Are We an Accident...or Not? The question of cosmic origins and our place in the grand scheme of things has been debated for millennia. Why do we exist? Why does anything exist at all? Today's popular narrative, based on advancements in science, is that it all happened by natural, random processes. Melissa Cain Travis points to powerful evidence that the opposite is true-that cosmology, astronomy, biochemistry, and other disciplines strongly support what she calls "The Maker Thesis," which explains the origin, rationality, and intricacy of nature and the human mind's capacity to comprehend it. Our universe is made up of numerous complex systems of order that both interact and coexist with each other as if in a carefully choreographed dance. Follow along on a fascinating journey about how the structure of nature and the mind of man resonate in ways that point to a Maker who fully intended the astounding discoveries being made in the natural sciences today.

Community Music in Oceania: Many Voices, One Horizon makes a distinctive contribution to the field of community music through the experiences of its editors and contributors in music education, ethnomusicology, music therapy, and music performance. Covering a wide range of perspectives from Australia, Timor-Leste, New Zealand, Japan, Fiji, China, Taiwan, Malaysia, Singapore, and Korea, the essays raise common themes in terms of the pedagogies and practices used, pointing collectively toward one horizon of approach. Yet, contrasts emerge in the specifics of how community musicians fit within the musical ecosystems of their cultural contexts. Book chapters discuss the maintenance and recontextualization of music traditions, the lingering impact of colonization, the growing demands for professionalization of community music, the implications of government policies, tensions between various ethnic groups within countries, and the role of institutions such as universities across the region. One of the aims of this volume is to produce an intricate and illuminating picture that highlights the diversity of practices, pedagogies, and research currently shaping community music in the Asia Pacific.