for SATB (with divisions) and organ. Maurice Ravel's popular Pavane pour une infante defunte is here arranged for mixed voices and organ, allowing choirs to perform this beautiful staple of the orchestral repertoire for the first time. Rupert Gough's arrangement sets the words of the 'Requiem aeternam' to the existing melody, and features a characterful and active organ part that underpins the sustained vocal lines. The piece has been recorded by The Choir of Royal Holloway on the album Messe da pacem.

A boxed collection featuring historical performances by three of the Boston Symphony Orchestra's eminent music directors, Charles Munch, Erich Leinsdorf and William Steinberg. Stretching from 1958 to 1970, the recordings feature works by amongst others Debussy, Ravel, Mozart, Schubert, Tchaikovsky and Haydn.

Composed in 1914, Ravel's sole work for the classical ensemble of piano, violin and cello was first heard in Paris at the Salle Gaveau on January 28, 1915, with Alfredo Casella on the piano, Gabriel Willaume on violin and Louis Feuillard on cello. The work was quickly recognized as a worthy addition to an already wealthy repertoire and remains popular today. The score reproduced here was first issued in 1915 by Durand. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

This large-size paperback full score, based on the original printed score of 1929, provides a clearer and more authentic edition for conductors and students. The original engraving has been graphically enhanced and edited with reference to the amended 1953 edition.

Simon Rattle leads the London Symphony Orchestra in performances by Ravel, Henri Dutilleux and Maurice Delage. The works performed include 'Daphnis & Chloé Suite 2', 'Le Tombeau de Couperin', 'L'Arbre des Songes', 'Métaboles' and 'Quatre Poèmes Hindous'.

Franz Welser-Möst conducts the Wiener Philharmoniker in this live performance commemorating the centenary of the assassination of Franz Ferdinand in Sarajevo.

Two episodes from the documentary series featuring performances by the All-Star Orchestra, which is comprised of the best players from 30 American orchestras. As well as performances, the series includes interviews with the players and conductor Gerard Schwarz, providing insight into each piece of music. The episodes 'Music for the Theatre' and 'What Makes a Masterpiece' feature works by Stravinsky, Ravel, Bright Sheng, Beethoven and Philip Glass.