Candlemas/Imbolc is the re-awakening of the Old Lass within Old Craft belief and also coincides with the Roman Candelaria and Fornicalia - a spring corn festival celebrated in honour of Fornax, goddess of ovens, and observed by each ward of the city. All this merging of primitive origins and rites, belonging to the European pre-urban agricultural culture, meant that it also commemorated the search for Persephone by her mother and the festival of candles symbolizing the return of the Light. So it continued to be performed until the Christian era, when it was transformed into Candalmas in AD494. In pre-Christian times, Imbolc observance began the night before 1st February, and celebrants prepared for a visit from Brigid into their homes by crafting an effigy of the goddess from bundles of oats and rushes. The clothed effigy was placed in a basket overnight, and the day was celebrated by burning lamps and lighting bonfires in tribute to her. Traditions from both the pagan celebration and the Christian observance of St. Brigid's Day can be found in the modern Imbolc festivities - while celebrants sometimes make a Brigid's Cross out of reeds, as well as a Brigid corn doll or effigy.

Keep it Simple A Simple is a philtre derived from a single herb and was an important element among the natural resources of the parish-pump witch, wise-women and cunning-folk. Simples are common kitchen 'stuff' that have been handed down through generations of country people in the form of family cures for everyday ailments. Or as William Fernie wrote in his Herbal Simples (1897) The art of Simpling is as old with us as our British hills. It aims at curing common ailments with simple remedies culled from the soil, or got from home resources near at hand. These were no fancy recipes with magical formulae, and, often given as a tisane, the woman of the household was able to use the remedies to treat common ailments suffered by her family. And, this elementary form of domestic plant medicine can be as simple as a cup of chamomile tea made from flowers picked fresh from our own garden to aid sleep. This was the most elementary way to use medicinal plants since no fancy recipes or scientific acumen was needed. But this element of traditional witchcraft has long been in the shadows ...

In Sumer is Icumen In we discover new and exciting ways of surviving (and enjoying) the truly pagan excesses of the Midsummer Festival. Here we can establish and instigate a new smorgasbord of traditions of our own for the purpose of celebration and observance and, in time, even though we must never lose sight of our authentic history, they may even be integrated into future pagan revels.

A large number of poisonous plants have beneficial uses in both domestic medicine and magic. Needless to say, when utilising a toxic plant in magic, we are adding certain extra deadly or potent energies into the mix and it is inadvisable to start messing about with deadly poisons unless we've made a thorough study of the subject - and not just by glancing at a paragraph in a book on herbal preparations!

One of the most significant social changes in the 20th-century was the wedge driven between the males and females of Craft as a result of social media and political feminism. From a purely magical point of view the battle of the sexes has been one of the most negative crusades in the history of mankind since everything in the entire Universe is made up from a balance or harmony of opposite energies. Men and women are different as night and day but still part of the same homo sapiens coin, regardless of their individual sexuality.

For the entire Pagan community Christmas should be one of the most sacred times of the year, but the lack of any formal written liturgy has consigned the festival to a minor observance in the Pagan calendar. Have a Cool Yule demonstrates that history proves the festival to be a wholly Pagan event, worthy of being acknowledged as one of the Great Festivals along with Beltaine and Samhain. With all the different strands of Pagan custom brought to the hearth-fire of the Mid-Winter Festival, we all have something to celebrate in time-honoured fashion, whether our ancestors are Briton, Celt, Norse or Anglo-Saxon.

Pagan Portals - The Inner-City Path: A Simple Pagan Guide to Well-Being and Awareness was inspired by Chet Raymo's book of similar title that chronicled his own daily urban walk to work and his observing the seasonal changes with a scientist's curiosity. The Inner-City Path is written from a pagan perspective, for those times when we take to our local urban paths as part of our daily fitness regime or dog walk. It is based on several urban walks that have merged together over the years to make up a book of the seasons and offers a glimpse into the pagan mind-set that can find mystery under every leaf and rock along the way. A simple guide to achieving a sense of well-being and awareness.

Those who have grown up with Pan as a playmate remember how, back in the day, it would be possible for a young child to disappear into the woods with only a dog for company for hours on end without there being a hue and cry raised in its absence; and it was on those woodland rides and pathways - summer or winter - that Melusine Draco often encountered Pan.

Mountains form the most spectacular creations on the planet and cover such a large amount of Earth's landmass that they can be seen clearly from outer space. Mountains are also a reminder that humans count for nothing in the greater scheme of things. They were formed by tectonic plate upheavals of such magnitude that the fossilised remains of prehistoric sea-creatures can be found on mountains tops; in fact, many Himalayan rocks were originally sediments on the primordial Tethys Ocean floor. In this first of the Sacred Landscape series Melusine Draco looks at ways of connecting with the genii locorum that inhabit the caves and mountains of our world. A companion volume to Sacred Landscape: Groves and Forests and Sacred Landscape: Lakes and Rivers.

