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The Routledge Companion to History and the Moving Image takes an
interdisciplinary approach to understanding history in moving
images. It engages this popular and dynamic field that has evolved
rapidly from film and television to digital streaming into the age
of user-created content. The volume addresses moving-image history
through a theoretical lens; modes and genres; representation, race,
and identity; and evolving forms and formats. It brings together a
range of scholars from across the globe who specialize in film and
media studies, cultural studies, history, philosophy of history,
and education. Together, the chapters provide a necessary
contemporary analysis that covers new developments and questions
that arise from the shift to digital screen culture. The book
examines technological and ethical concerns stemming from today’s
media landscape, but it also considers the artificial construction
of the boundaries between professional expertise and amateur
production. Each contributor’s unique approach highlights the
necessity of engaging with moving images for the academic
discipline of history. The collection, written for a global
audience, offers accessible discussions of historiography and a
compelling resource for advanced undergraduates and postgraduates
in history, film and media studies, and communications.
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