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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
National history has once again become a battlefield. In internal
political conflicts, which are fought on the terrain of popular
culture, museums, schoolbooks, and memorial politics, it has taken
on a newly important and contested role. Irrespective of national
specifics, the narratives of new nationalism are quite similar
everywhere. National history is said to stretch back many
centuries, expressesing the historical continuity of a homogeneous
people and its timeless character. This people struggles for
independence, guided by towering leaders and inspired by the
sacrifice of martyrs. Unlike earlier forms of nationalism, the main
enemies are no longer neighbouring states, but international and
supranational institutions. To use national history as an
integrative tool, new nationalists claim that the media and school
history curricula should not contest or question the nation and its
great historical deeds, as doubts threaten to weaken and dishonour
the nation. This book offers a broad international overview of the
rhetoric, contents, and contexts of the rise of these renewed
national historical narratives, and of how professional historians
have reacted to these phenomena. The contributions focus on a wide
range of representative nations from around all over the globe.
National history has once again become a battlefield. In internal
political conflicts, which are fought on the terrain of popular
culture, museums, schoolbooks, and memorial politics, it has taken
on a newly important and contested role. Irrespective of national
specifics, the narratives of new nationalism are quite similar
everywhere. National history is said to stretch back many
centuries, expressesing the historical continuity of a homogeneous
people and its timeless character. This people struggles for
independence, guided by towering leaders and inspired by the
sacrifice of martyrs. Unlike earlier forms of nationalism, the main
enemies are no longer neighbouring states, but international and
supranational institutions. To use national history as an
integrative tool, new nationalists claim that the media and school
history curricula should not contest or question the nation and its
great historical deeds, as doubts threaten to weaken and dishonour
the nation. This book offers a broad international overview of the
rhetoric, contents, and contexts of the rise of these renewed
national historical narratives, and of how professional historians
have reacted to these phenomena. The contributions focus on a wide
range of representative nations from around all over the globe.
Title: Love: the Reward. A novel.Publisher: British Library,
Historical Print EditionsThe British Library is the national
library of the United Kingdom. It is one of the world's largest
research libraries holding over 150 million items in all known
languages and formats: books, journals, newspapers, sound
recordings, patents, maps, stamps, prints and much more. Its
collections include around 14 million books, along with substantial
additional collections of manuscripts and historical items dating
back as far as 300 BC.The FICTION & PROSE LITERATURE collection
includes books from the British Library digitised by Microsoft. The
collection provides readers with a perspective of the world from
some of the 18th and 19th century's most talented writers. Written
for a range of audiences, these works are a treasure for any
curious reader looking to see the world through the eyes of ages
past. Beyond the main body of works the collection also includes
song-books, comedy, and works of satire. ++++The below data was
compiled from various identification fields in the bibliographic
record of this title. This data is provided as an additional tool
in helping to insure edition identification: ++++ British Library
May, Philip; Prest, Thomas Peckett; 1885. 3 vol.; 8 . 12623.i.6.
Title: Love: the Reward. A novel.Publisher: British Library,
Historical Print EditionsThe British Library is the national
library of the United Kingdom. It is one of the world's largest
research libraries holding over 150 million items in all known
languages and formats: books, journals, newspapers, sound
recordings, patents, maps, stamps, prints and much more. Its
collections include around 14 million books, along with substantial
additional collections of manuscripts and historical items dating
back as far as 300 BC.The FICTION & PROSE LITERATURE collection
includes books from the British Library digitised by Microsoft. The
collection provides readers with a perspective of the world from
some of the 18th and 19th century's most talented writers. Written
for a range of audiences, these works are a treasure for any
curious reader looking to see the world through the eyes of ages
past. Beyond the main body of works the collection also includes
song-books, comedy, and works of satire. ++++The below data was
compiled from various identification fields in the bibliographic
record of this title. This data is provided as an additional tool
in helping to insure edition identification: ++++ British Library
May, Philip; Prest, Thomas Peckett; 1885. 3 vol.; 8 . 12623.i.6.
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
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