'It is a most wonderful comfort to sit alone beneath a lamp, book spread before you, and commune with someone from the past whom you have never met...' Moonlight, sake, spring blossom, idle moments, a woman's hair - these exquisite reflections on life's fleeting pleasures by a thirteenth-century Japanese monk are delicately attuned to nature and the senses. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Yoshida Kenko (c. 1283-1352). Kenko's work is included in Penguin Classics in Essays in Idleness and Hojoki.

'I have relinquished all that ties me to the world, but the one thing that still haunts me is the beauty of the sky' These simple, inspiring writings by three medieval Buddhist monks offer peace and wisdom amid the world's uncertainties, and are an invitation to relinquish earthly desires and instead taste life in the moment. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

Shortlisted for the NSW Translation Prize Discover a realm of travel writing undreamed of in the West - a richly literary tradition extending through a thousand years and more, whose individual works together weave a dense and beautiful brocade of repeated patterns and motifs, tones and textures. Here are asobi, the wandering performers who prefigured geisha; travelling monks who sleep on pillows of grass and listen to the autumnal insects; and a young girl who passionately longs to travel to the capital and read more stories. Taking in songs, dramas, tales, diaries and above all, poetry, this wonderful anthology roams over mountains and along perilous shores to show how profoundly travel inspired the Japanese imagination.

'A mistress of wry observation and scalding wit ... The Pillow Book retains its fresh, authentic appeal more than 1,000 years after its inception' Japan Times Written by the court gentlewoman Sei Shonagon as a journal for her own amusement, The Pillow Book is one of the greatest works of Japanese literature. A fascinating exploration of life amongst the nobility at the height of the idyllic Heian period, it describes the exquisite pleasures of a confined world in which poetry, love, fashion and whim dominated. From brief reflections to longer, lyrical tales, Shonagon moves elegantly across themes including nature, society and her own flirtations and frustrations, to provide a witty, unique insight into a woman's life at court in classical Japan. Translated with an introduction by Meredith McKinney

A stunning new translation-the first in more than forty years-of a major novel by the father of modern Japanese fiction
Natsume S?seki's "Kusamakura" follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or "beauty," is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of S?seki's word painting. In the author's words, "Kusamakura" is "a haiku-style novel, that lives through beauty." Written at a time when Japan was opening its doors to the rest of the world, "Kusamakura" turns inward, to the pristine mountain idyll and the taciturn lyricism of its courtship scenes, enshrining the essence of old Japan in a work of enchanting literary nostalgia.

Winner of the Kenzaburō Ōe Prize

Two immigrants, Salimah and Sayuri, navigate isolation, a new language, and devastating loss on their way to a lifelong friendship. Far from her native country of Nigeria and now living as a single mother of two, Salimah works the night shift at a supermarket in small-town Australia. She is shy and barely speaks English, but pushes herself to sign up for an ESL class offered at the local university.

At the group’s first meeting, Salimah meets Sayuri, who has come to Australia from Japan with her husband, a resident research associate at the local college. Sayuri has put her own education on hold to take care of her infant daughter and she is plagued by worries about financial instabilities and her general precariousness.

When Sayuri’s daughter dies in daycare and one of Salimah’s boys leaves to live with his father, the two women look to one another for comfort and sustenance, as they slowly master their new language.

Written with great warmth, Farewell, My Orange offers optimism in the face of adversity. In the stories of Salimah and Sayuri, readers will find a touching portrait of our need for others and the certainty of change.

These two works on life's fleeting pleasures are by Buddhist monks from medieval Japan, but each shows a different world-view. In the short memoir Hojoki, Chomei recounts his decision to withdraw from worldly affairs and live as a hermit in a tiny hut in the mountains, contemplating the impermanence of human existence. Kenko, however, displays a fascination with more earthy matters in his collection of anecdotes, advice and observations. From ribald stories of drunken monks to aching nostalgia for the fading traditions of the Japanese court, Essays in Idleness is a constantly surprising work that ranges across the spectrum of human experience. Meredith McKinney's excellent new translation also includes notes and an introduction exploring the spiritual and historical background of the works. Chomei was born into a family of Shinto priests in around 1155, at at time when the stable world of the court was rapidly breaking up. He became an important though minor poet of his day, and at the age of fifty, withdrew from the world to become a tonsured monk. He died in around 1216. Kenko was born around 1283 in Kyoto. He probably became a monk in his late twenties, and was also noted as a calligrapher. Today he is remembered for his wise and witty aphorisms, 'Essays in Idleness'. Meredith McKinney, who has also translated Sei Shonagon's The Pillow Book for Penguin Classics, is a translator of both contemporary and classical Japanese literature. She lived in Japan for twenty years and is currently a visitng fellow at the Australian National University in Canberra. '[Essays in Idleness is] a most delightful book, and one that has served as a model of Japanese style and taste since the 17th century. These cameo-like vignettes reflect the importance of the little, fleeting futile things, and each essay is Kenko himself' Asian Student

'In Japan we have an expression, 'Float like Cloud, Flow like Water'. Its meaning is: to live free and unconstrained' In this short introduction to Zen Buddhism, a practising Japanese monk shares the many lessons he has learned from life inside a temple. With charm and humour, he guides us through everything from meditation to tea-drinking ceremonies, the meaning of koans to preparing Zen food. Accompanied by the author's own illustrations, this book invites you to change your perception through the wisdom of monastic life.

This book examines and re-imagines the turbulent and intertwined lives of Akiko Yosano (1878-1942) and Tekkan Yosano (1873-1935), two poets who sparked a revolution in the world of Japanese 'tanka' (short-verse classical poetry).

Born in provincial Sakai, in the Osaka prefecture, the young Akiko defied expectation to become a female poet, a calling through which she met Tekkan Yosano, the figurehead poet of the iconic literary journal 'Myojo' and who would eventually become her husband. The author explores the effect of their passionate and at times tormented relationship on their hugely influential work, as well as describing each of their childhoods, as she uses documentary sources along with her storytelling abilities in order to evoke the intimate details of their lives, together and apart. The story of these two poets is interwoven with those of the other poets and family who surrounded them, while these personal stories are also situated within their wider historical context.

Sensitively and beautifully translated by Meredith McKinney, this is an intimate and personal exploration of the compelling lives of these two Japanese poets, in what the author calls 'a love letter' to their memories.