Mendings tells an intimate story about family, selfhood, and the love and loss lodged in garments. In this narrative about making meaning of brokenness and grief, Megan Sweeney reflects on her childhood entanglement with her mother, her loss-filled relationship with her alcoholic father, and her attachment to the clothes that have mended her as she has mended them. Sweeney explores how clothing fosters communication and enables us to cultivate relationships with ourselves and with others, both living and deceased. In dialogue with other clothing lovers, writers, fiber artists, evolutionary biologists, historians, and environmentalists, Sweeney also foregrounds the entwinement of clothing, race, and gender as she considers the ethics and environmental effects of clothing consumption, the history of clothing in the US prison system, and the roles that textiles play as sources of creativity, artistry, and self-fashioning, even within conditions of constraint. For Sweeney, the act of mending is a way of living. Unlike fixing, which leaves no trace of damage or loss, mending allows Sweeney to embrace holes, rips, and threadbare patches as part of her life's design.

Mendings tells an intimate story about family, selfhood, and the love and loss lodged in garments. In this narrative about making meaning of brokenness and grief, Megan Sweeney reflects on her childhood entanglement with her mother, her loss-filled relationship with her alcoholic father, and her attachment to the clothes that have mended her as she has mended them. Sweeney explores how clothing fosters communication and enables us to cultivate relationships with ourselves and with others, both living and deceased. In dialogue with other clothing lovers, writers, fiber artists, evolutionary biologists, historians, and environmentalists, Sweeney also foregrounds the entwinement of clothing, race, and gender as she considers the ethics and environmental effects of clothing consumption, the history of clothing in the US prison system, and the roles that textiles play as sources of creativity, artistry, and self-fashioning, even within conditions of constraint. For Sweeney, the act of mending is a way of living. Unlike fixing, which leaves no trace of damage or loss, mending allows Sweeney to embrace holes, rips, and threadbare patches as part of her life’s design.

Women prisoners gain insight and inspiration through their creative reading practices. Drawing on extensive interviews with ninety-four women prisoners, Megan Sweeney examines how incarcerated women use available reading materials to come to terms with their pasts, negotiate their present experiences, and reach toward different futures. Foregrounding the voices of African American women, Sweeney analyzes how prisoners read three popular genres: narratives of victimization, urban crime fiction, and self-help books. She outlines the history of reading and education in U.S. prisons, highlighting how the increasing dehumanization of prisoners has resulted in diminished prison libraries and restricted opportunities for reading. Although penal officials have sometimes endorsed reading as a means to control prisoners, Sweeney illuminates the resourceful ways in which prisoners educate and empower themselves through reading. Given the scarcity of counseling and education in prisons, Sweeney argues that women use books to make meaning from their experiences, to gain guidance and support, to experiment with new ways of being, and to maintain connections with the world.