This volume includes 12 character pieces-one for every month of the year-which creates the musical atmosphere, alluded to by their respective titles. Expressive and thoughtful, they are effective performance pieces for intermediate to moderately advanced pianists. The editor has maintained the works in their original form and indicated tempo, dynamics, phrasing and fingering where necessary. Beautifully engraved, the music is widely spaced for easy reading.

Carnaval is characteristic of Schumann's highly individual youthful romanticism and requires musical maturity for performance. Written for advanced pianists, it is a series of glimpses enveloped in the atmosphere of a masked ball with titles such as "Arlequin," "Papillons," "Sphinxes," "Coquette" and so on. Most of the 23 pieces are based on the notes A-S-C-H, arranged in a succession of melodic and rhythm patterns ("s" is German for E-flat, "h" is German for B-natural). Asch was a Bohemian town where Schumann had a girlfriend. 60 pages. Included is an outstanding CD recording from the Naxos label.

This set of six pieces is based on folk song melodies and dance forms from Transylvania which was annexed to Romania in 1920. The contrasting melodies were originally for violin or shepherd's flute, but the unusual harmonies are original with Bart?k. The performance time for the complete set of dances is approximately 4 minutes, 15 seconds.

The third concert etude in D-flat major from Liszt's Trois etudes de concert will challenge advanced pianists with its constant hand-crossings and varying number of cascading notes per measure in the accompaniment. A lovely pentatonic melody is embedded in the rolling arpeggio-like patterns, frequently played by alternating hands throughout the piece. Keeping this cantando melodic line distinct and phrased while transparently maintaining the flowing accompaniment is the primary challenge of this masterwork. This edition is based on Musikalische Werke herausgegeben von der Franz Liszt-Stifung, Series II, edited by Ferruccio Busoni.

inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James, Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

Composed between 1906 and 1908, the Children's Corner Suite was written to capture the essence of childhood with charm, grace and humor. Debussy's intention was to create moods and sensations and, utilizing his typical harmonic richness, he succeeds in an appealing and joyous fashion. This edition is based on not only the original autograph manuscripts but also on Debussy's sound recording of these pieces.

Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has several indexes of authors, composers, and performers. A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.

Op. 105 is a delightful collection of 'melodious and brilliant' character studies reminiscent of Mendelssohn's Songs without Words. Although written to develop the flexibility of the hands, they also display beautiful lyric qualities. The pieces may be used as a sequel to BurgmA1/4ller's 18 Characteristic Studies, Op. 109.

This excellent volume contains 85 selections that are essential for pianists at the early- to late-intermediate level. Spanning the Baroque through Modern eras, all of the selections have interesting melodic and rhythmic qualities, good design and formal structure, and excellent aesthetic value.

Milhaud's recollections from his nearly two years in Rio de Janeiro (1917-18) compelled him to compose this series of poetic dancesaeach capturing the unique charms of Rio's different districts, and reflecting the mood and atmosphere of Brazil. Influened greatly by tango rhythms, these dances are original, and not based on Brazilian folk tunes. Acclaimed music historian and authority Maurice Hinson has meticulously edited this new edition of Milhaud's "Saudades do Brazil" based on the first printed edition.

This beautiful edition of the famous piece from Debussy's "Children's Corner Suite" has historical notes, performance suggestions, and translations of Debussy's French instructions which are scattered through the score.

A complete and informative performance-oriented edition of this sparkling Mendelssohn work. Detailed performance and background notes are also provided. A 'must' for all your serious piano student-customers!

This comprehensive collection contains many works by Scott Joplin, as well as works by other composers, including Irving Berlin, Mark Janza, "Eubie" Blake, and Joseph Lamb, to name but a few. The rags are presented in their original form, and the editor has indicated fingering, pedaling and metronome marks to aid in interpretation. Titles: Alexander's Ragtime Band * A Breeze from Alabama * The Easy Winners * Elite Syncopation * The Entertainer * The Lion Tamer Rag * Maple Leaf Rag * Red Pepper Rag * Solace * St. Louis Blues * Sunflower Slow Drag * and more. 144 pages.

