Contributors to this special issue study the visual histories of sex by examining symbols, images, film, and other visual forms ranging from medieval religious icons to twenty-first-century selfies. They argue that engaging BIPOC, antiracist, queer, and feminist perspectives of the past is vital to understanding the complex historical relationships between sex and visual culture and how these relationships continue to shape sexual lives, bodies, myths, and desires. Essay topics include trans visual archives in Francoist Spain, a visual archive of British escort and nightclub hostess Ruth Ellis, pornography and queer pleasure in East Germany, swimsuit advertisements and "bikini blondes" in the age of the atom bomb, and teaching the history of sexuality with images. This issue also contains a roundtable on curating exhibitions devoted to sex and to queer and trans experience; conversations with historians, artists, and curators who study visual culture and the history of sexuality; and an exploration of the photographic archives of Carol Leigh, a.k.a. Scarlot Harlot. Contributors. Heike Bauer, Roland Betancourt, Alexis L. Boylan, Topher Campbell, Joao Florencio, Kyle Frackman, Javier Fernandez Galeano, Sarah Jones, Carol Leigh, Conor McGrady, Ben Miller, Derek Conrad Murray, Lynda Nead, Melina Pappademos, Ashkan Sepahvand, David Serlin, Meg Slater, Katie Sutton, Annette F. Timm, Jennifer Tucker, Jeanne Vaccaro, Sunny Xiang

As the Cuban Revolution reaches its sixtieth anniversary, contributors to this special issue explore the impact of the revolution through the lens of sexuality and gender, providing a social and cultural history that illuminates the Cuban-influenced global New Left. Moving beyond assumptions about the revolutionary left's hypermasculinity and homophobia, the issue takes a nuanced approach to the Cuban Revolution's impact on gender and sexuality. Contributors study Cuban internationalist campaigns, the relationship between cultural diplomacy and mass media, and visual images of revolution and solidarity. They follow the emergence and negotiation of new gender ideals through the transgendering of Che's "New Man," the Cuban travels of Angela Davis, calls for sexual revolution in the Dutch Atlantic, and gender representations during the 1964 "Campaign of Terror" in Chile. In doing so, the authors provide fresh insight into Cuba's transnational legacy on politics and culture during the Cold War and beyond. Contributors. Lorraine Bayard de Volo, Marcelo Casals, Michelle Chase, Aviva Chomsky, Isabella Cosse, Ximena Espeche, Robert Franco, Paula Halperin, Lani Hanna, Elizabeth Quay Hutchison, Melina Pappademos, Jennifer L. Lambe, Diosnara Ortega Gonzalez, Gregory Randall, Margaret Randall, Chelsea Schields, Sarah Seidman, Emily Snyder, Heidi Tinsman, Ailynn Torres Santana

Much of the scholarly debate around the "Afropolitan"-the image of mobility, cultural production, and consumerism in Africa and the African diaspora-has focused on the elitism associated with the concept. Most critiques object to how the ideals of transnationalism and mobility inevitably refer to Western models of leisure and style, and Afropolitanism has rarely been contextualized in global African diaspora histories. This volume of written and photographic essays is one of the first sustained historical treatments of the Afropolitan. Contributors analyze the concept in a variety of contexts: itinerant artisans in fourteenth-century southern Africa, sixteenth-century African diaspora communities in Latin America, West African kingdoms and port cities in the waning decades of the Atlantic slave trade, a hair salon in twenty-first-century Paris, a road trip through Bangladesh. By engaging with the Afropolitan as a historical phenomenon, the authors highlight new methods and theories for analyzing global diasporas. Contributors. Paulina L. Alberto, Antonia Carcelen-Estrada, Rosa Carrasquillo, Elizabeth Fretwell, Dawn Fulton, Mathangi Krishnamurthy, Patricia Martins Marcos, Ndubueze Mbah, Hector Mediavilla, Emeka Okereke, Melina Pappademos, Aniova Prandy, David Schoenbrun, Lorelle Semley

While it was not until 1871 that slavery in Cuba was finally abolished, African-descended people had high hopes for legal, social, and economic advancement as the republican period started. In Black Political Activism and the Cuban Republic, Melina Pappademos analyzes the racial politics and culture of black civic and political activists during the Cuban Republic. The path to equality, Pappademos reveals, was often stymied by successive political and economic crises, patronage politics, and profound racial tensions. In the face of these issues, black political leaders and members of black social clubs developed strategies for expanding their political authority and for winning respectability and socioeconomic resources. Rather than appeal to a monolithic black Cuban identity based on the assumption of shared experience, these black activists, politicians, and public intellectuals consistently recognized the class, cultural, and ideological differences that existed within the black community, thus challenging conventional wisdom about black community formation and anachronistic ideas of racial solidarity. Pappademos illuminates the central, yet often silenced, intellectual and cultural role of black Cubans in the formation of the nation's political structures; in doing so, she shows that black activism was only partially motivated by race.