The Kind Kitchen is not just the title of a cookbook, or the name of a restaurant, it embodies a way of living for Jay Mac. As he says: “We don’t have a Planet B to call home! This one is all we have, and we have the power to change the way we treat mother earth through the foods we choose to eat.”

Being vegan doesn’t have to mean a lifetime of lentils and lettuce leaves. Jay’s innovative and imaginative recipes reimagine all your favourite dishes, from mac ‘n cheese, chicken wings, burritos, bao buns and maki rolls, to burgers and bunny chow. When it comes to sweet treats, he has adapted family favourites, such as milk tart, pumpkin fritters and cheesecake to be dairy free, while his smoothies and plantbased milks mean less reliance on store-bought products.

Jay Mac has mastered the art of turning mushrooms into chicken, carrots into lox, celeriac into fish and beetroot into burgers, as well as the even darker art of making meat from wheat. Join him in the The Kind Kitchen and learn his secrets for how to make tasty, tempting and affordable vegan food at home.

A comprehensive guide to child-friendly activities in the 4 major centres of South Africa: Cape Town, Durban, Johannesburg and Pretoria. Packed with useful information about more than 260 child-friendly sites and activities

Content Includes:

• Site name
• Website address, contact details
• Opening hours
• Party venue rating
• Rainy-day rating
• Cost per child rating
• Most appropriate age-group
• Physical address
• GPS marker
• Closest public transport
• Pram/pushchair friendly
• Toddler facilities (changing etc..)
• Nearest hospital, emergency room & details
• Top tips for each site - what to do, take, remember & forget
• Cost options available
• Description of each site and facilities
• Photo of each site & map of site location
• Nearby sites for parents (bakery, coffee bar or teen friendly site)

Thomas (Dylan O’Brien) and his fellow Gladers face their greatest challenge yet: searching for clues about the mysterious and powerful organization known as WCKD.

Their journey takes them to the Scorch, a desolate landscape filled with unimaginable obstacles.

Teaming up with resistance fighters, the Gladers take on WCKD’s vastly superior forces and uncover it’s shocking plans for them all.

John MacNamara s timely report looks at the principles and practice of structured trade and commodity finance deals and what can go wrong. It is supported by invaluable case study material.
An authoritative guide to structured trade and commodity finance in emerging marketsA detailed study of the problems and opportunities presented by structured tradeA clear explanation of typical structures and risk mitigation techniques"

The first translation into English of all the extant Targums, together with introductions and annotations. Each volume examines the place of a particular Targum or group of Targums in Jewish life, liturgy and biblical interpretation. Each Targum is evaluated in the light of Jewish tradition and of modern linguistic and biblical research. The notes point to parallel passages in other Jewish and Christian biblical and liturgical texts. Each translated Targum has its own apparatus indicating the relationship between the English translation and the Aramaic original and every volume has a useful bibliography.>

Double bill of British dramas about football violence and hooliganism. 'The Football Factory' (2004) is based on the novel by John King. Tommy Johnson (Danny Dyer) is a bright but bored 30-year-old with a steady job and close-knit family who lives for the weekend life of casual sex, lager, drugs - and violence. Through him we meet three other males in his world: Billy Bright (Frank Harper), a right-wing fascist full of bitterness at a country that he perceives as having failed him; Zeberdee (Roland Manookian), a mouthy hooligan whose life revolves around crime and drugs; and Bill Farrell (Dudley Sutton), a 70-year-old war veteran who tries to enjoy every day to the limit. Shot in documentary style using a handheld camera, the film realistically captures the lure and potency of football violence. 'Arrivederci Millwall' (1990) follows a group of hardcore Millwall supporters as they travel to Bilbao in Spain for England's World Cup matches in 1982. Their rowdy behaviour soon leads them into trouble, and the violence escalates as Billy Jarvis (Kevin O'Donohoe) steals a gun to avenge his brother's death in the Falklands conflict.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Children's adventure drama following the unusual relationship between a military search and rescue robot and an unpopular schoolkid. When Henry (Bobby Coleman) finds an abandoned robot called Cody (voice of Jae Head) in a dumpster, he decides to take it home and fix it. As Cody then becomes conscious, Henry soon realises that he is much more than a toy when it becomes apparent that the military lab that created Cody would very much like to get him back.

For undergraduate courses in risk managementand insurance. Principles and practices: Managing risk withconsumer considerations Redja's Principles of RiskManagement and Insurance provides an in-depth examination of majorrisk themes. Using rich and up-to-date content on the basic concepts of riskand insurance, and introductory and advanced topics in traditional andenterprise risk management, the text is relevant to a wide number ofdisciplines in the business realm. Fully updated and revised, the 14thEdition covers global topics ranging from natural disasters andterrorism, to domestic issues like the ever-evolving Affordable CareAct and healthcare reform. Principles sets itselfapart by placing primary emphasis on insurance consumers and blends basic riskmanagement and insurance principles with consumer considerations, allowingstudents to apply basic concepts to their own personal risk management andinsurance programs.

This volume approaches the broad topic of wonder in the works of Tacitus, encompassing paradox, the marvellous and the admirable. Recent scholarship on these themes in Roman literature has tended to focus on poetic genres, with comparatively little attention paid to historiography: Tacitus, whose own judgments on what is worthy of note have often differed in interesting ways from the preoccupations of his readers, is a fascinating focal point for this complementary perspective. Scholarship on Tacitus has to date remained largely marked by a divide between the search for veracity - as validated by modern historiographical standards - and literary approaches, and as a result wonders have either been ignored as unfit for an account of history or have been deprived of their force by being interpreted as valid only within the text. While the modern ideal of historiographical objectivity tends to result in striving for consistent heuristic and methodological frameworks, works as varied as Tacitus' Histories, Annals and opera minora can hardly be prefaced with a statement of methodology broad enough to escape misrepresenting their diversity. In our age of specialization a streamlined methodological framework is a virtue, but it should not be assumed that Tacitus had similar priorities, and indeed the Histories and Annals deserve to be approached with openness towards the variety of perspectives that a tradition as rich as Latin historiographical prose can include within its scope. This collection proposes ways to reconcile the divide between history and historiography by exploring contestable moments in the text that challenge readers to judge and interpret for themselves, with individual chapters drawing on a range of interpretive approaches that mirror the wealth of authorial and reader-specific responses in play.