As RuPaul has said, this is the Golden Age of Drag-and that's chiefly the achievement of RuPaul's Drag Race, which in its eleventh year is more popular than ever, and has now become fully mainstream in its appeal. The show has an irresistible allure for folks of all persuasions and proclivities. Yet serious or philosophical discussion of its exponential success has been rare. Now at last we have RuPaul's Drag Race and Philosophy, shining the light on all dimensions of this amazing phenomenon: theories of gender construction and identity, interpretations of RuPaul's famous quotes and phrases, the paradoxes of reality shows, the phenomenology of the drag queen, and how the fake becomes the truly authentic. The book includes a Foreword by the original "Gender Outlaw" Kate Bornstein. Among the thought-provoking issues examined in this path-breaking and innovative volume: What Should a Queen Do? Marta Sznajder looks at RuPaul's Drag Race from the perspective of rationality. Where contestants have to eliminate each other, the prisoner's dilemma and other well-known situations emerge. Reading Is Fundamental! Lucy McAdams analyzes two different, important speech acts that regularly appear on Drag Race-reading and throwing shade. The Values of Drag Race. Guilel Treiber observes two competing sets of values being presented in Drag Race. The more openly advertised "charisma, uniqueness, nerve, and talent," advancing the skills of every single contender, are opposed by the fading set of "acceptance, support, solidarity, and empowerment," which has historically been the cornerstone of the LGBTI+ community. The Importance of Being Fabulous. Holly Onclin challenges the preconceived notion that drag queens are mainly about female impersonation and instead proposes to understand drag queens as impersonators of celebrity. RuPaul Is a Better Warhol. Megan Volpert compares RuPaul and Andy Warhol in their shared pursuit of realness. Is Reading Someone to Filth Allowed? Rutger Birnie asks whether there are ethical restrictions on reading someone, since reads are ultimately insults and could cause harm. Serving Realness? Dawn Gilpin and Peter Nagy approach the concept of realness in Drag Race, to discuss the differences between realness, authenticity and the nature of being. Death Becomes Her. Hendrik Kempt explores the topic of death both in philosophy and in Drag Race, starting from the claim that "Philosophy is training for death." We're All Born Naked. Oliver Norman follows up on Ru's mantra, "We are all born naked and the rest is drag." Fire Werk with Me. Carolina Are looks into the fan-subcultures of Drag Race and Twin Peaks, which have come together to form a unique sub-subculture, in which members of both fan-subcultures create memes and idiosyncrasies. Towards a Healthier Subjectivity? Ben Glaister looks at the way Drag Race contestants adopt their drag personae almost as second selves, without finding themselves violating their other self. RuPaul versus Zarathustra. Julie and Alice van der Wielen ask the question, Who would win an intellectual lip-sync battle-RuPaul or Nietzsche's Zarathustra? Playing with Glitter? Fernando Pagnoni and pals explore the game and play elements of Drag Race. The Origins of Self-Love. Anna Fennell expounds upon RuPaul's question, "If you can't love yourself, how in the hell you gonna love somebody else?" The Sublime. Sandra Ryan thinks about Kant's concept of the sublime and explores how we find its applications in Drag Race. You Want to Be Anonymous? You Better Work! Alice Fox watches Drag Race through the lens of criminal law and the problem of decreasing anonymity through ubiquitous data surveillance. Drag Race can teach us how to create misleading patterns of online behavior and public presentation to render the blackbox persona useless. Drag and Vulnerability. Anneliese Cooper contrasts Drag Race's demand for vulnerability and perceived authenticity with the inherent inauthenticity of creating a new persona.

