Andrew Hamilton grew up in a family where his father was a known womanizer. He watched his father disrespect his mother on a consistent basis in the presence of friends and family. Jesse Hamilton, Andrew's father, was not much of a role model to Andrew or his siblings. He never spent a lot of time with them or provided for them. But he had plenty of time to spend with other women and hang out with his drinking buddies. His family was second class citizens and was not top priority to him. Doreen Hamilton, Andrew's mother, was a church-going Christian who tried to keep her family together. The harder she tried the more Jesse put her down. She could not do anything right. Doreen's family and friends tried to get her to leave him, but she was determined to stick with her marriage for better or for worse. Andrew took up football to pass the time away while in school and became one of the best running backs to come out of high school. He was an all-state football star. He was exceptionally good, and major universities were interested in signing him to a full athletic football scholarship. His father was always busy doing other things, so he never came to any of his games. Jesse thought it was a waste of time and boring. Andrew vowed that he would never be like his father. He did not want to be the type of man who was a womanizing dog that did not care about anybody but himself. He promised that he would never disrespect or mistreat women. But he became a product of the environment that his father introduced him to. Andrew inherited his father's womanizing player ways and became what he hated most about him-hence "A Player's Inheritance."

The conventional received opinion of Adam Smith as an isolated figure, the founder of 'modern' economics, is thoroughly mistaken and misleading. This is the central premise of this book, first published in 1988, in which the author argues that by placing Smith's work in its historical context, we discover profound continuities between Smith's work and that of his predecessors, and his contemporaries. The effect is to re-orientate our perception of Smith and his achievement. No longer the single-handed champion of free markets and competition whose work revolutionised and completely redirected economics. He appears instead as a brilliant contributor to a deep-rooted contemporary debate, someone who can be placed in a line of thinkers that stretches between Machiavelli and Kant.

The conventional received opinion of Adam Smith as an isolated figure, the founder of modern economics, is thoroughly mistaken and misleading. This is the central premise of this book, first published in 1988, in which the author argues that by placing Smith 's work in its historical context, we discover profound continuities between Smith 's work and that of his predecessors, and his contemporaries. The effect is to re-orientate our perception of Smith and his achievement. No longer the single-handed champion of free markets and competition whose work revolutionised and completely redirected economics. He appears instead as a brilliant contributor to a deep-rooted contemporary debate, someone who can be placed in a line of thinkers that stretches between Machiavelli and Kant.

What is involved in "making art"? In what ways have Americans introduced art making to students? In Art Making and Education, a practicing artist and a historian of art education discuss from their particular perspectives the production of studio and classroom art. Among those to whom this book will appeal are prospective teachers, school administrators, university-level art educators, and readers interested in the theory of discipline-based art education. "The sources are excellent. The bibliographical material is a must for any candidate wanting to teach the visual arts and certainly for any student hoping to become an artist." -- William Klenk, University of Rhode Island

The daughter of an American businessman gets involved with the wrong crowd in this 1960s drama from director Guy Hamilton. Melina (Louise Sorel) falls into the orbit of a group of wild living Chelsea beatniks led by Moise (Oliver Reed) while on a trip to Europe. But when Moise starts showing an interest in Melina, she soon falls foul of his girlfriend Libby (Ann Lynn). With the rest of 'The Pack' now starting to take sides, egged on by Libby's jealousy, it's not too long before events take an altogether darker twist.

Andrew Hamilton grew up in a family where his father was a known womanizer. He watched his father disrespect his mother on a consistent basis in the presence of friends and family. Jesse Hamilton, Andrew's father, was not much of a role model to Andrew or his siblings. He never spent a lot of time with them or provided for them. But he had plenty of time to spend with other women and hang out with his drinking buddies. His family was second class citizens and was not top priority to him. Doreen Hamilton, Andrew's mother, was a church-going Christian who tried to keep her family together. The harder she tried the more Jesse put her down. She could not do anything right. Doreen's family and friends tried to get her to leave him, but she was determined to stick with her marriage for better or for worse. Andrew took up football to pass the time away while in school and became one of the best running backs to come out of high school. He was an all-state football star. He was exceptionally good, and major universities were interested in signing him to a full athletic football scholarship. His father was always busy doing other things, so he never came to any of his games. Jesse thought it was a waste of time and boring. Andrew vowed that he would never be like his father. He did not want to be the type of man who was a womanizing dog that did not care about anybody but himself. He promised that he would never disrespect or mistreat women. But he became a product of the environment that his father introduced him to. Andrew inherited his father's womanizing player ways and became what he hated most about him-hence "A Player's Inheritance."