This is the definitive edition of the works of William Morris, (1834-1896) poet, artist, manufacturer, socialist, and author, and originally published by Longmans, Green and Company in 24 volumes between 1910 and 1915. The collection includes the poetic works, prose romances and essays on art and politics as well as Morris' translations from the classics, early English, French and Icelandic Sagas. This book should be of interest to postgraduates and literature academics.

A tireless champion of her father William, and a gifted designer and craftswoman in her own right, Mary (May) Morris (1862 1938) had a unique insight into his extraordinary career and creativity. It was she who undertook the exacting task of editing the twenty-four volumes of her father's collected works (also reissued in the Cambridge Library Collection). In 1936, towards the end of her life, she published this supplementary two-volume work, which includes further writings and sympathetic commentary, revealing 'the development of a mind which was singularly of one piece, however many-sided'. Volume 1 addresses William Morris' artistic and literary achievements. It contains May's introductory remarks and chapters of analysis, nearly fifty miscellaneous pieces by Morris on arts and crafts, items of verse juvenilia, several poems of the Earthly Paradise period, two translations from Icelandic, and several letters.

A tireless champion of her father William, and a gifted designer and craftswoman in her own right, Mary (May) Morris (1862 1938) had a unique insight into his extraordinary career and creativity. It was she who undertook the exacting task of editing the twenty-four volumes of her father's collected works (also reissued in the Cambridge Library Collection). In 1936, towards the end of her life, she published this supplementary two-volume work, which includes further writings and sympathetic commentary, revealing 'the development of a mind which was singularly of one piece, however many-sided'. Volume 2 addresses William Morris' political aims and ideals. Opening with the essay 'Morris as I Knew Him' by George Bernard Shaw, it includes May's substantial assessment of her father's socialism, along with many previously unpublished examples of his output of lectures, articles and letters on the subject. Also included is the index to the entire collected works.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 1 contains Morris' early verse, including The Defence of Guenevere (1858), as well as prose contributions to the short-lived Oxford and Cambridge Magazine.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 2 is given over to The Life and Death of Jason (1867), Morris' popular narrative poem about the mythical hero.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 3 contains the first part of The Earthly Paradise (1868-70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 4 contains the second part of The Earthly Paradise (1868-70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 5 contains the third part of The Earthly Paradise (1868-70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 6 contains the fourth part of The Earthly Paradise (1868-70), Morris' ambitious collection of verse tales.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 7 contains translations of Icelandic literature, namely the Grettis saga, the Voelsunga saga and several songs of the Elder Edda.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 8 contains Morris' journals of his travels across Iceland in 1871 and 1873.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 9 contains the verse drama Love is Enough (1873) and the various ballads and lyrics of Poems by the Way (1891).

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 10 contains the translations from Icelandic of Three Northern Love Stories, and Other Tales (1875) in addition to Morris' translation from Old English of The Tale of Beowulf (1895).

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 11 contains Morris' translation into English of The Aeneids of Vergil (1875).

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 12 contains The Story of Sigurd the Volsung and the Fall of the Niblungs (1876), Morris' epic poem based on the Voelsunga saga.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 13 contains Morris' verse translation of Homer's Odyssey, which he first published in 1887.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 14 contains the fantasy novels The House of the Wolfings (1889) and The Story of the Glittering Plain (1891).

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 15 contains the fantasy novel The Roots of the Mountains (1889).

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 16 contains Morris' utopian socialist novel News from Nowhere (1890), the prose piece A Dream of John Ball (1888) and the short tale A King's Lesson (1888).

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 17 contains the fantasy novels The Wood Beyond the World (1894) and Child Christopher and Goldilind the Fair (1895) as well as prose and verse translations of medieval French texts (1893-4).

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 18 contains the first part of the novel The Well at the World's End (1896).

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 19 contains the second part of the novel The Well at the World's End (1896).

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 20 contains the posthumously published novel The Water of the Wondrous Isles (1897).

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 21 contains the posthumously published novel The Sundering Flood (1897) and several unfinished prose romances.

A creative titan of the Victorian age, William Morris (1834-96) produced a prodigious variety of literary and artistic work in his lifetime. In addition to his achievements as a versatile designer at the forefront of the arts and crafts movement, Morris distinguished himself as a poet, translated Icelandic sagas and classical epics, wrote a series of influential prose romances, and gave lectures promoting his socialist principles. His collected works, originally published in 24 volumes between 1910 and 1915, were edited by his daughter Mary (May) Morris (1862-1938), whose introductions to each volume chart with insight and sympathy the development of her father's literary, aesthetic and political passions. Volume 22 contains a collection of lectures, first published as Hopes and Fears for Art in 1882, and a further fifteen lectures on the topic of art and industry.