Ghostbusters (1984)
When Doctors Venkman, Stantz and Spengler suddenly find themselves downsized from the University's parapsychology department, they decide to go the entrepreneurial route, chasing down ghastly ghosts, unappetizing apparitions and the occasional insolent succubae. But the paratroopers of the paranormal face their greatest challenge when the beautiful Dana Barret discovers her refrigerator door leads directly to the gates of hell! Now with the whole world watching, it's up to the Ghostbusters to keep Manhattan from becoming a madhouse in this hilariously-haunting action-comedy!

Ghostbusters 2 (1989)
After waging a war on slime that cost New York City millions, the Ghostbusters find themselves out of business-until an ancient tyrant, preparing a return to the Earthy domain through his portrait at the Manhattan Museum of Art, sets his sights on Dana Barrett's baby as the new home for his wicked soul! With the help of the Museum's possessed curator, he plans to turn New York into a really scary place to live! Now only the Ghostbusters can save New York City, by turning paranormal pest control into an art form!

Ghostbusters: Afterlife (2021)
When a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind. Now a whole new world of ghosts are about to be unleashed. "Who ya gonna call?"

What does it mean to be a FAN? If you're a Swiftie, you know that it takes commitment and dedication to be in a fandom. And there's nothing more rewarding than sourcing Taylor Swift news and updates, anticipating new music and meeting fellow fans. But fan culture today is more intense than ever, from trolling to stalkers to online warfare. So how did we get here? Discover the history of the first fandoms, the many Eras of Taylor Swift, the politics of celebrity and cancel culture, and above all: why being a fan is so special. Featuring interview with key Taylor Swift fans and celebrity culture icon DeuxMoi and the founder of Swiftogeddon, this book is the ultimate guide on how to be a fan.

Collection of two comedies. In 'No Strings Attached' (2011), when long-time friends Emma (Natalie Portman) and Adam (Ashton Kutcher) decide to add a physical dimension to their relationship and move into 'friends with benefits' territory, they agree to keep things strictly casual and on a 'no strings' basis. But before long both of them find things becoming more complicated than planned as those pesky emotions get in the way. In 'Morning Glory' (2010), a sparky, ambitious young television producer spies an opportunity to claw her way up the career ladder when she is offered a job on 'Daybreak', the worst-performing morning chat show in the ratings. Her decision to hire veteran newscaster Mike Pomeroy (Harrison Ford) to host the show meets with scepticism from network executive Jerry (Jeff Goldblum) and co-host Colleen Peck (Diane Keaton), and with little enthusiasm from Pomeroy himself, who is obliged by his contract to take this less-than-promising gig. Can Becky overcome the poor ratings and in-fighting to bring the team together and transform the show into something to be proud of?

The first two series of the TV drama starring Matthew Macfadyen as a detective trying to maintain the law on the streets of Whitechapel in the wake of the Jack the Ripper murders. Though the immediate threat posed by the Ripper seems to have receded, H Division's Detective Inspector Edmund Reid (Macfadyen), aided by the hard-boiled Sergeant Bennett Drake (Jerome Flynn) and American forensics expert Captain Homer Jackson (Adam Rothenberg), still has his hands full trying to keep the East End streets safe. Series 1 episodes are: 'I Need Light', 'In My Protection', 'The King Came Calling', 'The Good of This City', 'The Weight of One Man's Heart', 'Tournament of Shadows', 'A Man of My Company' and 'What Use Our Work?'. Series 2 episodes are: 'Pure As the Driven', 'Am I Not Monstrous?', 'Become Man', 'Dynamite and a Woman', 'Threads of Silk and Gold', 'A Stronger Loving World', 'Our Betrayal: Part One' and 'Our Betrayal: Part Two'.

Woke social justice warriors lurk around every corner, ready to cancel free speakers and police common sense. Muslims love nothing better than abolishing Christmas. FemiNazi’s throw false accusations at the pillars of our society. Decried by right-wing pundits and politicians alike, the idea of ‘political correctness’ is often painted as a form of left-wing totalitarianism but in this pithy, clear-headed account, Tony McKenna explains how the concept itself is in fact one of the great conspiracy theories of our times. From the fear of ‘cancel culture’ to the demonization of grassroots social movements, this is a searing dissection of how the exclusionary agendas for so long played out in our media and party politics have been successfully dressed up as campaigns for freedom and common sense. Tackling some of the favourite bogeymen of tabloids and scaremongers, McKenna dissects the language, rhetoric and ideology that turns refugees into insects, social justice into ‘wokery’, and makes predators out of anyone from dark skinned men to trans women. He provides a full analysis of historically important social liberation movements like BLM and #MeToo, giving the historical and cultural contexts for their emergence. As the tried-and-tested politics of stigmatization and exclusion shift from old targets to new, this an explanation of one of society’s most insidious narratives, and how it allows dominant orthodox culture to cast the subjects of its oppressive tactics as the dreaded ‘global liberal elite’.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Tinnitus can be a terrible affliction, both for the individual, and also for friends and family. Hyperacusis, acute sensitivity to noise, can also seriously interfere with everyday life. These conditions are common in adults and may affect children, too. The good news is that prospects for recovery have never been better, thanks to advances in scientific understanding and therapy. There are techniques that can be used to help minimize the distressing effects of these disorders, which can range from lack of sleep and irritability, to loss of concentration and confidence. Living with Tinnitus and Hyperacusis looks at strategies for coping and includes a complete self-help programme. Topics include; causes and mechanisms of tinnitus and hyperacusis, the impact of these hearing disorders, effective treatments, relaxation and sound therapy, relieving the stress of tinnitus and hyperacusis and avoiding relapse.

The author of Not Counting Women and Children invites readers to listen again to the parables of Jesus. Like arrows, these stories pierce the heart of the listener, opening up new understanding of our lives as Christians. Interspersed with these familiar Gospel parables are other stories, traditional and contemporary, which draw the readers deeper into their challenges.