Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

As this final volume of "The Berrybender Narratives" opens, Tasmin and her family are under irksome, though comfortable, arrest in Mexican Santa Fe. Her father, the eccentric Lord Berrybender, is planning to head for Texas with his whole family and his retainers. Tasmin, who would once have followed her husband, Jim Snow, anywhere, is no longer even sure she likes him, or knows where to go to next.

In the meantime, Jim Snow, accompanied by Kit Carson, journeys to New Orleans, where he meets up with a muscular black giant named Juppy in whose company they make their way back to Santa Fe. But even they are unable to prevent the Mexicans from carrying the Berrybender family on a long and terrible journey across the desert to Vera Cruz.

Starving, dying of thirst, and in constant, bloody battle with slavers pursuing them, the Berrybenders finally make their way to civilization, where Jim Snow has to choose between Tasmin and the great American plains, on which he has lived all his life in freedom, and where, after all her adventures, Tasmin must finally decide where her future lies.

With a cast of characters that includes almost every major real-life figure of the West, "Folly and Glory" is a novel that represents the culmination of a great and unique four-volume saga of the early days of the West; it is one of Larry McMurtry's finest achievements.

Pulitzer Prize-winner Larry McMurtry writes novels set in the American heartland, but his real territory is the heart itself. His gift for writing about women -- their love for reckless, hopeless men; their ability to see the good in losers; and their peculiar combination of emotional strength and sudden weakness -- makes The Desert Rose the bittersweet, funny, and touching book that it is.

Harmony is a Las Vegas showgirl. At night she's a lead dancer in a gambling casino; during the day she raises peacocks. She's one of a dying breed of dancers, faced with fewer and fewer jobs and an even bleaker future. Yet she maintains a calm cheerfulness in that arid neon landscape of supermarkets, drive-in wedding chapels, and all-night casinos. While Harmony's star is fading, her beautiful, cynical daughter Pepper's is on the rise. But Harmony remains wistful and optimistic through it all. She is the unexpected blossom in the wasteland, the tough and tender desert rose. Hers is a loving portrait that only Larry McMurtry could render.

In a lucid, brilliant work of nonfiction -- as close to an autobiography as his readers are likely to get -- Larry McMurtry has written a family portrait that also serves as a larger portrait of Texas itself, as it was and as it has become.

Using as a springboard an essay by the German literary critic Walter Benjamin that he first read in Archer City's Dairy Queen, McMurtry examines the small-town way of life that big oil and big ranching have nearly destroyed. He praises the virtues of everything from a lime Dr. Pepper to the lost art of oral storytelling, and describes the brutal effect of the sheer vastness and emptiness of the Texas landscape on Texans, the decline of the cowboy, and the reality and the myth of the frontier.

McMurtry writes frankly and with deep feeling about his own experiences as a writer, a parent, and a heart patient, and he deftly lays bare the raw material that helped shape his life's work: the creation of a vast, ambitious, fictional panorama of Texas in the past and the present. Throughout, McMurtry leaves his readers with constant reminders of his all-encompassing, boundless love of literature and books.

The Real Western Canon

Larry McMurtry, the preeminent chronicler of the American West, celebrates the best of contemporary Western short fiction, introducing a stellar collection of twenty stories that represent, in various ways, the coming-of-age of the legendary American frontier.

Featuring a veritable Who's Who of the century's most distinctive writers, this collection effectively departs from the standard superstars of the Western genre. McMurtry has chosen a refreshing range of work that, when taken as a whole, depicts the evolution and maturation of Western writing over several decades. The featured tales are not so concerned with the American West of history and geography as they are with the American West of the imagination -- one that is alternately comic, gritty, individual, searing, and complex.

Contributors
Wallace Stegner * Dave Hickey * Dao Strom * Dagoberto Gilb * William Hauptman * Jack Kerouac * Ron Hansen * Diana Ossana * Robert Boswell * Tom McGuane Louise Erdrich * Max Apple * Mark Jude Poirier * Rick Bass * Jon Billman * Richard Ford * Raymond Carver * Annie Proulx * Leslie Marmon Silko * William H. Gass

The Pulitzer Prize­–winning American classic of the American West that follows two aging Texas Rangers embarking on one last adventure. An epic of the frontier, Lonesome Dove is the grandest novel ever written about the last defiant wilderness of America.

Journey to the dusty little Texas town of Lonesome Dove and meet an unforgettable assortment of heroes and outlaws, whores and ladies, Indians and settlers.

Richly authentic, beautifully written, always dramatic, Lonesome Dove is a book to make us laugh, weep, dream, and remember.

Perhaps more than any other single work, Shakespeare's Julius Caesar has popularized the image of Brutus as a ruthless and cowardly traitor, Caesar as a noble ruler and sympathetic victim, and the Ides of March as a time of danger and duplicity. On the surface, the play is comparatively simple and straightforward, and thus it has served to introduce generations of students to Shakespeare's works. But the play is deceptive in its apparent simplicity. While Brutus joins the conspirators in assassinating Caesar, his possibly selfless motives may make him the noblest Roman of them all. And while Caesar emerges as a beneficent leader in Antony's funeral oration, other traditions with which Shakespeare's audience would have been familiar paint him as a tyrannical despot. The play, then, is laden with ambiguity, and it raises more questions about human nature than it answers about Roman history. And while some scholars have criticized the play's language for being relatively unpoetic and inferior to some of Shakespeare's later tragedies, Julius Caesar has given us some of the most memorable passages in English literature. This addition to the "Greenwood Guides to Shakespeare" series offers a comprehensive overview of Julius Caesar and the issues central to an understanding and appreciation of the tragedy. Written at a level accessible to readers of all backgrounds, from secondary school students to scholars, the volume gives full attention to textual, contextual, dramatic, thematic, critical, and performance aspects of the play. The book begins with a look at the history of the text and a consideration of some modern editions. It then examines the historical and cultural contexts ofShakespeare's England and shows how they shaped his work. The book discusses Shakespeare's likely sources and how he adapted them, and it analyzes his dramatic art, including his characterizations, language, and imagery. The guide then turns to the themes treated throughout the play, and it surveys the tragedy's critical reception. Finally, the book charts the drama's lengthy stage history and looks closely at representative productions, including some film versions. An annotated bibliography and comprehensive index conclude the work.

The definitive anatomical coloring book is now back and freshened up with a new cover. Each year, thousands of students studying to be doctors, physical therapists, and medical technicians have to master the art of anatomy--and prospective artists also want to capture realistic movement and posture. What better way to remember each bone, muscle, and organ than by coloring a picture? The very act of drawing entices students to spend more time with the image, and to examine the body's structure more closely. That's why this one-of-a-kind coloring book, with its concisely written text and easy-to-color-in medical illustrations, has always been such a huge seller--and why it's now revised into this new user-friendly format. Arranged according to body systems, the color-key organization links anatomical terminology to the more than 1,000 precise and detailed black-and-white illustrations.