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The best-selling, Pulitzer Prize–winning author of The Road returns with the first of a two-volume masterpiece: The Passenger is the story of a salvage diver, haunted by loss, afraid of the watery deep, pursued for a conspiracy beyond his understanding, and longing for a death he cannot reconcile with God. Look for Stella Maris, the second volume in The Passenger series, on sale December 2022. 1980, PASS CHRISTIAN, MISSISSIPPI: It is three in the morning when Bobby Western zips the jacket of his wet suit and plunges from the Coast Guard tender into darkness. His dive light illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot’s flight bag, the plane’s black box, and the tenth passenger. But how? A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul. Traversing the American South, from the garrulous barrooms of New Orleans to an abandoned oil rig off the Florida coast, The Passenger is a breathtaking novel of morality and science, the legacy of sin, and the madness that is human consciousness.
The best-selling, Pulitzer Prize-winning author of The Road returns with the second volume of The Passenger series: Stella Maris is an intimate portrait of grief and longing, as a young woman in a psychiatric facility seeks to understand her own existence. 1972, BLACK RIVER FALLS, WISCONSIN: Alicia Western, twenty years old, with forty thousand dollars in a plastic bag, admits herself to the hospital. A doctoral candidate in mathematics at the University of Chicago, Alicia has been diagnosed with paranoid schizophrenia, and she does not want to talk about her brother, Bobby. Instead, she contemplates the nature of madness, the human insistence on one common experience of the world; she recalls a childhood where, by the age of seven, her own grandmother feared for her; she surveys the intersection of physics and philosophy; and she introduces her cohorts, her chimeras, the hallucinations that only she can see. All the while, she grieves for Bobby, not quite dead, not quite hers. Told entirely through the transcripts of Alicia's psychiatric sessions, Stella Maris is a searching, rigorous, intellectually challenging coda to The Passenger, a philosophical inquiry that questions our notions of God, truth, and existence.
An artfully designed box set of Pulitzer Prize–winning author Cormac McCarthy’s final masterpiece, told in two volumes, each a New York Times bestseller. The Passenger is a fast-paced and sprawling novel while Stella Maris is a tightly controlled coda, told entirely in dialogue. Together they relate the thrilling story of a brother and sister, haunted by loss, pursued by conspiracy, and longing for a death they cannot reconcile with God.
The Passenger
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This is the first book of essays by a major new Irish non-fiction writer from the West of Ireland, comparable to the celebrated Kilkenny essayist Hubert Butler first published by The Lilliput Press and subsequently widely acclaimed. Gerard McCarthy's writing is no less distinguished than Butler's. McCarthy writes of his book: "Perhaps the Philosophers who had the most enduring influence on me were the contrary figures of Nietzsche and Marcus Aurelius. The reading of each was an antidote to the other, but I was drawn to both by an instinctive affinity.They were augmented subsequently by the gargantuan figure of Michel de Montaigne. My interest has continued to be in the region where Philosophy merges into Literature, with a preference for a language of metaphor rather than of abstract reasoning.These eight essays were written over the course of more than a decade.The fact that they have all been published in the one place, by the good offices of Irish Pages, has allowed me see the continuity between them, and to hope that they might be seen by the reader to form a unity."
Colin Firth and Orlando Bloom star in this American small town drama directed by John Doyle. Firth stars as American businessman Gus Leroy, who approaches the residents of Durham, North Carolina, with proposals that he claims will help the community regain its former glory as a centre for industry. How will the close-knit community react to his seemingly optimistic proposals?
Student anthropologist, Nonhle Ngubane, is home for the summer holidays. Within a week, the calm is shattered when the unthinkable happens – her father, a game ranger, is arrested for rhino poaching. It’s a crime she believes he’d never commit. Or could he? As Nonhle struggles to make sense of the accusation, she is blind to the dark plot of revenge unfolding. On a wind-swept mountain, a conflicted traditional healer seeks revenge for the Great Betrayal committed against him. And in the shadows, a slippery rhino poaching boss is expanding his terrible business. Nonhle wants to help prove her father’s innocence, but she’s out of her depth. Yet, when the evidence against her father starts stacking up, and help is too slow for her liking, she knows she must act. She takes matters into her own hands, and unwittingly sets in motion a chain of events. Events that find her fighting for her father’s innocence, but also, for her life.
A mesmerising illustrated young fiction offering from Polly Ho-Yen & Sojung Kim-McCarthy, perfect for early readers. When Ziggy goes to sleep in their new bed at their dad's house, they wake up in the middle of the dark and scary night forest. When even sleeping at their mum's house doesn't help, Ziggy is forced to face their fears... but maybe that scary forest isn't as scary as it sounds? Deals with themes of divorce/separation & night terrors through Polly's poetic and gently magical lens, accompanied by black-and-white artwork by Sojung Kim-McCarthy.
Sandra Bullock and Melissa McCarthy star as two mismatched cops in this comedy from 'Bridesmaids' director Paul Feig. Unaware that her colleagues hate her, prim and priggish FBI special agent Sarah Ashburn (Bullock) is seconded to Boston where she's forced to team up with foul-mouthed, take-no-prisoners detective Shannon Mullins (McCarthy). When the pair are ordered to take down a local drug baron, the two cops' wildly contrasting styles - and mutual hatred - soon threaten to derail their mission. But as the weeks pass, a grudging admiration for each others' methods brings about a thawing in hostilities, as the ill-starred crimefighters turn out to be a force to be reckoned with.
‘Cormac McCarthy was such a virtuoso, his language was so rich and new . . . McCarthy worked close to some religious impulse, his books were terrifying and absolute. His sentences were astonishing.’ - Anne Enright ----- ‘A drought-busting, brain-vexing double act’ Guardian Alicia Western is the following: Twenty years old. A brilliant mathematician at the University of Chicago. And a paranoid schizophrenic who does not want to talk about her brother, Bobby. Told entirely through the transcripts of Alicia’s psychiatric sessions, Stella Maris is a searching, profoundly moving companion to The Passenger. It is a powerful enquiry that questions our notions of God, truth, and life itself by one of America’s finest writers.
John Asher writes and directs this comedy spoof based on the Liam Neeson 'Taken' franchise. Bryan Millers (Lee Tergesen) is a mall cop who possesses many special skills. When his life is threatened by his arch-enemy Brown Finger (Margaret Cho), Millers joins forces with his ex-CIA mother (Joyce Bulifant) to fight back.
Adapted by the Coen Brothers into an Academy Award winning film, No Country For Old Men is a dark and suspenseful novel from Cormac McCarthy, author of The Road. Llewelyn Moss, hunting antelope near the Rio Grande, stumbles upon a transaction gone horribly wrong. Finding bullet-ridden bodies, several kilos of heroin, and a caseload of cash, he faces a choice - leave the scene as he found it, or cut the money and run. Choosing the latter, he knows, will change everything. And so begins a terrifying chain of events, in which each participant seems determined to answer the question that one asks another: how does a man decide in what order to abandon his life? This edition is part of the Picador Collection, a series of the best in contemporary literature, inaugurated in Picador's 50th Anniversary year.
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