"Seventeen curious, well-tuned writers (they're fans, too) turn their philosophical attention to Tom Petty in this intellectually rigorous and wildly fun 'little box set of big ideas'. In his hits, deep cuts, and videos they find complexity, ideas, and plenty of questions-plus some answers-about the human condition. I need to know, Petty once sang. These writers are really listening." -JOE BONOMO, author of Field Recordings from the Inside (2017) and editor of Conversations with Greil Marcus (2012) "A great song has worlds inside of it. And Tom Petty wrote a lot of them. But too often we don't stop to explore, question, consider, knock on a few of the doors that appear down a great song's corridors. In this collection, some thoughtful writers have come together to show us how they did it. It stands as a testament both to the strength of Petty's songwriting and record-making and the possibilities that remain as regards writing about music." -WARREN ZANES, author of Petty: The Biography (2015) "Maybe because he simply made it all look easy, Tom Petty never received the unanimous critical glory bestowed upon more obvious geniuses. But now that his career is complete, the world is gradually awakening to what his fans have known all along: Tom was plugged directly into the original juice of rock'n'roll, injecting that authenticity into everything he ever touched. This collection of deeply thoughtful, dimensional chapters goes a long way in setting the record straight. In each, the author bears witness to the profound impact of Tom's music on our lives, and also our thoughts." -PAUL ZOLLO, author of Conversations with Tom Petty "Tom Petty would have hated this book. And that's why it's necessary-to give new context to songs and an oeuvre that defied his own explanation." -NEIL STRAUSS, contributing editor, Rolling Stone "This is a fun appraisal of Tom Petty's masterful musical works as viewed through the framework of both classical and modern philosophical theory. Tom Petty and Philosophy is recommended for both the fan and the student of rock." -NICK THOMAS, author of Tom Petty: An American Rock and Roll Story (2014) "Just as no single musical genre easily ensnares Petty's musical catalogue, this book is-thankfully-not easily pigeonholed. It spans a wide range of topics. From whether Tom Petty was a feminist to whether the album Echo displays a situation of distress in Nietzsche's sense, there's something here for all Petty fans to ruminate and debate for years to come." -CLAY CALVERT, University of Florida professor teaching "Tom Petty 101" For the first time, serious thinkers explore the work of this towering genius of rock music. For fans of Tom Petty, this volume is an eye-opener, with fourteen music-savvy philosophers looking at different facets of Petty's artistic contribution. They examine not only Tom Petty's thoughts but also the thoughts we have while we listen. The authors, all Petty fans, come from every philosophical viewpoint: classical, analytic, postmodernist, phenomenological, and Nietzschean. Tom Petty's body of work exists on a continuum between Folk and Rock, between New Wave and Americana, between Southern simplicity and West Coast chic. There is the legacy left to his main backing band, the Heartbreakers, but also bookended by Mudcrutch and his collaborations with his elders, such as Bob Dylan, George Harrison, Roy Orbison, and Johnny Cash. Tom Petty's songs hook and they captivate, but they are often profound in their understatement, their stark minimalism. His insight into the human condition conveys a powerful philosophical anthropology with a metaphysics of tragedy, gravity, and levity. Tom Petty's ethics focuses on dilemmas of the outcast, downtrodden, and heartbroken with a view to the fallen and the sinful as our redeemable antiheroes of the everyday. His political thinking is that of the artist, enlivened by Southern hostilities and Californian futilities, culminating in a personal ethic that puts duty to the fans first. Petty's theory of knowledge is psychological and interpersonal, both deeply meditative and delightfully skeptical. The dialectic of love and hate, abuse and recovery, poverty and power, triumph and loss provide the genuine objects of knowledge. Above all, Petty's songs are the confessions of a poetic mind interpreting a wounded soul. Petty lived his life the way he wrote and the way he played. It was grit, drive, and just enough finesse, to make things nice, where they need to be nice. On stage, he put the schau in Anschauung. Petty stood up to corporate assholes in a number of precedent-setting legal maneuvers and album concepts, risking his career and fortune, but never backing down. He was the center of a musical community that endured over four decades. His ability to cultivate new generations of listeners while connecting himself backward to the heroes of his own youth have made him universally respected by the widest range of music fans.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Our sense of smell is crucial to our survival. We can smell fear, disease, food. Fragrance is also entertainment. We can smell an expensive bottle of perfume at a high-end department store. Perhaps it reminds us of our favorite aunt. A memory in a bottle is a powerful thing. Megan Volpert's Perfume carefully balances the artistry with the science of perfume. The science takes us into the neurology of scent receptors, how taste is mostly smell, the biology of illnesses that impact scent sense, and the chemistry of making and copying perfume. The artistry of perfume involves the five scent families and symbolism, subjectivity in perfume preference, perfume marketing strategies, iconic scents and perfumers, why the industry is so secretive, and Volpert's own experiments with making perfume. Object Lessons is published in partnership with an essay series in The Atlantic.

Poetry. LGBT Studies. If Denis Johnson had written Tuesdays with Morrie, it'd feel like Megan Volpert's book of prose poems. Clawing its way out through this minimalist checklist of suburban malaise is an emphatically optimistic approach to growing up. These tiny essays carefully detail how to avoid becoming one's parents, how to manage a body addled by disease, and how to keep having the best possible time in life. After all: this is the only ride there is, and we can only ride it. Volpert's is a story of Springsteenian proportions, a gentleman's guide to rebellion complete with iron horses and the church of rock & roll.

Poetry. LGBT Studies. "About 'it gets better, ' they were never wrong, the path-forgers, the ground-breakers. How it gets better is another question, for a new century has brought changing minds, but also new hardships. That is why this extraordinary book matters. Teaching is such a sacred office, and we who teach today know the attentiveness that must be brought to the profession. These poems track, record, memorialize, and meditate on that office. There are poems of the student one lost, the student who reached out at last, of the daily commitment that teaching who you are requires, of why it matters. There is nothing like this thoughtful collection of trenchant, witty, poignant, blunt, and luminous poems on the art of teaching by LGBTIQ poets assembled with judicious vision by Megan Volpert. THIS ASSIGNMENT IS SO GAY is a beautiful and necessary book, not just for teaching, but for us all."--Cynthia Hogue

Poetry. LGBT Studies. Speaking directly to the pop icon's ghost, Megan Volpert dives into a completely charted yet utterly unknown ocean that is Andy Warhol. The resulting collection of love letters and hate mail audaciously perforates the scene of the usual cultural suspects with icy shrapnel in a terrifying mirror game. This is not a biography, but a book that reflects Andy--detects him, the Andy who deflects. Working into territory that channels the essay as its more radical practitioners imagine, Megan revives the prose poem and rethinks herself. As the idea of a "real" Andy begins to decay, the author learns to invent him and discovers herself everywhere. Remaking this mythic man in the image of her own baggage, Megan gives us her most personal writing to date and a striking truth: everybody becomes Andy.

As Megan Volpert stood over train tracks preparing to surrender to the psychedelic blindness of simple human misery, of all the Heartbreakers tracks available to come through her headphones, Straight Into Darkness is the one that did. In this highly philosophical and deeply personal exploration of one obscure Tom Petty song, Volpert's essays comb through the musical, historical, rhetorical, and sociological implications of a forgotten gem in a legendary catalog with satisfying results. Through this epic celebration of the fortieth anniversary of the Long After Dark album, Petty and Volpert each emerge as modern mystics who argue that in the face of powerlessness, we rebel anyway. Volpert judges the forty years of Petty's career with one finger on the pulse of Bob Dylan and an occasional whiff of Bruce Springsteen, looking at the sometimes-violent mob scene of concerts as a type of transcendent communion. Straight Into Darkness offers a compelling vision of rock and roll fandom where the songwriter's hardworking sense of humor is enough to save us from absurdity. All you need is Albert Camus and a couple of chords.