The role of slavery in driving Britain's economic development is often debated, but seldom given a central place. In their remarkable new book, Maxine Berg and Pat Hudson ‘follow the money’ to document in revealing detail the role of slavery in the making of Britain’s industrial revolution. Slavery was not just a source of wealth for a narrow circle of slave owners who built grand country houses and filled them with luxuries. The forces set in motion by the slave and plantation trades seeped into almost every aspect of the economy and society. In textile mills, iron and copper smelting, steam power, and financial institutions, slavery played a crucial part. Things we might think far removed from the taint of slavery, such as eighteenth-century fashions for indigo-patterned cloth, sweet tea, snuff boxes, mahogany furniture, ceramics and silverware, were intimately connected. Even London’s role as a centre for global finance was partly determined by the slave trade as insurance, financial trading and mortgage markets were developed in the City to promote distant and risky investments in enslaved people. The result is a bold and unflinching account of how Britain became a global superpower, and how the legacy of slavery persists. Acknowledging Britain’s role in slavery is not just about toppling statues and renaming streets. We urgently need to come to terms with slavery’s inextricable links with Western capitalism, and the ways in which many of us continue to benefit from slavery to this day.

This major new book contains contributions by many of the leading historians of technology. The contributors argue that culture, institutions and learning either made the way for, or blocked technological and industrial transformation. Their essays include broad comparative frameworks between Europe and Asia, and Europe and America, and examine the specific experiences of Britain, France, Holland, Germany and Scandinavia. Themes addressed include cultures of invention and the learning economy, technological inertia and path dependence, patents and product innovation, and technology, institutions and boundaries.

This edited collection, first published in 1991, focuses on the commercial relations, marketing structures and development of consumption that accompanied early industrial expansion. The papers examine aspects of industrial structure and work organisation, including women's work, and highlight the conflict and compromise between work traditions and the emergence of a market culture. With an overarching introduction providing a background to European manufacturing, this title will be of particular interest to students of social and economic history researching early industrial Europe and the concurrent emergence of a material, consumer culture.

This new edition provides an alternative overview of 18th-century British economy. Recent macroeconomic history has discounted many of the achievements of the Industrial Revolution, but this text dissects the characteristics and processes of industry in the 18th century. A male industrial revolution has been presented as the general experience, but new industries, notably in textiles and metal products, were primarily employers of women. This work gives these industries and their workforce due prominence. Technologies, work processes, labour forces and markets shifted in a variety of directions and forms to create a sector of dynamic new initiatives alongside stable and declining crafts. The key to the Industrial Revolution lies in the sources of technological creativity and the structures of industrial communities. The rise of the factory system was one result. This text reasserts the primacy of the industrial experience to Britain's economic history.

Eileen Power was the best-known medieval historian of the interwar years, and wrote one of the classic medieval histories, Medieval people. An active participant in the campaign for women's suffrage, she became one of the first writers and teachers of women's history. She made her career as lecturer and then as professor at the London School of Economics and, together with R. H. Tawney, turned a frontier subject, economic and social history, into a prominent part of the historical disciplines. She defined her subject as comparative and international in her passionate engagement with the forces of nationalism and militarism. Her major works on trade, merchants and comparative economic history were conveyed in writing that was individual and human, rich in narrative and ranging widely over time and place. In her evangelism for the subject on the lecture platform, on the radio, through the press and in the school book, she made her subject glamorous, and her history became compelling reading and listening for a whole generation. Yet when she died prematurely at the age of fifty-one, her legacy to history was lost, and now we have largely forgotten her and the passions that drove her to write history. By narrating the life story of this woman who combined scholarship with personality to make an academic career against the odds, Maxine Berg refocuses our attention on Eileen Power as one of the first and most remarkable 'women in history'.

