A Canadian film scholar provides an episode by episode analysis of the themes and structure of the brilliant Israeli TV drama. This critical analysis is accessible to the lay reader as well as the academic.

Originally published in 1977 and long out of print, Maurice Yacowar's Hitchcock's British Films was the first volume devoted solely to the twenty-three films directed by Alfred Hitchcock in his native England before he came to the United States. As such, it was the first book to challenge the assumption that Hitchcock's ""mature"" period in Hollywood, from the late 1940s to the early 1960s, represented the director's best work. In this traditional auteurist examination of Hitchcock's early work, author Maurice Yacowar considers Hitchcock's British films in chronological order, reads the composition of individual shots and scenes in each, and pays special attention to the films' verbal effects. Yacowar's readings remain compelling more than thirty years after they were written, and some-on Downhill, Champagne, and Waltzes from Vienna-are among the few extended interpretations of these films that exist. Alongside important works such as Murder!, the first The Man Who Knew Too Much, Secret Agent, The Lady Vanishes, and Blackmail, readers will appreciate Yacowar's equal attention to lesser-known films like The Pleasure Garden, The Ring, and The Manxman. Yacowar dissects Hitchcock's precise staging and technical production to draw out ethical themes and metaphysical meanings of each film, while keeping a close eye on the source material, such as novels and plays, that Hitchcock used as the inspiration for many of his screenplays. Yacowar concludes with an overview of Hitchcock as auteur and an appendix identifying the director's appearances in these films. A foreword by Barry Keith Grant and a preface to the second edition from Yacowar complete this comprehensive volume. Anyone interested in Hitchcock, classic British cinema, or the history of film will appreciate Yacowar's accessible and often witty exploration of the director's early work.

This episode-by-episode analysis of The Sopranos' last season supplements the author's study, The Sopranos on the Couch. Appendices consider the show's ethnic stereotypy, the influence of The Public Enemy, and the motif of oranges in the Godfather trilogy.

If television programming is normally considered a wasteland, then "The Sopranos" may be thought of as a jungle: richly coloured, teeming with life, dark with mystery. "The Sopranos on the Couch" is a must for all who are already caught up in the excitement, as well as for viewers who are coming to the show for the first time. Yacowar helps us understand exactly why we can't get enough of Tony Soprano and that colourful mafia family that we hate to love and often love to hate! This pop-culture sensation is not only the most controversial series on television, but also the most provocative, thoughtful, and complex. Its language and themes have stretched the norms of commercial television, many characters and phrases having entered our everyday life. "The Sopranos on the Couch" is the first book to provide a compact, lively, and authoritative examination of each episode and season - the themes, inside jokes, and allusions - thereby putting the series into a broader cultural context.

Maurice Yacowar challenges genre and form in Roy & Me, a cross between memoir and fiction, truth and distortion. It is the exploration of Yacowar's relationship with Roy Farran - soldier, politician, author, mentor - and his conflict with Farran's anti-Semitic past. Best known for his service with the Special Air Service during World War II, Roy Farran served as a politician in the Legislative Assembly of Alberta for Premier Peter Lougheed. During his time as a soldier, Farran allegedly kidnapped and murdered a sixteen-year-old member of the Lehi group. Roy & Me is a memoir that edges toward fiction by venturing into Farran's thoughts, based on his writings and Yacowar's imagination.

The Films of Paul Morrissey is the first appraisal of one of the major figures of American independent cinema. An innovator in the narrative cinema that emerged from Andy Warhol's Factory, Morrissey, as established in this study, was also the force who shaped the most important films that have up till now been attributed to Warhol. The director's experiments in the use of non-professional actors, controversial subject matter, and language are demonstrated through analysis of his most accomplished achievements, including Mixed Blood, 40 Deuce, and Spike of Bensonhurst. The Films of Paul Morrissey furthermore reveals the director's challenge to the moral, social and political values of contemporary liberalism.