Lost in the frozen polar wastes, an explorer huddles in his shelter, typing, with frozen fingers, the story of his lonely, extraordinary exploits, preparing to send the story to the nephew he has never seen. With his only companion, the tortoise-like mutant Jackson, the Uncle has gone in search of his ambition and his destiny: the awesome and mysterious White Lion. Illustrated on every page with stunning, beautiful, eerie original drawings, "Letters from a Lost Uncle" is the product of a unique imagination and a distillation of all that is most powerful in the strange genius of Mervyn Peake. Painstakingly re-originated from Peake's original artwork and typescript, this edition celebrates the centenary of Mervyn Peake's birth in 2011 and is re-issued alongside Peake's illustrated edition of Lewis Carroll's "The Hunting of the Snark" (Methuen ISBN 978 0413 777140).

Enter the world of Gormenghast...the vast crumbling castle to which the seventy-seventh Earl, Titus Groan, is Lord and heir. Gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old rituals, a world primed to implode beneath the weight of centuries of intrigue, treachery, manipulation and murder. Gormenghast is more than a sequel to Titus Groan - it is an enrichment and deepening of that book.The fertility of incident, character and rich atmosphere combine in a tour de force that ranks as one of the twentieth century's most remarkable feats of imaginative writing.

Titus Groan is seven years old. Lord and heir to the crumbling castle Gormenghast. Gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old rituals, a world primed to implode beneath the weight of centuries of intrigue, treachery, and death. Steerpike, who began his climb across the roofs when Titus was born, is now ascending the spiral stairacse to the heart of the castle, and in his wake lie imprisonment, manipulation, and murder. Gormenghast is the second volume in Mervyn Peake's widely acclaimed trilogy, but it is much more than a sequel to Titus Groan--it is an enrichment and deepening of that book. And back in single volumes for the first time in years, a new generation of fantasy fans will grow to love this tour de force that ranks as one of the twentieth century's most remarkable feats of imaginative writing.

Classics of epic fantasy, Peakes series of Gormenghast novels represents one of the most brilliantly sustained flights of Gothic imagination. For the first time in years, the first book in this timeless series is available in an individual paperback volume, complete with new packaging.

Perhaps the greatest of all adventure stories for boys and girls, Treasure Island began, a brave boy who finds himself among pirates, and of the sinister pirate-cook Long John Silver holds children as entranced today as it did a century ago. It has appeared with illustrations by many leading artists, but none so apt as Peake's--first published in 1949 and out of print until now.

As the first novel opens, Titus, heir to Lord Sepulchrave, has just been born: he stands to inherit the miles of rambling stone and mortar that stand for Gormenghast Castle. Inside, all events are predetermined by a complex ritual, lost in history, understood only by Sourdust, Lord of the Library. There are tears and strange laughter; fierce births and deaths beneath umbrageous ceilings; dreams and violence and disenchantment contained within a labyrinth of stone.

Enter the world of Gormenghast...Gormenghast is the vast crumbling castle to which the seventy-seventh Earl, Titus Groan, is Lord and heir. Gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old ritual, a world primed to implode beneath the weight of centuries of intrigue, treachery, manipulation and murder - a world suggested in a tour-de-force that ranks as one of this century's most remarkable feats of imaginative writing.

In Titus Awakes the 77th Earl of Groan leaves the crumbling castle of Gormenghast and finds the larger world even stranger than his birthplace. Confronted by elemental and human threats - snowstorms, shipwrecks and attempts on his life - Titus' bravery is tested and he must fight to free himself from the claims of his past. Peake began this fourth and final volume of the Gormenghast stories but he died having only written a few pages. Using notes and the fragments he left behind, his wife, the painter and writer Maeve Gilmore, has created a richly imagined sequel that fans of The Gormenghast Trilogy will delight in.

This work is adapted from Mervyn Peake's great gothic trilogy, a fantastical world comes to life. In one extraordinary evening of physical theatre you will enter a world of grotesque characters, fantastic ritual and heart-rending drama. It is not for the faint-hearted. David Glass Ensemble revives its award-winning production - one of its greatest hits of the 1990's. "Gormenghast" opens at the Lighthouse Theatre, Poole in May 2006.

Equipped with love, Mr Harold Pye lands on the island of Sark, his mission to convert the islanders into a crusading force for the undiluted goodness that he feels within. The extraordinary inhabitants of the island range fromthe formidable Miss George in her purple busby to the wanton, raven-haired Tintagieu, 'five foot three inches of sex'. Mr Pye, however, is prone to excess and in the increasingly personalised struggle between good and evil, excess is very nearly his downfall.

In this final part of the trilogy, we follow Titus, now almost twenty, as he escapes from the Castle, flees its oppressive Ritual, and becomes lost in a sandstorm. Helped by the owner of a travelling zoo, Muzzlehatch, and his ex-lover Juno, Titus ends up stranded in a big, bustling city. No one there having heard of Gormenghast, the general consensus is that the boy is deranged, and with no papers, he's soon arrested for vagrancy. But there are a few people who believe in his story, or at least who are intrigued by it, and they try to help him. And now Titus, the deserter, the traitor, longs for his home, and looks for it all the time to prove, if only to himself, that Gormenghast is truly real.