One of Scott Joplin's most famous and recognizable ragtime compositions. A good right hand reach is recommended for playing the octave chords cleanly in this edition which presents the original material, unsimplified. There are short biographical notes and other historical information included.

The companion repertoire series to Meet the Great Composers features familiar piano compositions at the intermediate to late-intermediate level. Contains original pieces and arrangements of beloved classics by the composers featured in Book 2.

A wonderful edition aimed at helping the pianist perform Bach's music in a stylistically acceptable manner. It includes suggested articulation, dynamic, and fingering indications. Also included is history on Bach as a performer and a teacher to aid in better understanding Bach's works and styles.

Written in 1911, this piece was Bartok's first large-scale independent piano composition, and the first time he used the piano this percussively. There are many shifts in moods and dynamics from ppp to ffff, and a strong emphasis on accents and a variety of touches. There are excellent performance notes and historic information included by Dr. Hinson.

The Pianist's Dictionary is a handy and practical reference dictionary aimed specifically at pianists, teachers, students, and concertgoers. Prepared by Maurice Hinson and Wesley Roberts, this revised and expanded edition is a compendium of information gleaned from a combined century of piano teaching. Users will find helpful and clear definitions of musical and pianistic terms, performance directions, composers, pianists, famous piano pieces, and piano makers. The authors' succinct entries make The Pianist's Dictionary the perfect reference for compiling program and liner notes, studying scores, and learning and teaching the instrument.

The Pianist's Dictionary is a handy and practical reference dictionary aimed specifically at pianists, teachers, students, and concertgoers. Prepared by Maurice Hinson and Wesley Roberts, this revised and expanded edition is a compendium of information gleaned from a combined century of piano teaching. Users will find helpful and clear definitions of musical and pianistic terms, performance directions, composers, pianists, famous piano pieces, and piano makers. The authors' succinct entries make The Pianist's Dictionary the perfect reference for compiling program and liner notes, studying scores, and learning and teaching the instrument.

In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.

Now in paperback

The Pianist s Guide to Transcrip-tions, Arrange-ments, and Paraphrases

Maurice Hinson

Lists transcriptions for piano from orchestral and other compositions, more than 2,000 works in all.

..". a thorough summary of an important body of music written by a musician of extraordinary, perhaps unrivaled knowledge of the repertory."
American Music Teacher

Some of the most celebrated composers Beethoven, Brahms, Busoni, Liszt, Rachmaninoff, and Ravel prepared piano transcriptions of some of their own works, as well as those of other composers. Maurice Hinson has selected, from the myriads of transcriptions now in existence, more than 2,000 such works of real musical worth.

The Pianist s Guide to Transcriptions, Arrangements, and Paraphrases describes pieces for solo piano, duet, and two pianos, as well as outstanding transcriptions for one hand. Most of them are written for piano(s) alone, but a considerable number are scored for piano(s) and a small instrumental ensemble or a full orchestra.
Thanks to the organization of this volume, the user can see at a glance the various transcriptions that have been made of a particular composition (say, a Schubert song) and also become aware of the breadth of a particular transcriber s output (as in the case of the prodigiously prolific Liszt).

Maurice Hinson, Senior Professor Emeritus of Piano at the Southern Baptist Theological Seminary, was founding editor of the Journal of the American Liszt Society and is a contributor to the New Grove Dictionary of American Music. He is known for his many articles, videos, and lecture recitals, especially those on early American piano music. He is author of several books on piano literature, including the indispensable Guide to the Pianist s Repertoire, 3rd edition (Indiana University Press).

March 2001 (cloth 1981)
192 pages, 6 1/8 x 9 1/4
paper 0-253-21456-4 $19.95 s

Guide to the Pianist s Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with more than 250 new composers, this incomparable resource expertly guides readers to solo piano literature and provides answers to common questions: What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher?

New to the fourth edition are enhanced indexes identifying black composers, women composers, and compositions for piano with live or recorded electronics; a thorough listing of anthologies and collections organized by time period and nationality, now including collections from Africa and Slovakia; and expanded entries to account for new material, works, and resources that have become available since the third edition, including websites and electronic resources. The "newest Hinson" will be an indispensible guide for many years to come.

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