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William Langland's allegorical poem Piers Plowman is becoming ever-more popular in medieval English literature courses. But most current introductions focus primarily on the B text, leaving a gap in available resources for the poem's study. As Piers Plowman continues to gain academic attention in all its three versions (the A, B, and C-texts), teachers and students need a new perspective and new approach to the poem as an evolving whole. This first comprehensive introduction to Langland's masterful work covers all three iterations and outlines the various changes that occurred between each. Useful for individuals reading any version of Piers Plowman, this engaging guide offers a much-needed navigational summary, a chronology of historic events relevant to the poem, biographical notes about Langland, and keys to characters and proper pronunciation. Calabrese's definitive and refreshingly lively volume allows readers to navigate this daunting poem and to contextualize it within the literary history of Western culture.
William Langland's allegorical poem Piers Plowman has found new critical and pedagogic life in the twenty-first century. Engaging with culture, religion, community, work, and the histories of government and popular revolt, the poem exists in three versions: the earliest, short A text (c. 1367-70), the much longer B text (c. 1377-79), and the later revision, the C text (c. 1382-87). Studies have frequently focused on the B text, leaving a gap in available resources for students of the poem. This is the first comprehensive introduction to Langland's masterful work that covers all three iterations, outlining the various changes that occurred between each. It thoroughly explores the versions in parallel study and offers new perspectives and approaches to the poem as an evolving whole. Useful for individuals reading any version of Piers Plowman, this engaging guide offers a much-needed navigational summary, a chronology of historic events relevant to the poem, biographical information about Langland and his work in context with his contemporaries, and keys to characters and to proper pronunciation. Michael Calabrese's definitive and refreshingly lively volume allows readers to navigate the three versions of this daunting poem and to contextualize it within the literary history of Western culture. A volume in the series New Perspectives on Medieval Literature: Authors and Traditions, edited by R. Barton Palmer and Tison Pugh
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