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This collection assembles 25 articles published by Raymond
Arveiller as ongoing addenda to "FEW XIX (Orientalia)" in the
Zeitschrift fA1/4r romanische Philologie (ZrP) between 1969 and
1996. It thus supplements "FEW XIX (Orientalia)," which was
completed in 1967 and was therefore unable to take into account
various sources explored by Arveiller in the last 30 years. As
Arveiller died in 1996, the supplements have been assembled
unchanged in a special Supplement Volume, with only obvious
printing errors emended. It was of course indispensable to compile
a new bibliography to accommodate the numerous sources newly drawn
on by the author and quoted at the beginning of the articles in the
ZrP. The bibliography also encompasses those articles by Arveiller
on oriental elements that are not listed in the ZrP addenda. The
present volume is an indispensable supplement to "FEW Vol. XIX" and
places the study of the oriental elements in Gallo-Romance studies
on a new footing in keeping with the state of present-day research.
The 7th edition was prepared by Gerhard Rohlfs in 1974. For the new
8th edition (1996) it has been subjected to further careful
revision. Most of the additions and corrections are to be found in
the Bibliography, but there are also some slight modifications to
the text itself and the Glossary.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
The Lessico etimologico italiano provides: 1. The first fundamental
etymological dictionary that systematically takes into account
written Italian and the Italian dialects. 2. The first Italian
etymological dictionary that corresponds to the FEW in its
structure and presents the Italian vocabulary in the general
context of Romance languages. Taking the etymon as a starting
point, it is attempted to present the etymology of each word,
taking into account sociocultural and geographical aspects. 3.
Systematic, chronologically ordered citations for each spelling and
each meaning; bibliographical notes at the end of each article,
which are based on the current state of research. 4. Alphabetical
glossary at the end of each volume, including an index of
derivational morphemes.
Anlasslich des 60. Geburtstages von Max Pfister haben Freunde und
Mitarbeiter eine Gratulationsschrift vorbereitet, deren Betrage
sich ausschliesslich mit seinem zentralen Werk, dem "Lessico
Etimologico Italiano (LEI)" befassen. Der Band gewahrt einen
Einblick in die Entstehung und Konzeption eines fur die Romanische
Philologie allgemein und fur die italienische Lexikographie im
besonderen grundlegenden Worterbuchprojekts.Die 21 Beitrage des
Bandes lassen sich den beiden Themenkreisen Konzeption und
Strukturen des LEI sowie Quellenkunde und Wortgeschichte im
Zusammenhang mit dem LEI zuordnen. Im Einzelnen reflektieren sie
grundsatzliche Erfahrungen und besondere Problemstellungen bei der
Redaktion und der Arbeit mit LEI.LEI erfasst sprachliche Varietaten
von beachtlicher Vielfalt, gestutzt auf eine fast ins Uferlose
gehende schriftliche Dokumentation. Seine vier Standbeine sind das
Lateinische, die alte Schriftsprache, das moderne Italienisch und
schliesslich die modernen Dialekte. Einen marginalen Status, doch
ebenfalls strukturelle Funktion, haben Onosmatike und Deonomastika
als Lemmata und als chronologische Stutze. Die hier behandelten
konzeptionellen Fragen sind fur das Verstandnis aller Artikel
wesentlich. Ihre Redaktion und Lekture wird jedoch beherrscht von
der Individualitat ihrer Bausteine und deren Komposition. Jede
einzelne Quelle hat ihre Dimensionen, jede Quellengruppe ihre
Typologie: Das architektonische Werk ihrer Zusammenfugung zu einer
Wortgeschichte enthalt seinen eigenen Qualitaten, Uberlegungen,
Theoreme, Uberraschungen - und sein wortgeschichtliches Fundament.
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