This edited collection, first published in 1991, focuses on the commercial relations, marketing structures and development of consumption that accompanied early industrial expansion. The papers examine aspects of industrial structure and work organisation, including women's work, and highlight the conflict and compromise between work traditions and the emergence of a market culture. With an overarching introduction providing a background to European manufacturing, this title will be of particular interest to students of social and economic history researching early industrial Europe and the concurrent emergence of a material, consumer culture.

This new edition provides an alternative overview of 18th-century British economy. Recent macroeconomic history has discounted many of the achievements of the Industrial Revolution, but this text dissects the characteristics and processes of industry in the 18th century. A male industrial revolution has been presented as the general experience, but new industries, notably in textiles and metal products, were primarily employers of women. This work gives these industries and their workforce due prominence. Technologies, work processes, labour forces and markets shifted in a variety of directions and forms to create a sector of dynamic new initiatives alongside stable and declining crafts. The key to the Industrial Revolution lies in the sources of technological creativity and the structures of industrial communities. The rise of the factory system was one result. This text reasserts the primacy of the industrial experience to Britain's economic history.

Luxury and Pleasure in Eighteenth-Century Britain explores the invention, making, and buying of new, semi-luxury, and fashionable consumer goods during the eighteenth century. It follows these goods, from china tea ware to all sorts of metal ornaments such as candlesticks, cutlery, buckles, and buttons, as they were made and shopped for, then displayed in the private domestic settings of Britain's urban middling classes. It tells the stories and analyses the developments that led from a global trade in Eastern luxuries beginning in the sixteenth century to the new global trade in British-made consumer goods by the end of the eighteenth century. These new products, regarded as luxuries by the rapidly growing urban and middling-class people of the eighteenth century, played an important part in helping to proclaim personal identities,and guide social interaction. Customers enjoyed shopping for them; they took pleasure in their beauty, ingenuity or convenience. All manner of new products appeared in shop windows; sophisticated mixed-media advertising seduced customers and created new wants. This unparalleled 'product revolution' provoked philosophers and pundits to proclaim a 'new luxury', one that reached out to the middling and trading classes, unlike the elite and corrupt luxury of old. Luxury and Pleasure in Eighteenth-Century Britain is cultural history at its best, built on a fresh empirical base drawn directly from customs accounts, advertising material, company papers, and contemporary correspondence. Maxine Berg traces how this new consumer society of the eighteenth century and the products first traded, then invented to satisfy it, stimulated industrialization itself. Global markets for the consumer goods of private and domestic life inspired the industrial revolution and British products 'won the world'.

This 1996 book tells the fascinating story of the life and work of Eileen Power, a major British historian who once ranked in fame alongside Tawney, Trevelyan and Toynbee. Using letters, diaries and reminiscences, Maxine Berg recreates the life of this charismatic personality, describing, for the first time, Power's remarkable intellectual and scholarly achievements at a time when she was acting very much outside the conventional female role. Her ability, coupled with her vivid writing and pioneer radio broadcasts, made Eileen Power's unique approach to history compelling reading and listening to a whole generation. Dr Berg sets Eileen Power's historical writing in the political and cultural framework of the interwar years, and shows how this early writer of women's and medieval social history helped to create a broad, comparative economic and social history for the succeeding generations.

For those who lived through it, Britain's Industrial Revolution was experienced as the Machinery Question. It was far from clear to contemporaries whether the first forms of mechanized factory production heralded an inevitable economic revolution, or were but one course among several which might be modified or eventually rejected altogether, Opinion about the necessity or beneficence of machines was profoundly divided at all levels of society; the often acrimonious debate that arose reverberated through economic, political, cultural and intellectual life. Crucially important for the development of this debate, because it was the source of the very terms of discussion, was the new discipline of Political Economy. The major contention of this book is that the Machinery Question was also the making of Political Economy. Dr Berg argues that technical change was one of the foremost theoretical concerns of Ricardo and his successors, and the foundation for their distinctly optimistic view of the future. She shows how the Machinery Question fostered the social conditions in which the status of Political Economy as a discipline was established, and concludes that by the 1840s the divisions over machinery were firmly embedded in the great rival creeds of the future, liberalism and socialism. The book will interest teachers and students of British social and economic history, the history of economic thought and the history of science and technology.

