights of Childhood grows up in a rapidly changing Turkey, where the atmosphere is nationalist, patriarchal, technocratic. As a misfit in search of freedom, love and happiness, she escapes to Berlin, is overcome by depression on her return, and trapped in a psychiatry clinic for five years. After electroshock therapy and inhumane treatment, she is released into the care of friends and family, making tentative steps in a halting journey towards recovery. In her unique, unstructured style, Tezer OEzlu explores the extremity of her inner life and the painful pleasures of memory. Translated into English for the first time by Maureen Freely, this novel is a classic akin to The Bell Jar and Good Morning, Midnight.

** ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK ** Winner of the Nobel Prize for Literature 'Dazzling . . . Turns the detective novel on its head.' Independent on Sunday 'Pamuk's masterpiece' Times Literary Supplement Galip's wife has disappeared. Could she have left him for Celal, a popular newspaper columnist? But Celal, too, seems to have vanished. As Galip investigates, he gradually assumes the enviable Celal's identity, wearing his clothes, answering his phone calls, even writing his columns. But despite pursuing every clue the nature of the mystery keeps changing, and Galip never feels himself to be any closer to finding his beloved Ruya. When he receives a death threat, he begins to fear the worst. . .

'A knotty, postmodern tale. The quicksilver narrative slips between dream, memory and reality ... A beguiling enigma' Financial Times

In an Anatolian village forgotten both by God and the government, the muhtar has been elected leader for the sixteenth successive year. When he staggers to bed that night, drunk on raki and his own well-deserved success, the village is prosperous. But when he is woken by his wife the next evening he discovers that Nuri, the barber, has disappeared without a trace in the dead of night, and the community begins to fracture.

In a nameless town far, far away, Nuri walks into a barbershop as if from a dream, not knowing how he has arrived. Try as he might, he cannot grasp the strands of his memory. The facts of his past life shift and evade him, and as other customers come and go, they too struggle to recall how they got there.

Blurring the lines of reality to terrific effect, Shadowless is both a compelling mystery and an enduring evocation of displacement from one of the finest, most exciting voices in Turkish literature today.

The Irish-American physicist, academic and traveller John Freely wrote more than sixty lively books on travel, history and science before he died in 2017, aged 90. But It was Istanbul, where he emigrated with his family in 1960 to take up a post teaching physics at the American Robert College, that turned him into a writer. His first book, 'Strolling Through Istanbul' – written with his fellow academic Hilary Sumner-Boyd – was an instant success when it was published in 1972 and has never been out of print since. With the exception of Oğuz, so thin that he was known as The Ghost because he barely cast a shadow, everyone in John Freely's rumbustious memoir, including the author himself, is larger than life. Bohemian Istanbul was a haven for myriad misfits who found their feet in the city. Clamorous, glamorous, eccentric, cosmopolitan and frequently outrageous, they included the 'berserker' Peter Pfeiffer, a resourceful exile with three passports; Aliye Berger, the beautiful queen of bohemian Pera; the writer James Baldwin and, fleetingly, the future Pope John XXIII. This elegy for a lost world encapsulates the flavour of their daily life and nightly excesses. Well lubricated with lemon vodka and Hill Cocktails served by Sumner-Boyd's gloomy housekeeper, 'Monik Depressive', the Freely crowd weave their way from the Galatasaray fish market and the taverns of Çiçek Pasajı to the Russian restaurant Rejans, and frequently on to the Freely household on the Bosphorus hills, where a party will soon be in full swing and eggnog flowing freely. 'Stamboul Ghosts' is lllustrated with Ara Guler's poignant black-and-white photographs, which make of Freely's beloved city an evocative stage-set.

Angry in Piraeus is the story of the creation of a translator, as Maureen Freely explores what it was in her childhood that led her to become a traveler across the spaces that exist between countries, languages, and forms. She offers rich descriptions of her itinerant upbringing in America, Turkey, and Greece, vividly evoking what it means to be constantly commuting between worlds - geographical, conceptual, linguistic, and literary - in search of a home, or a self, that is proving elusive. She tells of her transition from novelist to translator - and, specifically, translator of Nobel Prize - winner Orhan Pamuk - and of how eventually she found it necessary to give up translating Pamuk in order to return to her own fictional worlds. As in the entire Cahiers series, the author's words are complemented by beautiful artworks, in this case delicate collages created by Japanese artist Rie Iwatake that journey through their own in - between spaces in a captivating play of analogies and metaphors. The resulting book is an unforgettable meditation on translation, writing, and life itself.

** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK ** Winner of the Nobel Prize for Literature 'Pamuk is taking the world we thought we knew and making it fresh and alive' New York Times 'Wonderfully readable, a joy to dip into.' Joseph O'Connor, Irish Sunday Independent From the internationally bestselling writer Orhan Pamuk, a personal selection from twenty-five years of writing, including his Nobel Prize speech and an original short story. Reflections on his successful struggle to quit smoking, his anxiety at testifying in court, his first trip to Europe and his father's death are accompanied by Pamuk's own black and white drawings. By turns witty, moving, playful and provocative, Other Colours glows with the energy of a master at work.

Jeannie Wakefield needs help. Her family is being held by the US authorities. M is a journalist and at Jeannie's request she returns to Istanbul to investigate. She tries to be objective, but Jeannie's husband is also M's first love.

The Nobel Prize-winner's second novel to appear in an Everyman edition is a spellbinding story of a poet seeking his lost love in a remote Turkish town riven by religious conflict and cut off from the world by a blizzard.
Returning to Turkey from exile in the West, Ka is driven by curiosity to investigate a surprising wave of suicides among religious girls forbidden to wear their head scarves in school. But the epicenter of the suicides, the eastern border city of Kars, is also home to the radiant and newly divorced ypek, a friend of Ka's youth whom he has never forgotten and whose spirited younger sister is a leader of the rebellious schoolgirls. As a fierce snowstorm descends on Kars, violence between the military and local Islamic radicals begins to explode, and Ka finds his sympathies drawn in unexpected and dramatic directions.

A portrait, by turns intimate and panoramic, of one of the world's great cities, by its foremost man of letters, author of the acclaimed novels "Snow and "My Name Is Red.
Blending reminiscence with history; family photographs with portraits of poets and pashas; art criticism, metaphysical musing, and, now and again, a fanciful tale, Orhan Pamuk invents an ingenious form to evoke his lifelong home, the city that forged his imagination. He begins with his childhood among the eccentric extended Pamuk family in the dusty, carpeted, and hermetically sealed apartment building they shared. In this place came his first intimations of the melancholy awareness that binds all residents of his city together: that of living in the seat of ruined imperial glories, in a country trying to become "modern" at the dizzying crossroads of East and West. This elegiac communal spirit overhangs Pamuk's reflections as he introduces the writers and painters (among the latter, most particularly the German Antoine-Ignace Melling) through whose eyes he came to see Istanbul. Against a background of shattered monuments, neglected villas, ghostly backstreets, and, above all, the fabled waters of the Bosphorus, he presents the interplay of his budding sense of place with that of his predecessors. And he charts the evolution of a rich, sometimes macabre, imaginative life, which furnished a daydreaming boy refuge from family discord and inner turmoil, and which would continue to serve the famous writer he was to become. It was, and remains, a life fed by the changing microcosm of the apartment building and, even more, the beckoning kaleidoscope beyond its walls.
As much a portrait of the artist as a young manas it is an oneiric Joycean map of the city, "Istanbul is a masterful evocation of its subject through the idiosyncrasies of direct experience as much as the power of myth--the dazzling book Pamuk was born to write.

At the hottest moment of the Cold War, as the Cuban missile crisis reaches its climax on 27 October 1962, a group of hedonistic artists, aristocrats, American expatriates, international spies and shady local hangers-on gather for a glamorous End of the World Party in Istanbul's old bohemian quarter on the shores of the Bosphorus. Fifty years later, Mimi, who was ten at the time and spent the evening cowering tearfully under the piano, returns to try to make sense of her tangled memories

Growing up in the small town of Maden in Turkey, Fethiye Cetin knew her grandmother as a happy and respected Muslim housewife called Seher. Only decades later did she discover the truth. Her grandmother's name was not Seher but Heranus. She was born a Christian Armenian. Most of the men in her village had been slaughtered in 1915. A Turkish gendarme had stolen her from her mother and adopted her. Cetin's family history tied her directly to the terrible origins of modern Turkey and the organized denial of its Ottoman past as the shared home of many faiths and ways of life. A deeply affecting memoir, My Grandmother is also a step towards another kind of Turkey, one that is finally at peace with its past.

A literary discovery: an uproarious tragicomedy of modernization, in its first-ever English translation
Perhaps the greatest Turkish novel of the twentieth century, being discovered around the world only now, more than fifty years after its first publication, "The Time Regulation Institute" is an antic, freewheeling send-up of the modern bureaucratic state.
At its center is Hayri Irdal, an infectiously charming antihero who becomes entangled with an eccentric cast of characters--a television mystic, a pharmacist who dabbles in alchemy, a dignitary from the lost Ottoman Empire, a "clock whisperer"--at the Time Regulation Institute, a vast organization that employs a hilariously intricate system of fines for the purpose of changing all the clocks in Turkey to Western time. Recounted in sessions with his psychoanalyst, the story of Hayri Irdal's absurdist misadventures plays out as a brilliant allegory of the collision of tradition and modernity, of East and West, infused with a poignant blend of hope for the promise of the future and nostalgia for a simpler time.