This set of six pieces is based on folk song melodies and dance forms from Transylvania which was annexed to Romania in 1920. The contrasting melodies were originally for violin or shepherd's flute, but the unusual harmonies are original with Bart?k. The performance time for the complete set of dances is approximately 4 minutes, 15 seconds.

inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James, Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

The third concert etude in D-flat major from Liszt's Trois etudes de concert will challenge advanced pianists with its constant hand-crossings and varying number of cascading notes per measure in the accompaniment. A lovely pentatonic melody is embedded in the rolling arpeggio-like patterns, frequently played by alternating hands throughout the piece. Keeping this cantando melodic line distinct and phrased while transparently maintaining the flowing accompaniment is the primary challenge of this masterwork. This edition is based on Musikalische Werke herausgegeben von der Franz Liszt-Stifung, Series II, edited by Ferruccio Busoni.

Written when the composer was just 17 to 18 years of age, these romantic-styled pieces for piano trio were dedicated to 3 friends, Natalya, Lyudmila, and Vera Skalon. They feature a short passage that would later be used in Rachmaninoff's 2nd Piano Concerto, beginning the 2nd movement. It is an especially nice, and playable, ensemble concert piece, technically within the reach of late intermediate artists.

Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has several indexes of authors, composers, and performers. A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.

The Pianist's Dictionary is a handy and practical reference dictionary aimed specifically at pianists, teachers, students, and concertgoers. Prepared by Maurice Hinson and Wesley Roberts, this revised and expanded edition is a compendium of information gleaned from a combined century of piano teaching. Users will find helpful and clear definitions of musical and pianistic terms, performance directions, composers, pianists, famous piano pieces, and piano makers. The authors' succinct entries make The Pianist's Dictionary the perfect reference for compiling program and liner notes, studying scores, and learning and teaching the instrument.

The Pianist's Dictionary is a handy and practical reference dictionary aimed specifically at pianists, teachers, students, and concertgoers. Prepared by Maurice Hinson and Wesley Roberts, this revised and expanded edition is a compendium of information gleaned from a combined century of piano teaching. Users will find helpful and clear definitions of musical and pianistic terms, performance directions, composers, pianists, famous piano pieces, and piano makers. The authors' succinct entries make The Pianist's Dictionary the perfect reference for compiling program and liner notes, studying scores, and learning and teaching the instrument.

In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.

Guide to the Pianist s Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher?

New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.

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The Piano in Chamber Ensemble describes more than 3,200 compositions, from duos to octets, by more than 1,600 composers. It is divided into sections according to the number of instruments involved, then subdivided according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and their teachers will find a wealth of chamber works from all periods.

Now in paperback

The Pianist s Guide to Transcrip-tions, Arrange-ments, and Paraphrases

Maurice Hinson

Lists transcriptions for piano from orchestral and other compositions, more than 2,000 works in all.

..". a thorough summary of an important body of music written by a musician of extraordinary, perhaps unrivaled knowledge of the repertory."
American Music Teacher

Some of the most celebrated composers Beethoven, Brahms, Busoni, Liszt, Rachmaninoff, and Ravel prepared piano transcriptions of some of their own works, as well as those of other composers. Maurice Hinson has selected, from the myriads of transcriptions now in existence, more than 2,000 such works of real musical worth.

The Pianist s Guide to Transcriptions, Arrangements, and Paraphrases describes pieces for solo piano, duet, and two pianos, as well as outstanding transcriptions for one hand. Most of them are written for piano(s) alone, but a considerable number are scored for piano(s) and a small instrumental ensemble or a full orchestra.
Thanks to the organization of this volume, the user can see at a glance the various transcriptions that have been made of a particular composition (say, a Schubert song) and also become aware of the breadth of a particular transcriber s output (as in the case of the prodigiously prolific Liszt).

Maurice Hinson, Senior Professor Emeritus of Piano at the Southern Baptist Theological Seminary, was founding editor of the Journal of the American Liszt Society and is a contributor to the New Grove Dictionary of American Music. He is known for his many articles, videos, and lecture recitals, especially those on early American piano music. He is author of several books on piano literature, including the indispensable Guide to the Pianist s Repertoire, 3rd edition (Indiana University Press).

March 2001 (cloth 1981)
192 pages, 6 1/8 x 9 1/4
paper 0-253-21456-4 $19.95 s

Now in paperback

Music for More than One Piano
An Annotated Guide

Maurice Hinson

When one piano is simply not enough.

"Maurice Hinson s Music for More than One Piano] ought not only to stand in the bookshelf for reference, but as a true dictionary in the best sense, it should mainly be read for pleasure and enlightenment." Konrad Wolff

In an alphabetic listing by composer, this guide describes works for two or more keyboard instruments composed mainly since 1700. The range of combinations is considerable: works for two, three, four, or more pianos; for two or more pianos with other instruments, voice, or tape; for piano and harpsichord; for two player pianos; and for two pianos tuned a quarter-tone apart. There are compositions to be performed on two pianos by one, two, three, and four players, as well as one work for two players, two left hands.

Maurice Hinson s remarks about the style, the performance problems, and the history of specific pieces are, as ever, insightful and delightful. A treasure map for teachers, students, and performers

Maurice Hinson, Senior Professor Emeritus of Piano at the Southern Baptist Theological Seminary, was founding editor of the Journal of the American Liszt Society and is a contributor to the New Grove Dictionary of American Music. He is known for his many articles, videos, and lecture recitals, especially those on early American piano music. He is author of several books on piano literature, including the indispensable Guide to the Pianist s Repertoire, 3rd edition (Indiana University Press).

March 2001 (cloth 1983)
256 pages, 6 1/8 x 9 1/4
paper 0-253-21457-2 $22.95 s / 17.50 "

"This useful volume should be on every pianist s bookshelf." Piano & Keyboard

..". a unique and valuable tool for teachers, students, performers... " Library Journal

The Pianist s Bookshelf comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use presentation, Maurice Hinson surveys hundreds of resource materials, providing clear, practical annotations for each item, thus saving the user hours of precious library time. In addition to the main listing of entries, the book has several topical indexes."

..". an indispensable reference work that can be read with enjoymentfor its gold mine of information, much of which will be unfamiliar to even the mostjaded keyboard enthusiast." -- Clavier
..". a marvelof comprehensiveness... " -- Notes

..". easilysurpasses any other work of its nature. It is a work for all admirers of thepiano... " -- Piano Journal

With the addition of aSupplement containing over 200 new entries, Maurice Hinson now brings together morethan 3,000 works for piano and orchestra from the 1700s to the present.

The Anthology of Baroque Keyboard Music is paired with the DVD Performance Practices in Baroque Keyboard Music for a comprehensive look at the literature and performing conventions of the Baroque era. The comb binding creates a lay-flat book that is perfect for study and performance. On the DVD, Dr. Hinson performs music from the Anthology, and relates invaluable information on basic touches, articulations, dynamics and ornamentation that will help the performer create a more historically-informed performance. Also on this DVD is a lecture on the history of Baroque dance and the relationship between dance and music, with nine of the most popular court dances performed to Dr. Hinson's keyboard accompaniment by dancers in Baroque costume.