Goods from the East focuses on the fine product trade's first Global Age: how products were made, marketed and distributed between Asia and Europe between 1600 and 1800. It brings together established scholars as well as new, to provide a full comparative and connective study of this trade.

Throughout her career as a medieval historian, Eileen Power was engaged on a book about women in the Middle Ages. She did not live to write the book but some of the material she collected found its way into her popular lectures on medieval women. These lectures were brought together and edited by M. M. Postan. They reveal the world in which women lived, were educated, worked and worshipped. Power gives a vivid account of the worlds of the lady, the peasant, the townswoman and the nun. The result is a historical yet intimate picture of a period gone by yet with resonances for today. An intimate portrait of the writer and social historian, by Maxine Berg, is also included.

In this book, Maxine Berg explores the invention, making, and buying of new, semi-luxury, and fashionable consumer goods during the eighteenth century. It follows these goods, from china tea ware to all sorts of metal ornaments such as candlesticks, cutlery, buckles, and buttons, as they were made and shopped for, then displayed in the private domestic settings of Britain's urban middling classes. It tells the stories and analyses the developments that led from a global trade in Eastern luxuries beginning in the sixteenth century to the new global trade in British-made consumer goods by the end of the eighteenth century. These new products, regarded as luxuries by the rapidly growing urban and middling-class people of the eighteenth century, played an important part in helping to proclaim personal identities,and guide social interaction. Customers enjoyed shopping for them; they took pleasure in their beauty, ingenuity or convenience. All manner of new products appeared in shop windows; sophisticated mixed-media advertising seduced customers and created new wants. This unparalleled 'product revolution' provoked philosophers and pundits to proclaim a 'new luxury', one that reached out to the middling and trading classes, unlike the elite and corrupt luxury of old. Luxury and Pleasure in Eighteenth Century Britain is cultural history at its best, built on a fresh empirical base drawn directly from customs accounts, advertising material, company papers, and contemporary correspondence. Maxine Berg traces how this new consumer society of the eighteenth century and the products first traded, then invented to satisfy it, stimulated industrialization itself. Global markets for the consumer goods of private and domestic life inspired the industrial revolution and British products 'won the world'.

The internal organisation of production before the development of the factory system is still shrouded in historical mystery. How goods were made before machines, how work was organised before the factory system, how artisans and labourers perceived and lived their work are questions to which we have only hesitant and tentative answers. Hitherto, historians have been too concerned with the emerging features of the modern industrial capitalist order to seek to understand how another and different economy and community worked in its own terms. The essays in this book are intended to begin to remedy this neglect.

The early part of the twenty-first century has witnessed a profound turn in history writing and museum culture towards global and world history. Historians and curators are rapidly changing what they do: no longer satisfied with traditional national histories and area studies, they are pursuing histories of subjects affected by environmental change, migration, slavery, trade and travel. They face challenges of writing about individuals and families in the world, and of political cultures and ideas that have transformed as they have moved between different regions of the world. They are 'going beyond borders' and pursuing wider concepts of connectedness and of cosmopolitanism as these have developed in social theory. Where has all this come from, and where is it taking us as historians? Writing The History of the Global brings together a number of the major historians now entering the field and re-thinking the way they write their histories. We read the reflections of China experts, historians of India and Japan, of Latin America, Africa and Europe on their past writing, and the new directions in which global history is taking them. It shows the rapid advances in the field from early and inspiring accounts of encounters between East and West, of the wealth and poverty of nations and the crisis of empires, to new thinking on global material cultures, on composite zones and East Asian development paths. It presents historians at a crossroads: enjoying the great excitement of moving out of national borders and reconnecting parts of the world once studied separately, but also facing the huge challenge of new methodologies of comparison, collaboration and interdisciplinarity and the problems of rapidly disappearing tools of foreign languages.