In the late 1920s and '30s Lincoln Perry, aka Stepin Fetchit, was both renowned and reviled for his surrealistic portrayals of the era's most popular comic stereotype-the lazy, shiftless Negro. Perry was hailed by critic Robert Benchley as "the best actor that the talking movies have produced," and Mel Watkins's meticulously researched and sensitive biography reveals the paradoxes of this pioneering actor's life, from Perry's tremendous popularity to his money troubles and rowdy offscreen antics. As later generations come to recognize Perry's prodigious talent and achievements, in "Stepin Fetchit, " Mel Watkins brilliantly and definitively illuminates the life and times of a legendary figure in American entertainment.

As the blackface minstrel show evolved from its beginnings in the American Revolution to its peak during the late 1800s, its frenetic dances, low-brow humor, and lively music provided more than mere entertainment. Indeed, these imitations and parodies shaped society's perceptions of African Americans-and of women-as well as made their mark on national identity, policymaking decisions, and other entertainment forms such as vaudeville, burlesque, the revue, and, eventually, film, radio, and television. Gathered here are rare primary materials-including firsthand accounts of minstrel shows, minstrelsy guides, jokes, sketches, and sheet music-and the best of contemporary scholarship on minstrelsy.

In this collection of articles, Mel Watkins, one of Canada's foremost political economists, demystifies the business of economics and economic policy. In a clearsighted and entertaining manner, he explores the roots of recession, the role of the NDP, and the Gulf War.