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On the day after Christmas in 1811, the state of Virginia lost its
governor and almost one hundred citizens in a devastating nighttime
fire that consumed a Richmond playhouse. During the second act of a
melodramatic tale of bandits, ghosts, and murder, a small fire
kindled behind the backdrop. Within minutes, it raced to the
ceiling timbers and enveloped the audience in flames. The tragic
Richmond Theater fire would inspire a national commemoration and
become its generation's defining disaster. A vibrant and bustling
city, Richmond was synonymous with horse races, gambling, and
frivolity. The gruesome fire amplified the capital's reputation for
vice and led to an upsurge in antitheater criticism that spread
throughout the country and across the Atlantic. Clerics in both
America and abroad urged national repentance and denounced the
stage, a sentiment that nearly destroyed theatrical entertainment
in Richmond for decades. Local churches, by contrast, experienced a
rise in attendance and became increasingly evangelical. In The
Richmond Theater Fire, the first book about the event and its
aftermath, Meredith Henne Baker explores a forgotten catastrophe
and its wide societal impact. The story of transformation comes
alive through survivor accounts of slaves, actresses, ministers,
and statesmen. Investigating private letters, diaries, and sermons,
among other rare or unpublished documents, Baker views the event
and its outcomes through the fascinating lenses of early
nineteenth-century theater, architecture, and faith, and reveals a
rich and vital untold story from America's past.
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