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Words and Pictures - On the Literal and the Symbolic in the Illustration of a Text (Paperback, 2nd printing): Meyer Schapiro Words and Pictures - On the Literal and the Symbolic in the Illustration of a Text (Paperback, 2nd printing)
Meyer Schapiro
R2,050 R1,579 Discovery Miles 15 790 Save R471 (23%) Ships in 10 - 15 working days
Arshile Gorky (Hardcover): Ethel Schwabacher Arshile Gorky (Hardcover)
Ethel Schwabacher; Foreword by Lloyd Goodrich; Introduction by Meyer Schapiro
R1,121 Discovery Miles 11 210 Ships in 10 - 15 working days

Study Of This Important American Painter By One Of His Students.

Arshile Gorky (Paperback): Ethel Schwabacher Arshile Gorky (Paperback)
Ethel Schwabacher; Foreword by Lloyd Goodrich; Introduction by Meyer Schapiro
R762 Discovery Miles 7 620 Ships in 10 - 15 working days

Study Of This Important American Painter By One Of His Students.

The Parma Ildefonsus - A Romanesque Illuminated Manuscript From Cluny and Related Works (Hardcover): Meyer Schapiro The Parma Ildefonsus - A Romanesque Illuminated Manuscript From Cluny and Related Works (Hardcover)
Meyer Schapiro
R2,234 Discovery Miles 22 340 Ships in 10 - 15 working days
The Parma Ildefonsus - A Romanesque Illuminated Manuscript from Cluny and Related Works (Paperback): Meyer Schapiro The Parma Ildefonsus - A Romanesque Illuminated Manuscript from Cluny and Related Works (Paperback)
Meyer Schapiro
R520 Discovery Miles 5 200 Ships in 10 - 15 working days
Romanesque Architectural Sculpture (Hardcover): Meyer Schapiro Romanesque Architectural Sculpture (Hardcover)
Meyer Schapiro
R1,543 Discovery Miles 15 430 Ships in 12 - 17 working days

Meyer Schapiro (1904-96), renowned for his critical essays on nineteenth- and twentieth-century painting, also played a decisive role as a young scholar in defining the style of art and architecture known as Romanesque. And, appropriately, when he was invited to deliver the prestigious Charles Eliot Norton Lectures at Harvard, he chose Romanesque architectural sculpture as his topic. These lectures, acclaimed for the verve and freshness with which Schapiro delivered them, languished unpublished for decades. But Linda Seidel, who knew Schapiro well and attended the 1967 lectures, has now expertly transcribed and edited them, presenting them for the first time to an audience beyond the halls of Harvard.
In editing the lectures, Seidel closely followed the recordings of the originals. Sentences are rendered as Schapiro spoke them, affording readers a unique opportunity to experience the legendary teacher as he rarely appears in print: forming his thoughts spontaneously, interrupting himself to develop related ideas, and responding to the audience's interests by introducing humorous asides. Nonetheless, these lectures are carefully constructed, demonstrating Schapiro's commitment to the originality and value of artistic production and affirming his lifelong belief in artists' engagement with their cultures. Amply illustrated with many key works and augmented with Seidel's indispensable introduction, this long-awaited volume will delight students and scholars of art history, as well as anyone interested in seeing a new side of a profoundly influential mind.

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