No matter where you live, there will always be a wide variety of trees in the immediate vicinity, whether open countryside, urban parkland or municipal gardens. Get to know them, learn to recognise the different species, and draw on the magical power of the Tree. Be humbled in the presence of the trees, by their great size and beauty - and learn to work with them as a witch.

Using archaeology, archaeo-mythology and mitochondrial DNA we can chart the mass migrations of people throughout the ancient world and follow the footsteps of the beliefs of Old Europe. But if the concept of the Old Goddess is at odds with current popular thinking, how will we feel if we discover that the Great Mother of contemporary Paganism bears no similarity to the primal Great Goddess of the Old European world? Is there a `magico-spiritual' gene that could be traced back to those distant ancestors who actually worshipped the forebears of the various deities to whom we claim allegiance today? Are there time-honoured things about us all as individuals that are bred deep in the bone? Are we what our roots (our DNA) claim us to be? Perhaps, even though we are now scattered all over the globe, we cannot escape those ancient racial memories of where we originally came from.

How to find deeper meaning in magical workings with Earth, Air, Fire, Water and Spirit and connect with the Old Ways. Many contemporary pagan books rarely go further than describing the use of the elemental energies as markers in casting the Circle. In The Power of the Elements we consider drawing on the energy from the deepest levels of the ocean, the highest peaks of the mountains, the limits of outer space and the path of the hurricane. And why it is so important to return to the Classic Elements of the Greeks if we really want our magic to work.

Much of what passes for 'witchcraft' today was everyday knowledge to our forebears, especially those who lived and worked in the countryside. Here were to be found practical household hints, remedies and family recipes that had been handed down from generation to generation, some still existing in the form of treasured journals and notebooks. There is, however, nothing fanciful or far-fetched about this information - in fact, The Secret People is a remembrance of times past and a preservation of 'parish-pump witchcraft, wise-women and cunning ways' adapted for use in the 21st century. It may also go a long way in helping those present-generation pagans in search of an identity and answer the questions: Who ...what am I?

Although we are an island race, few are fortunate to live near enough to the sea to use the shoreline as a regular magical working area. And yet for the natural witch, born and bred by the sea, the beach and rocky shore are equally as magical as the inland woods and hills of more traditional approaches to witchcraft. The author takes us on a magical journey along the seashore and reveals how to work with the natural oceanic tides and energies. Learn how to harness the powers of the deep, and collect flotsam and jetsam for use as ritual tools. A book like no other.

Both FieldCraft and its companion title, WoodCraft, assume a certain degree of magical understanding on the part of the reader with regard to routine divination, spell and Circle casting. For this reason the text does not include the basic elements of rudimentary witchcraft that can be found in titles similar to Mean Streets Witchcraft and Sea Change. The books have been written in tandem to avoid any unnecessary repetition, and to provide cross-references where necessary.

For the witch whose career confines them to an urban environment, regular Craft practice may often seem like a futile gesture, especially if home is a small, gardenless-flat. Even the suburbs can be magically incapacitating, if there is constant noise from traffic and neighbours. People work long hour without having the opportunity to notice the subtle changing of the seasons. Weekends are a constant battle with family, domestic chores and socialising. It's no wonder that the urban witch has little time left for magical and spiritual development. Traditional Witchcraft for Urban Living deals with the constant barrage of psychic problems that confront the urban witch on a daily basis. Based on the teachings of a traditional Craft background, the author successfully manages to blend the Old Ways with practical contemporary practice. This book is part of the Traditional Witchcraft Series. Other titles in the series are Traditional Witchcraft for the Seashore(Jan 2012), Traditional Witchcraft for Fields and Hedgerows (Mar 2012) and Traditional Witchcraft for the Woods and Forests (Mar 2012).

Traditional Witchcraft and the Pagan Revival takes us on a journey into the past, along the highways and byways of our pagan heritage to discover when the different aspects of magical influence entered traditional witchcraft. It will appeal to everyone with an interest in magic, witchcraft and paganism - from grass roots to the more advanced levels of Wicca - who wish to learn more about the different traditions and their antecedents.

Divination is only a small part of a witch's stock in trade, and although a basic introduction to the subject can be learned from books, proficiency will only come through vigorous practice. This proficiency comes through the discovery of certain secret matters by a great variety of means, correspondences, signs and occult techniques. Before a witch can perform any of these operations with any degree of success, we need to develop the `art of seeing' and the ability to divine with rod, fingers and birds. Divination is what could be referred to as the practical element of Craft magic, and we don't even have to be witches to be able to read the portents. But it helps! A companion volume to Pagan Portals: By Spellbook & Candle and Pagan Portals: By Wolfsbane & Mandrake Root, from popular Moon Books author Melusine Draco.

Magic Crystals, Sacred Stones is aimed at those who have explored crystal working as a beginner and who now wish to understand the mysteries of the Earth at a deeper level.